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Remma
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- Prompt original
- Невероятно красивый молодой человек с чёрными волосами до пояса, в китайской одежде Ханфу, стоит прямо у него зелёные глаза и нежная кожа. В богато украшенный одежде зеленого и болотного цвета молодой аристократ волосы частично убраны шпилькой украшения для волос. Богатые узоры на одежде
- Modo
- flash
- Tamaño
- 768 x 1280
Asistente de prompts
Modelo y LoRA utilizados
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1boy, solo, young man, extremely beautiful, aristocratic, black hair, long hair, waist-length hair, partially pinned up hair, hairpin, hair ornament, jade hairpin, green eyes, soft skin, pale skin, hanfu, chinese clothes, ornate clothing, green hanfu, swamp-green hanfu, layered robes, wide sleeves, rich embroidery, gold embroidery, standing, upright, full-body, from side, profile, looking to the side, hand on own sleeve, calm expression, closed mouth, tall ceiling, palace corridor, carved wooden lattice, stone floor, soft daylight, muted green palette,
A single young aristocrat stands upright in a tall palace corridor, seen in full-length three-quarter side view, his body angled away from the camera on a diagonal while his face turns just enough that the green eyes look past the frame's left edge — a calm, composed, faintly distant expression, lips closed and relaxed, brow smooth. His weight settles onto his left leg, the right knee slightly eased forward, one hand lifted to rest lightly over the opposite wrist at the waist so the wide sleeves slide back from the forearm; the other arm hangs with the sleeve folds pooling toward the floor. Waist-length black hair falls in a heavy straight sheaf down his back and past his hip, and the upper half is drawn up and pinned at the back of the crown with a long jade-green hairpin whose head shows a carved floral ornament; a few loose strands escape at the temple and along the neck. His skin is smooth and luminous, catching the light along the cheekbone, the jaw and the backs of the hands.
The hanfu is layered and richly ornamented in green and swamp-green: a deep moss-green outer robe with a crossed collar, wide draping sleeves and a long hem that breaks over the stone floor, over an inner layer of paler celadon at the collar and cuffs, its silk bearing dense woven patterns — curling cloud scrolls, peony roundels and wave bands in dull gold and darker olive thread — running down the front panel, along the sleeve edges and around the hem, the embroidery raised enough to catch the light at a raking angle. A broad sash of swamp-green satin cinches the waist, its knot hanging with a long embroidered tail.
The corridor recedes behind him: carved wooden lattice screens in the midground, a row of painted columns diminishing in perspective, a pale stone floor whose polished surface carries a soft, darker, blurred reflection of the hem and the trailing sash. Nothing else is in the frame. Daylight enters from the left through the lattice, laying a striped shadow of the screen across the floor and the lower part of his robe; the same light models the near side of his face and the shoulder, and the far side of the corridor falls into cool green shadow. The palette holds to green, swamp-green, celadon, dull gold and pale stone, with the black of the hair and the green of the eyes as the only accents. Serene, quietly regal.
Remma
1boy, solo, young man, extremely beautiful, aristocratic, black hair, long hair, waist-length hair, partially pinned up hair, hairpin, hair ornament, jade hairpin, green eyes, soft skin, pale skin, hanfu, chinese clothes, ornate clothing, green hanfu, swamp-green hanfu, layered robes, wide sleeves, rich embroidery, gold embroidery, standing, upright, full-body, from side, profile, looking to the side, hand on own sleeve, calm expression, closed mouth, tall ceiling, palace corridor, carved wooden lattice, stone floor, soft daylight, muted green palette,
A single young aristocrat stands upright in a tall palace corridor, seen in full-length three-quarter side view, his body angled away from the camera on a diagonal while his face turns just enough that the green eyes look past the frame's left edge — a calm, composed, faintly distant expression, lips closed and relaxed, brow smooth. His weight settles onto his left leg, the right knee slightly eased forward, one hand lifted to rest lightly over the opposite wrist at the waist so the wide sleeves slide back from the forearm; the other arm hangs with the sleeve folds pooling toward the floor. Waist-length black hair falls in a heavy straight sheaf down his back and past his hip, and the upper half is drawn up and pinned at the back of the crown with a long jade-green hairpin whose head shows a carved floral ornament; a few loose strands escape at the temple and along the neck. His skin is smooth and luminous, catching the light along the cheekbone, the jaw and the backs of the hands.
The hanfu is layered and richly ornamented in green and swamp-green: a deep moss-green outer robe with a crossed collar, wide draping sleeves and a long hem that breaks over the stone floor, over an inner layer of paler celadon at the collar and cuffs, its silk bearing dense woven patterns — curling cloud scrolls, peony roundels and wave bands in dull gold and darker olive thread — running down the front panel, along the sleeve edges and around the hem, the embroidery raised enough to catch the light at a raking angle. A broad sash of swamp-green satin cinches the waist, its knot hanging with a long embroidered tail.
The corridor recedes behind him: carved wooden lattice screens in the midground, a row of painted columns diminishing in perspective, a pale stone floor whose polished surface carries a soft, darker, blurred reflection of the hem and the trailing sash. Nothing else is in the frame. Daylight enters from the left through the lattice, laying a striped shadow of the screen across the floor and the lower part of his robe; the same light models the near side of his face and the shoulder, and the far side of the corridor falls into cool green shadow. The palette holds to green, swamp-green, celadon, dull gold and pale stone, with the black of the hair and the green of the eyes as the only accents. Serene, quietly regal.
Remma
1boy, solo, young man, extremely beautiful, aristocratic, black hair, long hair, waist-length hair, partially pinned up hair, hairpin, hair ornament, jade hairpin, green eyes, soft skin, pale skin, hanfu, chinese clothes, ornate clothing, green hanfu, swamp-green hanfu, layered robes, wide sleeves, rich embroidery, gold embroidery, standing, upright, full-body, from side, profile, looking to the side, hand on own sleeve, calm expression, closed mouth, tall ceiling, palace corridor, carved wooden lattice, stone floor, soft daylight, muted green palette,
A single young aristocrat stands upright in a tall palace corridor, seen in full-length three-quarter side view, his body angled away from the camera on a diagonal while his face turns just enough that the green eyes look past the frame's left edge — a calm, composed, faintly distant expression, lips closed and relaxed, brow smooth. His weight settles onto his left leg, the right knee slightly eased forward, one hand lifted to rest lightly over the opposite wrist at the waist so the wide sleeves slide back from the forearm; the other arm hangs with the sleeve folds pooling toward the floor. Waist-length black hair falls in a heavy straight sheaf down his back and past his hip, and the upper half is drawn up and pinned at the back of the crown with a long jade-green hairpin whose head shows a carved floral ornament; a few loose strands escape at the temple and along the neck. His skin is smooth and luminous, catching the light along the cheekbone, the jaw and the backs of the hands.
The hanfu is layered and richly ornamented in green and swamp-green: a deep moss-green outer robe with a crossed collar, wide draping sleeves and a long hem that breaks over the stone floor, over an inner layer of paler celadon at the collar and cuffs, its silk bearing dense woven patterns — curling cloud scrolls, peony roundels and wave bands in dull gold and darker olive thread — running down the front panel, along the sleeve edges and around the hem, the embroidery raised enough to catch the light at a raking angle. A broad sash of swamp-green satin cinches the waist, its knot hanging with a long embroidered tail.
The corridor recedes behind him: carved wooden lattice screens in the midground, a row of painted columns diminishing in perspective, a pale stone floor whose polished surface carries a soft, darker, blurred reflection of the hem and the trailing sash. Nothing else is in the frame. Daylight enters from the left through the lattice, laying a striped shadow of the screen across the floor and the lower part of his robe; the same light models the near side of his face and the shoulder, and the far side of the corridor falls into cool green shadow. The palette holds to green, swamp-green, celadon, dull gold and pale stone, with the black of the hair and the green of the eyes as the only accents. Serene, quietly regal.
Remma
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