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honey bee

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honey bee

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2boys, male only, two men, zero female characters, missionary, sex in progress, outdoors, forest, from below, low angle, large man on top, 34-year-old man, massive heavy-set muscular man, functional musculature, broad chest, dark chest hair, coarse body hair, hairy arms, corded veins, veined arms, swollen calloused knuckles, large hands, granite jawline, dense wavy beard, unruly dark wavy hair, dark hair, crooked nose, heavy predatory gaze, boiled leather armor, salvaged iron plating, thick hide straps, grease stains, old blood stains, 28-year-old man, athletic build, broad square shoulders, narrow waist, white silk wedding gown, fitted bodice, flowing ivory skirt, sheer lace veil, fragile lace sleeves, white stockings, white garter belt, white heels, large calloused hands, masculine frame, stoic expression, focused gaze, skirt lifted, fallen strap, sweat, heavy breathing, parted lips, blush, love, horny, primal, dirty, gripping, arched back, trembling, spoken_heart, dark forest background, dappled light, gritty weathered texture From a steep low angle the camera looks up the slope of the forest floor, so the canopy closes overhead and both men tower over the lens in foreshortened, monumental scale. The bride lies on his back across a bed of trampled ferns and leaf mould, the voluminous ivory skirt shoved up and bunched around his hips in creased folds, the fitted bodice pulled down off one square shoulder with the torn lace sleeve rucked to his elbow; one polished white heel digs a furrow in the dirt, the other kicks free beside it, and the white stocking on the bent leg is snapped taut by the white garter belt biting into his thigh. His broad square shoulders press into the loam, spine arching up off the ground under the force of each thrust, one large calloused hand knotted in the brute's hide strap and the other clawing a fistful of moss. His face stays deliberately flat, jaw clenched, eyes fixed and focused past the bigger man's shoulder at the branches overhead โ€” only the quick colour in his cheeks and the wet parting of his lips betray him. The brute kneels over him between his spread thighs, a massive wall of a man in boiled leather and salvaged iron plating, the plates scratched and dull, grease and old blood blackening the straps; his thick hide belt hangs loose and his cock is buried in the bride, hips driving downward in a slow grinding rhythm that rocks the smaller man's whole frame. One corded, vein-corded forearm is planted beside the bride's head, swollen calloused knuckles sinking into the dirt, coarse body hair matted with sweat; the other hand grips the bride's hip through the silk, fingers denting the fabric. His crooked nose is bent close to the bride's throat, dense wavy beard brushing the lace veil, unruly dark wavy hair hanging damp over his brow as his heavy predatory gaze bores down into the bride's face โ€” hunger and open tenderness at once, mouth half open, breath ragged. A small hand-drawn heart floats in a tiny speech bubble beside the brute's cheek. Light falls in broken shafts through the canopy, hot on the brute's shoulders and the bride's white bodice, deep green shadow swallowing the forest floor around them; sweat beads both bodies, leaf litter clings to the bride's pristine stockings where dirt has already won. Palette of mossy green, bark brown, rusted iron grey and the bride's stark ivory white. Dirty, primal, in love.
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Two men, no women, A 34-year-old human male, massive wall of a man, heavy-set functional musculature, broad chest with dark hair, corded veins in arms, coarse body hair, swollen calloused knuckles, granite-like jawline, dense wavy beard, unruly thicket of dark wavy hair, crooked nose, heavy predatory gaze, boiled leather. salvaged iron plating, grease and old blood stains, thick hide straps, carved from a mountain, wreckage of war aesthetic A 28-year-old human male, athletic build, broad square shoulders, narrow waist, wearing a voluminous white silk wedding gown, fitted bodice, flowing ivory skirt, sheer lace veil, polished white heels, pristine white stockings, sturdy white garter belt, large calloused hands, contrasting fragile lace sleeves, focused gaze, stoic expression, meticulously clean attire, masculine frame in bridal wear The brute fucks the male bride missionary style, outside in the woods. It is dirty and primal, horny, in love. Below view
Modo
flash
Tamaรฑo
1104 x 1824
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
1.85k

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sp
1boy, solo, male focus, bara, muscular, muscular male, hairy, hairy chest, chest hair, hairy legs, beard, facial hair, ballgown, wedding dress, bridal gown, white dress, wedding veil, lace veil, translucent veil, bridal veil, thighhighs, white thighhighs, zettai ryouiki, garter belt, garter straps, high heels, white heels, bridal, crossdressing, man dressed as bride, bent over, leaning forward, arched back, standing, hands on knees, looking back, from behind, from below, cowboy shot, three-quarter rear view, looking over shoulder, fully clothed, indoor, empty white studio, seamless backdrop, softbox lighting, crisp fabric folds, high detail The view is from behind and slightly below, a three-quarter rear angle at cowboy-shot framing: the camera sits low behind him and a little to his left, so his bent-over back, the upswept train of the dress and the backs of his thighs fill the frame while his bearded face is seen in three-quarter profile as he turns his chin back over his right shoulder. He stands bent nearly in half at the hips, torso close to horizontal, spine arched and shoulders pulled back, both legs straight and thigh-vertical, weight carried on the balls of both feet inside the high heels, heels lifted a centimetre off the floor; both hands brace flat on his own knees, fingers spread and pressing dimples into the fabric there. Long thick calf and thigh muscle reads taut through the white stockings, their lace tops cutting a straight band across each upper thigh, and the garter belt's straps run down from beneath the gathered waist of the gown to clip those bands, drawn snug. The ballgown is white satin with a boned bodice and a wide gathered skirt that has fallen forward and pooled around his shins, its long lace-edged train sweeping up and back toward the lens in a soft arc; the skirt's volume hides his hips but not the horizontal line of his back. His chest is bared above the sweetheart neckline, thick pectorals and a dense mat of dark chest hair spilling over the satin edge, one shoulder strap slipped slightly off the deltoid. A lace veil is pinned at the crown of his head and falls in a translucent curtain past his ear and down over one shoulder, its floral mesh printing a faint shadow pattern on the skin of his neck; through it the close-trimmed full beard and the hard line of his jaw are visible, and his eyes are turned back toward the camera with a flat, challenging stare, one brow slightly raised, mouth set in a small lopsided smirk. The lighting is a single large softbox high and to the front-left of him, so the backs of his arms and the underside of the train fall into clean cool shadow while every upward-facing surface โ€” the curve of his shoulders, the crest of the train, the tops of the stockings โ€” takes the light; the backdrop is a seamless off-white sweep with no horizon line, and his shadow pools small and soft beneath his braced feet. The palette is white, ivory, warm skin and dark hair, nothing else admitted. Sharp satin sheen against matte lace, wool-soft body hair against the slick stockings. Effortlessly absurd, quietly proud.
SteelPink
AI artwork
sp
1boy, solo, male focus, bara, muscular, muscular male, hairy, hairy chest, chest hair, hairy legs, beard, facial hair, ballgown, wedding dress, bridal gown, white dress, wedding veil, lace veil, translucent veil, bridal veil, thighhighs, white thighhighs, zettai ryouiki, garter belt, garter straps, high heels, white heels, bridal, crossdressing, man dressed as bride, bent over, leaning forward, arched back, standing, hands on knees, looking back, from behind, from below, cowboy shot, three-quarter rear view, looking over shoulder, fully clothed, indoor, empty white studio, seamless backdrop, softbox lighting, crisp fabric folds, high detail The view is from behind and slightly below, a three-quarter rear angle at cowboy-shot framing: the camera sits low behind him and a little to his left, so his bent-over back, the upswept train of the dress and the backs of his thighs fill the frame while his bearded face is seen in three-quarter profile as he turns his chin back over his right shoulder. He stands bent nearly in half at the hips, torso close to horizontal, spine arched and shoulders pulled back, both legs straight and thigh-vertical, weight carried on the balls of both feet inside the high heels, heels lifted a centimetre off the floor; both hands brace flat on his own knees, fingers spread and pressing dimples into the fabric there. Long thick calf and thigh muscle reads taut through the white stockings, their lace tops cutting a straight band across each upper thigh, and the garter belt's straps run down from beneath the gathered waist of the gown to clip those bands, drawn snug. The ballgown is white satin with a boned bodice and a wide gathered skirt that has fallen forward and pooled around his shins, its long lace-edged train sweeping up and back toward the lens in a soft arc; the skirt's volume hides his hips but not the horizontal line of his back. His chest is bared above the sweetheart neckline, thick pectorals and a dense mat of dark chest hair spilling over the satin edge, one shoulder strap slipped slightly off the deltoid. A lace veil is pinned at the crown of his head and falls in a translucent curtain past his ear and down over one shoulder, its floral mesh printing a faint shadow pattern on the skin of his neck; through it the close-trimmed full beard and the hard line of his jaw are visible, and his eyes are turned back toward the camera with a flat, challenging stare, one brow slightly raised, mouth set in a small lopsided smirk. The lighting is a single large softbox high and to the front-left of him, so the backs of his arms and the underside of the train fall into clean cool shadow while every upward-facing surface โ€” the curve of his shoulders, the crest of the train, the tops of the stockings โ€” takes the light; the backdrop is a seamless off-white sweep with no horizon line, and his shadow pools small and soft beneath his braced feet. The palette is white, ivory, warm skin and dark hair, nothing else admitted. Sharp satin sheen against matte lace, wool-soft body hair against the slick stockings. Effortlessly absurd, quietly proud.
SteelPink

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