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AI artwork featuring #Bleach, #Bambietta Basterbine and #PixAI Halloween 2026
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Bambietta Basterbine, Bleach

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PixAI โ€œHalloween Oddities Clubโ€ Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#Bleach#Bambietta Basterbine
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artist: ratatatat74 1girl, solo, very long black hair, hair between eyes, blue eyes, glowing eyes, long eyelashes, v-shaped eyebrows, beautiful face, white peaked cap, military hat, white military uniform, white jacket, long sleeves, zipping up jacket, hand on zipper pull, white shirt, white pleated miniskirt, black belt, heart-shaped buckle, white gloves, jewelry, white boots, white cape discarded on the bed, witch, sitting on bed, putting clothes back on, seductive pose, leaning back on one hand, malevolent expression, seductive look, half-closed eyes, smug, sidelong glance at viewer, looking at viewer, head tilt, white outline, penthouse suite background, floor-to-ceiling windows, city skyline at night, volumetric lighting, ominous lighting, rim lighting, dramatic backlighting, depth of field, sharp cel-shading, high contrast, cinematic perspective, wide angle lens, sharp eyes, moody atmosphere, from below, cowboy shot, high quality, masterpiece, best quality, absurdres, very absurdres, highres, ultra detailed, detailed shading, perfect anatomy, very aesthetic From a low three-quarter angle, the witch sits on the near edge of a wide bed in a penthouse suite, one knee drawn up onto the mattress and the other leg slanting down toward the floor, her white boot's toe just grazing the carpet. She leans her weight back onto her left gloved hand planted flat against the rumpled duvet behind her hip, shoulders angled away from the lens while her chin turns back over her shoulder toward the viewer, so her face arrives in three-quarter view under the brim of the white peaked cap. Her right gloved hand grips the zipper pull at the sternum of the white jacket, drawing it upward: the teeth below the slider are newly interlocked and closed, the teeth above it still open in a widening V down to the waist, and the white shirt shows through the gap. The black belt cuts across the white pleated miniskirt at the waist, its heart-shaped buckle catching a point of light; the skirt's pleats fan out where her raised thigh presses them into the mattress. Her discarded white cape lies crumpled behind her hip in a loose S of fabric, one corner still hanging off the mattress edge, its shadow doubled on the duvet. The black hair is the longest thing in the frame, spilling off her shoulders and down her back onto the bedding in heavy strands, a few locks falling between her eyes and veiling her brow. Her glowing blue eyes are lit from within, unmistakably the brightest points in the image, their light spilling a faint blue onto the black lashes and the underside of the cap brim; the v-shaped eyebrows pull into a hard downward point above them, and one corner of her mouth curls higher than the other. She looks directly at the viewer, chin tucked, lids lowered to a slit, the glow of her eyes narrowing with them. Behind her the penthouse opens into a wall of glass; the city far below is a field of tiny cold lights, deep charcoal sky above, the room's dim interior reflected faintly back across the pane so that her silhouette hangs mirrored among the towers. Volumetric light angles in from the tall window at the right rear of the frame, a cold pale blue shaft cutting the haze of the room and laying a bright edge along her cap, her shoulder, the zipper teeth and the top of the duvet, while the bedspread and the folds of the discarded cape fall into deep black shadow. A thin hard white outline traces her whole silhouette against the dark room, separating her from the glass. Depth of field keeps her face and hands razor-sharp and lets the skyline soften into bokeh; the wide lens stretches the near knee and the bed corner, pulling the tall windows into a slight lean above her. Palette of white, black and cold blue, with a single warm amber flare of a distant tower reflected on the window; sharp cel-shaded planes with crisp shadow borders, high contrast, moody. Quiet menace, effortlessly seductive.
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Prompt original
1girl, long hair, black hair, hat, hair between eyes, military hat, gloves, skirt, white hat, white gloves, jacket, belt, military uniform, white skirt, white cape, long sleeves, white jacket, peaked cap, v-shaped eyebrows, pleated skirt, buckle, miniskirt, shirt, heart-shaped buckle, black belt, eyelashes, very long hair, blue eyes, white shirt, boots, jewelry, witch, glowing eyes, penthouse suite background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, sitting on bed, putting clothes back on, zipping up jacket, discarded cape, malevolent, seductive look, seductive pose,
Modo
pro
Tamaรฑo
1104 x 1824
Mรฉtodo de muestreo
Euler
Excluir de la imagen
lowres, worst quality, low quality, bad anatomy, explicit
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Modelo y LoRA utilizados

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AI artwork
n2
artist: ratatatat74 1girl, solo, long hair, very long hair, black hair, hair between eyes, white peaked cap, military hat, white hat, blue eyes, glowing eyes, eyelashes, v-shaped eyebrows, beautiful face, white military uniform, white jacket, long sleeves, jacket half unzipped, unzipping jacket, hand on zipper, white shirt, white pleated skirt, miniskirt, pleated skirt, black belt, heart-shaped buckle, buckle, white gloves, gloves, jewelry, boots, witch, white cape, discarded cape, cape on bed, sitting on bed, on bed, one leg bent, leaning back, seductive pose, seductive look, malevolent expression, half-closed eyes, sidelong glance, looking at viewer, smug, head tilt, white outline, volumetric lighting, ominous lighting, depth of field, penthouse suite background, window, city lights, night, several desiccated charred male bodies, charred corpses on floor, background, dark, high contrast, sharp cel-shading, dramatic rim lighting, vibrant accent colors, moody atmosphere She sits on the bed in the foreground of a penthouse suite at night, seen from a low three-quarter angle that puts the camera a little below her eye level, so her white peaked cap and the sheet of very long black hair falling from under it read against the tall window behind her. Her weight is back on her right hip, left knee drawn up and slid forward across the mattress, right boot flat on the floor and left boot toe resting on the bed edge; her spine leans back and her chin tilts down, black hair between her eyes parting around a sidelong glance from under half-lowered lids that lands square on the viewer, while one corner of her mouth pulls into a smug, malevolent half-smile. Her right white-gloved hand grips the zipper tab at her chest and pulls it down in a long slow diagonal, splitting the white jacket open over the white shirt beneath; the left glove rests back on the mattress behind her hip, fingers spread, taking her weight. Her eyelashes are long and dark, her brows draw into sharp v-shapes above her blue eyes, and those eyes glow โ€” a cold luminous blue that throws a faint light onto the underside of her cap brim and the tops of her cheekbones. The white gloves are crisp and spotless against the dark sheet; the black belt cinches high at her waist and its heart-shaped buckle catches a hard white specular highlight, the only warm-bright glint on her. Her discarded white cape lies crumpled across the bed behind her left hip, one corner sliding off the mattress edge, its wool catching the window light where it folds. The room is a penthouse suite: a floor-to-ceiling window wall at frame left and behind her, a grid of distant city windows glittering far below and beyond, a low dark leather sofa and a glass table simplified into big dark shapes at the right edge, a warm bedside lamp behind her right shoulder that is the one warm source in the image. Volumetric shafts of cool blue city light and a thinner warm lamp glow cut through a faint haze in the air; the two sources rim her hat, her shoulders and the edge of the open jacket in bright contour lines while her face and the folds of the white skirt fall into deep, sharp-edged shadow. On the dark floorboards between the bed and the window, seen past her boot and her hip, several desiccated charred male bodies lie crumpled and blackened, limbs folded where they fell, dry and split like burnt wood, their ruined silhouettes receding into the shallow depth of field and the darkness of the room. A thin white outline traces her whole figure โ€” hat, hair, jacket, glove, skirt, boots โ€” separating her from the background like a bright keyline. Palette: cold blue night through the glass, the girl's unbroken white uniform, black hair and black belt, and the charred gray-black of the bodies on the floor, with one hot amber lamp accent. Sharp cel-shading with high contrast, dramatic rim lighting, and vibrant accent colors against a moody atmosphere; detailed shading on the white fabric's folds, the leather of the boots, the grain of the char. Ominous, effortlessly cruel.
nyx22222
AI artwork
n2
artist: ratatatat74 1girl, solo, very long hair, long hair, black hair, hair between eyes, glowing eyes, blue eyes, eyelashes, v-shaped eyebrows, white peaked cap, military hat, white gloves, white jacket, long sleeves, military uniform, white shirt, white pleated miniskirt, miniskirt, pleated skirt, black belt, heart-shaped buckle, belt, buckle, boots, jewelry, witch, white cape, discarded cape, sitting on bed, stripping, unzipping jacket, seductive look, seductive pose, malevolent, half-closed eyes, smug, head tilt, looking at viewer, hand on own chest, unzipped jacket, open jacket, collarbone, penthouse suite background, bed, night, city lights, volumetric lighting, depth of field, ominous lighting, white outline, sharp cel-shading, high contrast, dramatic rim lighting, vibrant accent colors, cool blue and violet palette, blood-red accent, adult, heavy_breathing, seductive_smile, shiny_skin, parted_lips, sweat The camera sits low and close, tilted slightly up from the foot of the bed in a tight three-quarter view, so the figure looms over the lens and the penthouse falls away behind her: a wall of black night glass, the city's cold pinpricks of light far below, the room's haze thickening into visible shafts. She occupies the right two-thirds of the frame and faces nearly front but with her shoulders rolled a quarter turn away, torso leaning forward over crossed legs, weight sunk into her left hip on the mattress; the duvet compresses and creases in a deep fold beneath her thigh and one boot heel digs in beside the other knee. Her right hand is hooked in the jacket's zipper pull at the sternum, teeth biting into the fabric, tab dragged halfway down and held there mid-motion, the long white sleeve falling back from the glove. The zipper's open V parts over the white shirt, whose collar and top buttons are already undone, and the jacket's lapels fall outward off the shoulders. Her left glove rests flat against the mattress behind her for support, fingers spread and pressing a dent into the sheets. Her black-gloved fingers catch a thin silver chain at her throat and drag it a millimetre sideways. The discarded white cape lies heaped on the covers at frame left, one corner spilling over the bed's edge toward the floor, its folds holding the shape of a body no longer in it. The belt's heart-shaped buckle catches a hard specular highlight at her waist, black strap tight over the white pleated skirt, pleats splaying where her thigh presses. Her very long black hair pours over one shoulder toward the bed, the straight lock between her eyes bisecting her forehead, and the peak of the white cap casts a sharp shadow across the upper half of her face; under its brim her glowing blue eyes are narrowed to a slit, the glow blooming a soft blue halo in the rim light and reflecting two tiny cold sparks in her irises. Her chin is tipped down, lids heavy, one corner of her mouth pulled into a lopsided smirk, and she stares straight into the lens as though she has already decided what happens next. One hard source only: a cool blue key from the window wall behind her throws a white-hot rim along the cap's edge, her shoulders, the cape's heap and the outside of her right arm, while a dim warm violet fill from a single low lamp off-frame right catches the inside of her jaw, her collarbone and the zipper's teeth; the shadowed half of her face and the folds under the duvet sink to near black, and her cast shadow stretches long across the sheets toward the viewer. Palette is disciplined: white, black and the cold blue window glow, with the city's amber lights and the tiny red heart of the buckle as the only warm notes. Everything in focus is her face, gloved hands, the zipper and the buckle; the penthouse softens into bokeh behind. Hazy, dangerous, effortlessly seductive.
nyx22222
AI artwork
n2
artist: ratatatat74 1girl, solo, close angle, from below, cowboy shot, very long hair, black hair, hair between eyes, white military peaked cap, military hat, hat, blue eyes, glowing eyes, eyelashes, v-shaped eyebrows, beautiful face, white military jacket, long sleeves, white jacket, white shirt, shirt, white cape, white pleated skirt, pleated skirt, miniskirt, black belt, belt, heart-shaped buckle, buckle, white gloves, gloves, boots, jewelry, witch, seductive pose, malevolent, maniac look, seductive look, penthouse suite background, several desiccated charred male bodies on the floor in the background, volumetric lighting, ominous lighting, depth of field, white outline, sharp cel-shading, high contrast, dramatic backlighting, rim lighting, cinematic perspective, moody atmosphere, dark palette with white armor, blue accent glow, masterwork, best quality, absurdres, very absurdres, highres, CG, 8k, ultra hd The camera sits low and close, looking up at her from just below hip height at a slight dutch tilt, her white-gloved left hand planted on the black marble sill of the penthouse window wall. Her black hair pours down past her shoulders, a strand dropping straight between her eyes, and her glowing blue eyes stare down the barrel of the lens, lashes heavy, thin white catchlights ringed around each iris. Her lips curl into a slow maniacal smile, upper incisors catching the light. Her white military peaked cap is tilted so the brim throws a shadow across her brow. She wears a white buttoned shirt under a white military jacket with long sleeves and a white cape hanging from her shoulders. A black belt cinches the waist, its heart-shaped buckle polished and cold. The pleated white miniskirt barely reaches her thighs. A thin gold pendant hangs at the open collar of her shirt, and white gloves cover her hands. Below, the penthouse floor: dark veined marble, a low couch, floor-to-ceiling glass walls behind showing the city night, four desiccated, charred male bodies collapsed on the floor in the background, ribs visible through ash-cracked skin, one arm still outstretched toward an empty glass. Volumetric light pours in from the right through the window, cold blue-white, carving through smoke, rimming her hat, cape and hair in white, throwing long shadows across the marble. Shallow depth of field keeps her face razor-sharp while the bodies and the skyline soften into bokeh. Her weight rests on her back leg, hips pushed off-axis, front boot planted forward. The white cape curls slightly behind her in the draft from the open vent. A faint white outline traces her silhouette against the dark room. Mood: cold malevolence, theatrical menace.
nyx21-
AI artwork
n2
artist: ratatatat74 1girl, solo, close-up, from below, looking down at viewer, black hair, very long hair, hair between eyes, blue eyes, glowing eyes, long eyelashes, v-shaped eyebrows, white peaked cap, military hat, white military jacket, long sleeves, white shirt, white cape, white pleated skirt, miniskirt, black belt, heart-shaped buckle, white gloves, boots, jewelry, witch, white outline, malevolent expression, smug, seductive look, demanding, leaning forward, head tilt, looking at viewer, half-closed eyes, penthouse suite background, night, floor-to-ceiling windows, city lights bokeh, several desiccated charred male bodies lying on the floor in the background, volumetric lighting, ominous lighting, rim lighting, high contrast, sharp cel-shading, depth of field, cinematic perspective, moody atmosphere, dramatic backlighting, high quality Shot from below at a close angle, the witch fills the frame from the waist up and looms over the lens, her boot heels planted wide apart on the penthouse's polished black marble floor, her weight carried on her back leg so her hips cant to one side. She leans forward from the waist toward the camera, chest close, her white-gloved right hand raised with the fingers curled in a slow beckoning gesture at shoulder height while her left glove rests flat on the heart-shaped black buckle cinching her white pleated miniskirt's waistband. Her chin is tipped down and she looks down the length of it straight into the viewer, eyelids half lowered, one v-shaped eyebrow arched higher than the other, lips parted in a thin lopsided smirk; the white cape falls behind her shoulders away from the lean and slips over the crook of one elbow. Very long black hair spills past her hips, strands hanging between her eyes and swinging forward off her shoulder with the lean, and the white peaked cap sits tilted low over her brow with its band catching the light. Behind and below her, the penthouse suite opens out in deep-focus falloff: low lounge seating, a long dark bar, and a wall of floor-to-ceiling windows holding a night skyline scattered into bokeh, the room's only clean light coming from that window line so the backlight rims her cap, cape and hair in a cold white edge while her face stays in soft shadow and her glowing blue eyes are the brightest points in the frame. On the marble between her boots and the bar, several desiccated charred male bodies lie collapsed in the background, limbs folded, ash-grey and split by thin cracks, their outlines softened by the shallow depth of field so they read as a dark, blackened texture under her, and the faint haze of smoke hangs where the window light cuts it into visible shafts. Globally the palette is held to white, black and the cold blue of the skyline, with nothing warm admitted except the dull ember-brown of the charred bodies on the floor. Sinister, imperious.
nyx21-

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