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AI art "Raven"
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Raven

Arte de IA «Raven» de Simon Kennedy en PixAI. Creado con Tsubaki.3 Flash.

Disappointed it's not 16:9

Avatar image of Simon Kennedy

Simon Kennedy

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character: raven_(dc), copyright: teen_titans 1girl, solo, raven_(dc), adult, 18 years old, slender, flat chest, pale skin, realistic facial anatomy, purple eyes, short purple bob cut, multicolored hair strands, hood down, heavy deep purple wool hooded cloak, oversized cloak, dark violet one-piece bodysuit, bathing suit style cut, matte spandex, bare legs, standing, full body, full shot, low angle, from below, medium angle, poised, mysterious, melancholic, enigmatic, closed mouth, faint lowered-lid gaze, looking to the side, arms lowered inside cloak, cloak furled around body, urban gothic street corner, cobblestone alleyway, ornate wrought iron lamps, thick swirling mist, weathered stone texture, floating mystical energy wisps, cool blue moonlight, warm amber streetlamp glow, deep shadow contours, midnight blue, deep violet, charcoal gray, muted gold, atmospheric perspective, bande dessinée style, inked outlines, clear flat color fills, subtle halftone shading, layered ink texture, vintage comic book paper grain, cinematic color grading, dynamic vertical panel composition Seen from a low angle, a single slender young woman stands at the center-bottom of a tall vertical panel on a rain-darkened cobblestone alley corner, the camera tilted up so the buildings climb away above her and the misty sky closes the top of the frame. Her weight rests on her right leg with the left knee eased slightly forward, torso tipped a few degrees back, chin level and turned to her right; her eyes, half-lidded and calm, look off toward the alley mouth rather than at the viewer, and her mouth stays a flat closed line. Pale skin with real cheekbone and nose-bridge anatomy catches the cool moonlight along the left side of her face while amber lamplight warms the right cheek and throat. Short violet-black bob hugs her jaw with strands of lighter violet through the bangs; the oversized deep purple hooded cloak is pushed back off her head and hangs in heavy wool folds from her shoulders, its hem pooling over the cobbles, one edge lifted by a slow draught of mist. Beneath it the dark violet one-piece bodysuit, cut like a bathing suit at the hips, reads as matte spandex with a soft non-reflective sheen, its seam lines following her ribs and hip; her bare legs are planted flat on the stone. Her hands rest low and still, fingertips just visible past the cloak's front edges, gripping the wool lightly. To her left a tall ornate wrought iron lamp post with scrolled brackets holds a lantern whose warm amber pool lights the cobbles and the mist immediately around her; above and behind, cool blue moonlight rakes the upper facades and the far end of the alley, which fades into layered atmospheric perspective, nearer stones crisp and weathered, distant walls reduced to flat blue-gray silhouettes. The two lights leave deep shadow contours under the hood's edge, beneath her jaw, down the cloak's inner folds and between the cobblestones; her cast shadow stretches long and thin toward the lower right, broken by the raised stone crowns, and the mist's swirl is legible only where each light source catches it. Small drifting wisps of violet-white mystical energy float near her shoulder and above her open palm, casting faint violet highlights on the wool. Palette is held to midnight blue, deep violet, charcoal gray and muted gold, with the only warmth in the lamplight and the gold of the ironwork. Drawn in a Franco-Belgian bande dessinée manner: confident inked outlines of varying weight, clear flat color fills, subtle halftone dots in the shadows and the mist, layered ink hatching in the deepest darks, everything printed on vintage comic book paper with visible grain. Melancholic, enigmatic.
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Prompt original
Aged-up 18-year-old Raven from Teen Titans, slender build, flat chest, pale realistic facial anatomy, full body standing, poised and mysterious, classic dark violet one-piece bodysuit with bathing-suit style cut, oversized deep purple hooded cloak in heavy wool texture, urban gothic street corner, cobblestone alleyway, ornate wrought iron lamps, thick swirling mist, cool moonlight contrasting with warm amber streetlamp glow, full shot, medium angle, dynamic vertical panel composition, architectural depth, Franco-Belgian bande dessinée style, inked outlines with clear color fills, subtle halftone shading, floating mystical energy wisps, weathered stone textures, matte spandex, vintage comic book paper grain, deep shadow contours, midnight blues, deep violets, charcoal grays, muted gold, melancholic and enigmatic mood, shot on 35mm film, f/2.8 aperture, cinematic color grading, layered ink textures, Moebius and Hergé aesthetic influence, contrast of cool and warm light sources, low-angle framing, atmospheric perspective..
Modo
flash
Tamaño
1888 x 1056
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.18k

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character: raven_(dc), copyright: teen_titans 2girls, raven_(dc), short purple bob cut hair, purple eyes, grey-lavender skin, black leotard, black boots, dark hooded cloak with a deep hood lowered on her shoulders, chakra gem on the forehead, shadow self, identical silhouette rendered as a flat living shadow, featureless black face with two glowing white slit eyes, jagged uneven outline, from behind, over-shoulder composition, dutch angle, back to camera, looking back, head turned over her shoulder, uneasy, wide-eyed, pupils shrunk, sweat on temple, bitten lower lip, stiff shoulders, clutching her own upper arm, leaning away, walking away from the shadow, shadow looming behind her, looming, shadow reaching out, clawed hand of shadow, fingers outstretched toward her shoulder, corridor, long hallway, metal grating floor, dim emergency lighting, single flickering wall lamp, long cast shadow, looking at another, tension, ominous, dark purple palette A dutch-tilted over-shoulder shot from behind Raven, the camera placed low and close behind her left shoulder so her back fills the left third of the frame and the corridor's length recedes diagonally toward the top-right corner. Raven is caught mid-step walking away from the lens: her weight is on her front right foot, her left heel just lifting off the metal grating, hips and shoulders twisted apart. She has thrown her head back over her right shoulder, chin tucked low into the collar of her cloak, so we see the sharp line of her jaw and one wide purple eye angled back into the dark — pupil shrunken, whites showing, a bead of sweat at the temple, lower lip caught under her front teeth. Her right hand crosses her body and grips her own left upper arm, the fingers dug into the black fabric of her leotard; her left arm hangs tense and half-curled. The short purple bob is caught mid-turn, its blunt ends flicked outward, a couple of strands lifted off her cheek; the hood lies flat and heavy on her shoulders, and the hem of the cloak swings out behind her knee with the motion of the step. Behind her, deeper in the corridor and a full body-length back, the shadow self keeps pace — a flat, matte-black duplicate of her silhouette that reads as a cut-out of absolute darkness, its edges frayed and subtly wrong, too many small ragged points along the arms and the hem of its cloak. It has no face but two narrow glowing white slits where her eyes would be, tilted down toward her. Its right arm is up and extended between them, long fingers splayed wide, and the gesture overlaps her silhouette: the clawed shadow hand hangs in the air just short of her left shoulder, close enough to brush the ends of her cloak but not touching. Its lead foot is planted flat and its trailing foot is lifted, caught in the mirror of her stride, one beat behind hers. The only light is a single caged wall lamp high on the right-hand wall between the two figures; it throws a hard top-down rake across the corridor, brightening the crown of Raven's head, the top of her shoulder, and one edge of the shadow's reaching arm, while both their faces and the floor immediately beneath them fall into purple-black. The lamp is the sole source: past its pool the far end of the corridor goes to absolute darkness. The metal grating runs with long parallel lines and its wet sheen carries a narrow, broken reflection of the lamp that snaps wider and thinner as the panels pass under it. Colour is held to three values — the cold violet-grey of her skin, the flat dead black of the shadow self, and the sickly amber-white of the single lamp; nothing else is admitted. Detail budget sits on the turn of her neck and the one visible eye, on the clawed hand and the exact gap of air between it and her cloak, and on the parallel lines of the grating pulling the perspective toward the vanishing point. Quiet dread.
bartybartbart
#Los Jóvenes Titanes#Raven#DC Comics
AI artwork
b
character: raven_(dc), copyright: teen_titans 2girls, raven_(dc), short purple bob cut hair, purple eyes, grey-lavender skin, black leotard, black boots, dark hooded cloak with a deep hood lowered on her shoulders, chakra gem on the forehead, shadow self, identical silhouette rendered as a flat living shadow, featureless black face with two glowing white slit eyes, jagged uneven outline, from behind, over-shoulder composition, dutch angle, back to camera, looking back, head turned over her shoulder, uneasy, wide-eyed, pupils shrunk, sweat on temple, bitten lower lip, stiff shoulders, clutching her own upper arm, leaning away, walking away from the shadow, shadow looming behind her, looming, shadow reaching out, clawed hand of shadow, fingers outstretched toward her shoulder, corridor, long hallway, metal grating floor, dim emergency lighting, single flickering wall lamp, long cast shadow, looking at another, tension, ominous, dark purple palette A dutch-tilted over-shoulder shot from behind Raven, the camera placed low and close behind her left shoulder so her back fills the left third of the frame and the corridor's length recedes diagonally toward the top-right corner. Raven is caught mid-step walking away from the lens: her weight is on her front right foot, her left heel just lifting off the metal grating, hips and shoulders twisted apart. She has thrown her head back over her right shoulder, chin tucked low into the collar of her cloak, so we see the sharp line of her jaw and one wide purple eye angled back into the dark — pupil shrunken, whites showing, a bead of sweat at the temple, lower lip caught under her front teeth. Her right hand crosses her body and grips her own left upper arm, the fingers dug into the black fabric of her leotard; her left arm hangs tense and half-curled. The short purple bob is caught mid-turn, its blunt ends flicked outward, a couple of strands lifted off her cheek; the hood lies flat and heavy on her shoulders, and the hem of the cloak swings out behind her knee with the motion of the step. Behind her, deeper in the corridor and a full body-length back, the shadow self keeps pace — a flat, matte-black duplicate of her silhouette that reads as a cut-out of absolute darkness, its edges frayed and subtly wrong, too many small ragged points along the arms and the hem of its cloak. It has no face but two narrow glowing white slits where her eyes would be, tilted down toward her. Its right arm is up and extended between them, long fingers splayed wide, and the gesture overlaps her silhouette: the clawed shadow hand hangs in the air just short of her left shoulder, close enough to brush the ends of her cloak but not touching. Its lead foot is planted flat and its trailing foot is lifted, caught in the mirror of her stride, one beat behind hers. The only light is a single caged wall lamp high on the right-hand wall between the two figures; it throws a hard top-down rake across the corridor, brightening the crown of Raven's head, the top of her shoulder, and one edge of the shadow's reaching arm, while both their faces and the floor immediately beneath them fall into purple-black. The lamp is the sole source: past its pool the far end of the corridor goes to absolute darkness. The metal grating runs with long parallel lines and its wet sheen carries a narrow, broken reflection of the lamp that snaps wider and thinner as the panels pass under it. Colour is held to three values — the cold violet-grey of her skin, the flat dead black of the shadow self, and the sickly amber-white of the single lamp; nothing else is admitted. Detail budget sits on the turn of her neck and the one visible eye, on the clawed hand and the exact gap of air between it and her cloak, and on the parallel lines of the grating pulling the perspective toward the vanishing point. Quiet dread.
bartybartbart
#Los Jóvenes Titanes#Raven#DC Comics

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