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AI art "Cody"
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Cody

#Enfoque masculino#Sombrero#Sombra#pelo rojo#solo#ropa casual#barba incipiente#ojos azules#Camisa#vello facial#perilla#1 chico#cabeza inclinada#brazos cruzados
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1man, masculine, skinny, fair skin, red hair, medium hair, curly hair, blue eyes, stubble, grey plaid shirt, long sleeves, faint green pants, red cap with white detail, sneakers, smirk, cool pose, cowboy shot, 2000s style, 2003 aesthetic, leaning back, arms crossed, head tilt, looking at viewer, half-closed eyes, raised eyebrow, cowboy shot from slightly below eye level, the young man centered but angled three-quarters to the lens, weight dropped onto his back right leg with the left knee loose and forward, hips cocked so the plaid shirt hangs open at the hem and the faint green pants pull in a diagonal crease from hip to knee. His arms are crossed high on his chest, each hand tucked under the opposite bicep, fingers visible gripping his own sleeve, the plaid fabric bunching where the forearms compress it. Chin tipped down, he looks out at the viewer from under the red cap's brim -- half-closed blue eyes, one brow arched higher than the other, the corner of his mouth pulled up into a lopsided smirk with the lower lip pressed slightly forward, stubble darkening the jaw and upper lip into a rough even shadow that catches on the chin's point. The cap sits low with a bit of white detail stitched on the front panel, its crown dented in a soft fold at the top, and short curly red strands escape beneath the band at his temples and the nape. Behind him a seamless studio wall in a muted warm beige, empty and featureless, floor a slightly darker matte grey so the figure's own shadow pools at his feet as one soft dark shape that reaches toward the camera's lower edge. A single broad key light comes from upper left, dropping a crisp shadow down the right side of his face and neck, defining the plaid's grid of grey lines over a paler grey ground and leaving his left cheek and the underside of the cap brim in gentle falloff; a weak fill lifts the eye whites just enough to keep them readable. Palette kept to grey plaid, dusty green, fair skin, and the red cap as the only saturated note. His weight shift makes the stool-free stance read as a deliberate slouch, the pants' outer seam pulling straight while the inner seam wrinkles behind the knee. Crisp 2003-era flat cel shading with hard-edged shadows, slightly desaturated print palette and a faint halftone tooth in the flat areas, clean linework, cool and effortlessly self-assured.
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Prompt original
1man, (masculine, skinny), (fair skin), (red hair), (medium hair, curly hair), (blue eyes), (stubble), (grey shirt, plaid shirt, long sleeves), (faint green pants), (red cap, white detail), (sneakers), smirk, cool pose, ((2000s (style), 2003)), Lord of the rings, cowboy shot
Modo
pro
Tamaño
1104 x 1824
Método de muestreo
Euler
Excluir de la imagen
lowres, worst quality, low quality, bad anatomy, explicit
Asistente de prompts

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al
1boy, solo, tall, upright posture, standing straight, short hair, brown hair, undercut, shaved sides, buzzed sides, green eyes, looking to the side, head tilt, hands in pockets, simple navy blue cotton t-shirt, khaki chinos, brown leather sneakers, cowboy shot, from below, three-quarter view, plain seamless warm gray studio backdrop, soft key light from upper left The image is a single-figure design piece shot from a low three-quarter angle: a tall young man stands straight and upright, seen from slightly below so that his full height reads against a completely empty warm gray seamless studio sweep that fills the frame behind him with no horizon line, no furniture and no props. His weight is settled evenly on both feet, shoulders level and squared, spine long — but the stillness is broken by one action: both hands are pushed into the front pockets of his khaki chinos, thumbs hooked over the pocket rims, which pulls the navy t-shirt taut across his chest and lets the hem ride slightly forward. His chin is tipped a little to one side, head tilted just off vertical, and his green eyes look off to the left of the frame, past the lens, not at the viewer — a quiet, level, self-contained gaze with a relaxed brow and a closed, unsmiling mouth. The haircut is the anchor of the picture: dense brown hair kept short on top, brushed slightly forward and to one side with visible strand separation, while both sides above the ears are buzzed close to the scalp, the shaved planes catching a lighter sheen than the top and showing the soft shadow of the hairline against the skin. His ears are bare and wholly uncovered by the shaved sides, and nothing is worn at the neck — the t-shirt's plain ribbed collar sits open at the throat. The navy cotton shows matte weave and a soft crease at the elbow and waist; the khaki chinos fall straight to the ankle with one shallow fold behind the knee, and the brown leather sneakers are scuffed faintly at the toe caps, laces tied flat. Light comes from a single soft key at the upper left of the frame: it brightens the left side of his face and the left shaved temple, rakes across the top of his hair, and drops the right side of his jaw, the right side of his neck and the right leg into a gentle gradation of shade, with a soft short shadow pooling under both sneakers on the seamless ground. The palette stays tight — warm gray ground, navy, khaki, brown, and the one cool green of his eyes. Crisp cel-shaded rendering with clean linework and flat, controlled shading. Calm, effortlessly clean.
Arthur LEFORESTIER
AI artwork
al
1boy, solo, tall, upright posture, standing straight, short hair, brown hair, undercut, shaved sides, buzzed sides, green eyes, looking to the side, head tilt, hands in pockets, simple navy blue cotton t-shirt, khaki chinos, brown leather sneakers, cowboy shot, from below, three-quarter view, plain seamless warm gray studio backdrop, soft key light from upper left The image is a single-figure design piece shot from a low three-quarter angle: a tall young man stands straight and upright, seen from slightly below so that his full height reads against a completely empty warm gray seamless studio sweep that fills the frame behind him with no horizon line, no furniture and no props. His weight is settled evenly on both feet, shoulders level and squared, spine long — but the stillness is broken by one action: both hands are pushed into the front pockets of his khaki chinos, thumbs hooked over the pocket rims, which pulls the navy t-shirt taut across his chest and lets the hem ride slightly forward. His chin is tipped a little to one side, head tilted just off vertical, and his green eyes look off to the left of the frame, past the lens, not at the viewer — a quiet, level, self-contained gaze with a relaxed brow and a closed, unsmiling mouth. The haircut is the anchor of the picture: dense brown hair kept short on top, brushed slightly forward and to one side with visible strand separation, while both sides above the ears are buzzed close to the scalp, the shaved planes catching a lighter sheen than the top and showing the soft shadow of the hairline against the skin. His ears are bare and wholly uncovered by the shaved sides, and nothing is worn at the neck — the t-shirt's plain ribbed collar sits open at the throat. The navy cotton shows matte weave and a soft crease at the elbow and waist; the khaki chinos fall straight to the ankle with one shallow fold behind the knee, and the brown leather sneakers are scuffed faintly at the toe caps, laces tied flat. Light comes from a single soft key at the upper left of the frame: it brightens the left side of his face and the left shaved temple, rakes across the top of his hair, and drops the right side of his jaw, the right side of his neck and the right leg into a gentle gradation of shade, with a soft short shadow pooling under both sneakers on the seamless ground. The palette stays tight — warm gray ground, navy, khaki, brown, and the one cool green of his eyes. Crisp cel-shaded rendering with clean linework and flat, controlled shading. Calm, effortlessly clean.
Arthur LEFORESTIER
AI artwork
al
1boy, solo, tall, upright posture, standing straight, short hair, brown hair, undercut, shaved sides, buzzed sides, green eyes, looking to the side, head tilt, hands in pockets, simple navy blue cotton t-shirt, khaki chinos, brown leather sneakers, cowboy shot, from below, three-quarter view, plain seamless warm gray studio backdrop, soft key light from upper left The image is a single-figure design piece shot from a low three-quarter angle: a tall young man stands straight and upright, seen from slightly below so that his full height reads against a completely empty warm gray seamless studio sweep that fills the frame behind him with no horizon line, no furniture and no props. His weight is settled evenly on both feet, shoulders level and squared, spine long — but the stillness is broken by one action: both hands are pushed into the front pockets of his khaki chinos, thumbs hooked over the pocket rims, which pulls the navy t-shirt taut across his chest and lets the hem ride slightly forward. His chin is tipped a little to one side, head tilted just off vertical, and his green eyes look off to the left of the frame, past the lens, not at the viewer — a quiet, level, self-contained gaze with a relaxed brow and a closed, unsmiling mouth. The haircut is the anchor of the picture: dense brown hair kept short on top, brushed slightly forward and to one side with visible strand separation, while both sides above the ears are buzzed close to the scalp, the shaved planes catching a lighter sheen than the top and showing the soft shadow of the hairline against the skin. His ears are bare and wholly uncovered by the shaved sides, and nothing is worn at the neck — the t-shirt's plain ribbed collar sits open at the throat. The navy cotton shows matte weave and a soft crease at the elbow and waist; the khaki chinos fall straight to the ankle with one shallow fold behind the knee, and the brown leather sneakers are scuffed faintly at the toe caps, laces tied flat. Light comes from a single soft key at the upper left of the frame: it brightens the left side of his face and the left shaved temple, rakes across the top of his hair, and drops the right side of his jaw, the right side of his neck and the right leg into a gentle gradation of shade, with a soft short shadow pooling under both sneakers on the seamless ground. The palette stays tight — warm gray ground, navy, khaki, brown, and the one cool green of his eyes. Crisp cel-shaded rendering with clean linework and flat, controlled shading. Calm, effortlessly clean.
Arthur LEFORESTIER

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