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息耐者カール

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息耐者カール

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3girls, 1boy, male focus, three people, symmetrical composition, from front, eye-level, upper body, close-up, two brides flanking one man, bride on the left kissing the man's left cheek, bride on the right kissing the man's right cheek, lips pressed to both cheeks at once, heart-shaped eyes, heart pupils, lipstick kiss marks all over his face, kiss mark on forehead, kiss marks on jaw and chin and neck, white satin wedding gowns, deep plunging neckline, cleavage, glowing heart-shaped frame, heart-shaped bokeh, hearts floating around, sparkling, blush, closed eyes on the brides, long hair, veils, bare shoulders, warm pink and gold palette, glossy highlights, soft bloom, romantic, playful The camera sits straight on and level, tight and symmetrical: the man fills the centre of the frame in an upper-body close-up, and the two brides close in from the left and right edges so that their faces are turned in profile against his cheeks, sealing him between them. Each bride's lips are pressed flat to his cheek -- the left bride's mouth against his left cheekbone just below the eye, the right bride's mouth against his right cheek at the same height -- and each bride's near hand comes up to cup the far side of his jaw for balance, fingertips sunk slightly into his cheek so the skin dimples. Both brides lean in with their shoulders angled toward him, weight tipped onto the foot nearest the man, veils sliding forward off their shoulders and hanging in loose folds across his upper arms; both brides have their eyes shut in the kiss, lashes down, brows softly drawn. The man's head is held level between them, chin slightly lifted, and his eyes are two glossy heart-shaped pupils, bright and wet, both pointed straight out at the viewer; his mouth is open in a small helpless grin, and a flush runs from his collar up to his ears. His face is thoroughly stamped: overlapping pink-red lipstick prints on his forehead, both cheeks around the brides' mouths, his chin, his jaw and down the side of his neck, some crisp and some smeared where a second kiss crossed the first. Below, the two brides' white satin gowns are cut into deep plunging necklines that open in a V down the chest, the satin stretched taut over the bust and gathering into shadowed cleavage on both women, the fabric catching a hard bright specular line along each fold. Around the three of them a glowing heart-shaped frame of light arcs through the air, its luminous rim passing behind the man's shoulders and closing above his head, and smaller hearts float loose in the surrounding space, some sharp and some thrown out of focus, drifting at different depths. The light comes from the heart-shaped frame itself, a warm rose-gold glow that rims the man's hair, the brides' veils and the edges of the satin from behind, while a soft frontal fill keeps every face readable; beyond the glow the background falls away into a dark warm rose that swallows the edges of the frame, and where the light is strongest the kiss marks on his skin shine wetly. Palette is held to white satin, rose-pink, red lipstick and gold light on a deep rose ground, nothing else admitted. Effortlessly silly, warmly romantic.
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Prompt original
中央の男は両脇の花嫁のほっぺにキスされる。男の目がハートでキスマークだらけにされる。胸の谷間。ハートの光の枠。周囲にハート。
Modo
flash
Estilo
Anime glamuroso moderno
Tamaño
1632 x 1232
Estilo: Anime glamuroso moderno
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.01k

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AI artwork
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3girls, 1boy, male focus, three people, symmetrical composition, from front, eye-level, upper body, close-up, two brides flanking one man, bride on the left kissing the man's left cheek, bride on the right kissing the man's right cheek, lips pressed to both cheeks at once, heart-shaped eyes, heart pupils, lipstick kiss marks all over his face, kiss mark on forehead, kiss marks on jaw and chin and neck, white satin wedding gowns, deep plunging neckline, cleavage, glowing heart-shaped frame, heart-shaped bokeh, hearts floating around, sparkling, blush, closed eyes on the brides, long hair, veils, bare shoulders, warm pink and gold palette, glossy highlights, soft bloom, romantic, playful The camera sits straight on and level, tight and symmetrical: the man fills the centre of the frame in an upper-body close-up, and the two brides close in from the left and right edges so that their faces are turned in profile against his cheeks, sealing him between them. Each bride's lips are pressed flat to his cheek -- the left bride's mouth against his left cheekbone just below the eye, the right bride's mouth against his right cheek at the same height -- and each bride's near hand comes up to cup the far side of his jaw for balance, fingertips sunk slightly into his cheek so the skin dimples. Both brides lean in with their shoulders angled toward him, weight tipped onto the foot nearest the man, veils sliding forward off their shoulders and hanging in loose folds across his upper arms; both brides have their eyes shut in the kiss, lashes down, brows softly drawn. The man's head is held level between them, chin slightly lifted, and his eyes are two glossy heart-shaped pupils, bright and wet, both pointed straight out at the viewer; his mouth is open in a small helpless grin, and a flush runs from his collar up to his ears. His face is thoroughly stamped: overlapping pink-red lipstick prints on his forehead, both cheeks around the brides' mouths, his chin, his jaw and down the side of his neck, some crisp and some smeared where a second kiss crossed the first. Below, the two brides' white satin gowns are cut into deep plunging necklines that open in a V down the chest, the satin stretched taut over the bust and gathering into shadowed cleavage on both women, the fabric catching a hard bright specular line along each fold. Around the three of them a glowing heart-shaped frame of light arcs through the air, its luminous rim passing behind the man's shoulders and closing above his head, and smaller hearts float loose in the surrounding space, some sharp and some thrown out of focus, drifting at different depths. The light comes from the heart-shaped frame itself, a warm rose-gold glow that rims the man's hair, the brides' veils and the edges of the satin from behind, while a soft frontal fill keeps every face readable; beyond the glow the background falls away into a dark warm rose that swallows the edges of the frame, and where the light is strongest the kiss marks on his skin shine wetly. Palette is held to white satin, rose-pink, red lipstick and gold light on a deep rose ground, nothing else admitted. Effortlessly silly, warmly romantic.
息耐者カール
AI artwork
息
heart-shaped pupils, heart eyes, 1boy, 2girls, three people, man in the center, bride on each side, two brides, wedding dress, kissing cheek, cheek kiss, kiss, both hands on his shoulders, leaning in, closed eyes, blush, smile, open mouth, cleavage, breast focus, heart-shaped frame, glowing frame, heart-shaped light, floating hearts, heart motif, sparkles, bokeh, upper body, close-up, from above, slight dutch angle, looking at viewer, heart-shaped pupils, warm palette, pink and gold, high contrast, soft glow, celebration, romantic, ecstatic Seen from above and tilted a few degrees off level, three figures fill the frame in a tight upper-body close-up: a young man stands at the exact center, flanked by two brides in white, and the camera looks down on the crown of his head with both women's faces tipped up toward his cheeks. The bride on his left presses her lips to his left cheek, both of her hands planted flat on his far shoulder, her fingers spread over the fabric, her head tilted so her temple brushes his jaw; her eyes are shut, lashes low, mouth compressed soft against his skin. The bride on his right mirrors her exactly on the other side, lips against his right cheek, one hand curled over his near shoulder with the thumb hooked into the collar, the other hand resting at his chest; her eyes are closed too, and her chin is lifted so her veil slides back off her hair. White bridal silk and lace on both of them: off-shoulder bodices with sweetheart necklines and full gathered skirts falling out of the bottom of the frame, short veils pinned at the back of the head, small bouquets abandoned and out of shot. The man's head is tipped back and slightly to his left under the two kisses, shoulders pulled square, chest pushed forward; his eyes are wide open and each pupil has collapsed into a clearly drawn pink heart shape, glossy and reflective, aimed straight up at the lens. His mouth is open in a helpless grin, teeth showing, cheeks flushed red where the two mouths meet his skin, and his hands hang useless at his sides, fingers loose. The woman on the left has long straight dark hair falling over her shoulder; the woman on the right has light brown hair in a low updo, loose strands escaping down her neck. His own hair is short and dark, already mussed by the two heads leaning into it. Both brides' bodices sit low, and the front of the man's view down between their shoulders opens onto a deep, softly shaded cleavage on the left bride's chest, the line of her collarbone catching the light above it. Around all three, a heart-shaped frame of glowing pink light traces a closed loop around the group, its two lobes crowning the top of the frame and its point dropping below the man's chest; the light spills onto the edges of the two veils and along the man's shoulders, brightest at the curve nearest the lens and thinning into a soft halo further back. Small hearts float through the air on every side -- a cluster of solid pink ones near the upper left, a few translucent ones drifting between the two brides' heads, one small heart caught in the right bride's loose hair -- and they are lit from within, each one casting a faint colored bloom on the nearest skin. The only light is the heart frame itself and the glow of the floating hearts: a warm rose-gold key that strikes the top of the man's head, the bridge of both brides' noses and the tops of their shoulders, leaving the undersides of their chins, the hollow of the man's throat and the corners of the frame in deep plum shadow. The palette admits pink, white, rose-gold and warm skin tones and nothing else, with the white silk taking the pink cast of the light rather than staying neutral. Behind them the background is a seamless soft pink gradient, indistinct and out of focus, with a few bokeh circles of heart-shaped light. Depth of field keeps the three faces and the heart pupils razor sharp and lets the frame's far point and the floating hearts soften into glow. Ecstatic, dizzy with affection.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, man in the center, two brides flanking him, kiss on both cheeks, simultaneous cheek kiss, heart-shaped eyes, heart-shaped pupils, cleavage, deep plunging neckline, white satin bridal gown, bridal veil, bouquet, heart-shaped light frame, glowing heart-shaped border of light, upper body, cowboy shot, facing viewer, from front, head tilt, eyes closed, blush, smile, glossy skin, clean linework, soft shading, warm palette, romantic comedy mood. A front-facing cowboy shot with the man dead center, framed from mid-thigh up: he is a lean young man in his twenties in a dark formal suit, a white dress shirt unbuttoned at the collar and a loosened tie, his shoulders loose and slightly lifted, chin tipped back and up as his head tilts toward the ceiling in bliss. His eyes are the picture's joke and its focal point — the pupils have become two perfectly symmetrical glowing pink hearts, and the hearts are the brightest thing on his face, catching a wet bright highlight along their upper lobes. His mouth is open in a dopey, delighted grin, and a soft blush sits high on both cheeks where the brides' lips press. Between them the two brides lean in from left and right, each angled toward him at nearly the same tilt so the composition reads as a symmetrical pair: each wears a white satin bridal gown with a deep plunging neckline that bares the chest and reveals cleavage, the satin catching a broad soft sheen along the breast and shoulder curves, a pale veil falling behind the shoulders and a small bouquet held low and out of the way in one hand each. Each bride's eyes are closed in a serene kiss, lashes lying against the cheek, lips pressed to the man's cheek at the exact spot where the blush blooms, and each has one hand resting on his far shoulder while the near hand holds her bouquet — four named contact points, cheek against cheek, palm against shoulder, two of them left and two right. The brides' hair spills forward in the lean, one dark and one light, and the veils sway back away from the motion. All three faces catch the same warm key light from slightly above and in front, which lays a soft sheen on skin, satin and lip gloss; the background behind them is a seamless, gentle warm-pink studio sweep, and around all three figures a heart-shaped frame drawn entirely in glowing light arcs through the air, a luminous pink outline with brighter sparkles at the top cleft and the bottom point, its glow softly bleeding onto the edges of the veils and onto the man's shoulder. Only that light frame and the key light illuminate them; beyond the heart outline the pink sweep falls away into a dimmer, softer wash. Colours are limited to warm pink, cream white, white satin and the man's charcoal suit, with his red tie as the one saturated accent. The three hearts in his eyes are perfectly identical in size, and the specular highlights inside them sit on the same upper-left point in both. Bright, silly, adoring.
息耐者カール
AI artwork
息
heart-shaped pupils, heart eyes, 1boy, 2girls, three people, man in the center, bride on each side, two brides, wedding dress, kissing cheek, cheek kiss, kiss, both hands on his shoulders, leaning in, closed eyes, blush, smile, open mouth, cleavage, breast focus, heart-shaped frame, glowing frame, heart-shaped light, floating hearts, heart motif, sparkles, bokeh, upper body, close-up, from above, slight dutch angle, looking at viewer, heart-shaped pupils, warm palette, pink and gold, high contrast, soft glow, celebration, romantic, ecstatic Seen from above and tilted a few degrees off level, three figures fill the frame in a tight upper-body close-up: a young man stands at the exact center, flanked by two brides in white, and the camera looks down on the crown of his head with both women's faces tipped up toward his cheeks. The bride on his left presses her lips to his left cheek, both of her hands planted flat on his far shoulder, her fingers spread over the fabric, her head tilted so her temple brushes his jaw; her eyes are shut, lashes low, mouth compressed soft against his skin. The bride on his right mirrors her exactly on the other side, lips against his right cheek, one hand curled over his near shoulder with the thumb hooked into the collar, the other hand resting at his chest; her eyes are closed too, and her chin is lifted so her veil slides back off her hair. White bridal silk and lace on both of them: off-shoulder bodices with sweetheart necklines and full gathered skirts falling out of the bottom of the frame, short veils pinned at the back of the head, small bouquets abandoned and out of shot. The man's head is tipped back and slightly to his left under the two kisses, shoulders pulled square, chest pushed forward; his eyes are wide open and each pupil has collapsed into a clearly drawn pink heart shape, glossy and reflective, aimed straight up at the lens. His mouth is open in a helpless grin, teeth showing, cheeks flushed red where the two mouths meet his skin, and his hands hang useless at his sides, fingers loose. The woman on the left has long straight dark hair falling over her shoulder; the woman on the right has light brown hair in a low updo, loose strands escaping down her neck. His own hair is short and dark, already mussed by the two heads leaning into it. Both brides' bodices sit low, and the front of the man's view down between their shoulders opens onto a deep, softly shaded cleavage on the left bride's chest, the line of her collarbone catching the light above it. Around all three, a heart-shaped frame of glowing pink light traces a closed loop around the group, its two lobes crowning the top of the frame and its point dropping below the man's chest; the light spills onto the edges of the two veils and along the man's shoulders, brightest at the curve nearest the lens and thinning into a soft halo further back. Small hearts float through the air on every side -- a cluster of solid pink ones near the upper left, a few translucent ones drifting between the two brides' heads, one small heart caught in the right bride's loose hair -- and they are lit from within, each one casting a faint colored bloom on the nearest skin. The only light is the heart frame itself and the glow of the floating hearts: a warm rose-gold key that strikes the top of the man's head, the bridge of both brides' noses and the tops of their shoulders, leaving the undersides of their chins, the hollow of the man's throat and the corners of the frame in deep plum shadow. The palette admits pink, white, rose-gold and warm skin tones and nothing else, with the white silk taking the pink cast of the light rather than staying neutral. Behind them the background is a seamless soft pink gradient, indistinct and out of focus, with a few bokeh circles of heart-shaped light. Depth of field keeps the three faces and the heart pupils razor sharp and lets the frame's far point and the floating hearts soften into glow. Ecstatic, dizzy with affection.
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