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kisserofboyz
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- Prompt original
- Two men, Character: superman, large muscles, muscular, fully clothed, character: batman wearing wedding dress, wedding veil, high heels, garter belt, thigh high stockings, superman in tuxedo carrying batman in wedding dress, fireman’s carry, front view, from below
- Modo
- flash
- Tamaño
- 1104 x 1824
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character: superman, batman, batman_wearing_wedding_dress
2 men, superman, batman, muscular, large muscles, broad shoulders, thick arms, fully clothed, superman in tuxedo, black tuxedo jacket, white dress shirt, black bow tie, black trousers, batman wearing wedding dress, white wedding dress, sleeveless bodice, full floor-length skirt, wedding veil, white lace veil over the head, high heels, white high heel shoes, garter belt, white lace garter belt, thigh high stockings, white thigh high stockings, fireman's carry, carrying over shoulder, batman slung over superman's shoulders, superman's arm braced across batman's thighs, front view, from below, looking at another, short hair, black hair, sideburns, blue eyes, twintails, white veil trailing, veil spilling down superman's back, no hat, empty hands, muscular thighs, taut fabric, low angle, dramatic perspective, foreshortening
Front view from below: extreme low angle looking up at both men, the camera placed near floor level and tilted back so the two figures tower into a high, dark ceiling and the space above their heads opens out. A powerfully built man with short black hair, sideburns and blue eyes stands squarely at the base of the frame in a fitted black tuxedo — jacket buttoned, white shirttails visible at the hips, black bow tie cinched tight at his throat, trousers creased sharp over black shoes planted shoulder-width apart, both feet flat and carrying the load. His muscular right arm is braced forward and across the thighs of the man slung over his shoulders; his left hand locks that man's wrist high in the air. His jaw is set, chin lifted, eyes angled up toward the carried man rather than at the lens.
Over his shoulders lies a second muscular man in a white wedding dress: the sleeveless bodice strains over his broad back and chest, the floor-length skirt hangs upside down and pools in heavy white folds behind the first man's neck and down his back, and the white lace veil slips from the carried man's head to trail over the tuxedo shoulder, its mesh catching the light. Beneath the hanging skirt, white lace garter belt straps cross his upper thighs above white thigh high stockings, and one white high heel shoe dangles from a raised foot, the other hooked behind the first man's arm. The carried man's head hangs low past the first man's chest, and his eyes are turned back and down toward the eyes of the man carrying him, one corner of his mouth hooked up.
The light comes from a single hard source high and behind the two figures, so the tuxedo shoulder and the tops of the white dress folds take a bright rim while their faces stay in cool half-shadow; the skirt casts a broad soft shadow across the tuxedo's chest. The palette is limited to charcoal black, white, and the warm skin of the two men against a dark neutral ground with a faint seam of floor at the bottom edge. The fabric of the wedding dress pulls tight where the shoulder bears the weight, every strap and fold reading as real cloth under load. Dramatic, absurdly grand.
kisserofboyz
k
character: superman, batman, batman_wearing_wedding_dress
two men, 2boys, superman, batman, muscular, large muscles, bulky physique, broad shoulders, thick arms, fully clothed, superman in black tuxedo, black jacket, white dress shirt, black bow tie, batman wearing wedding dress, white wedding dress, wedding veil, sheer veil over head and shoulders, high heels, garter belt, thigh high stockings, white thigh-high stockings, fireman's carry, carrying, over shoulder, front view, from below, low angle, looking down, dutch angle, dramatic perspective, tall vertical composition, short black hair, sideburns, blue eyes, bare ears, no earrings, hair unadorned, outdoors, stone steps, daylight, cast shadows, blue and white palette
Front view, camera low and tilted upward: the frame is a tall vertical wedge of open sky and pale stone, with the two men occupying the lower two thirds and looming over the lens. Superman stands planted on a broad stone step, his weight on his left leg with the right foot braced one step lower, hips square to the camera, torso upright and slightly arched back to balance the load. His black tuxedo jacket is fully buttoned, the white dress shirt pressed flat across his chest, black bow tie tight at his throat, black trousers, black polished shoes gripping the step edge. Both arms are raised and locked straight overhead, hands wrapped around Batman's right wrist and right knee, holding them high so Batman's hips rest across the back of Superman's neck, the fireman's carry folding Batman's body over his shoulders in a long diagonal. Superman's chin is tipped up, blue eyes looking up past Batman's hip toward the sky, mouth set in a flat determined line, a small crease between his brows from the effort. Short black hair, sideburns down past the ear, both ears bare.
Batman hangs down the front of Superman's torso, his body draped over the shoulders in a slope from hips to head: hips high on Superman's neck, ribcage against Superman's shoulder blades, and his head and left arm hanging low on the far side, near Superman's right hip. The white wedding dress falls in heavy satin folds from his waist, the skirt bunched and rucked where it presses on Superman's back, the hem swinging loose and catching the light. The sheer wedding veil is thrown back over his crown and streams out sideways and down in the low wind, its mesh pulling taut at the comb and fluttering over his shoulder, half of it falling across Superman's forearm. White thigh-high stockings run the full length of his legs where they hang, the tops gripped snug by the white garter belt's straps visible under the lifted skirt, the elastic band pressed into the thigh. White high heels, one foot flexed with the toe pointed down, the other heel hanging off the toe by the strap. Batman's blue eyes are half-lidded and looking sideways at the camera lens from under his dark hair, lips pressed in a flat line, a faint flush on his cheekbones from being tipped upside down.
Light comes from high and slightly left: white sun on the stone steps, bright highlights along the satin skirt, the stockings and Superman's shirt front, and the two men's cast shadows falling together down the step faces to the right, the shadow stretching longer than the bodies that make it. The sky behind is a clean pale blue with no clouds. Nothing else is admitted into the palette beyond white, black and that blue, with the pale grey of the stone as the ground. The texture budget goes to the satin's sheen versus the wool tuxedo's matte, the mesh of the veil, and the taut stocking tops.
A single detail to anchor the physics: the veil's trailing edge drifts in the opposite direction to the skirt's hem, the fine mesh catching on Superman's sleeve where the two fabrics meet, the heavier satin falling straight down while the light gauze floats.
Tender and unstoppably absurd.
kisserofboyz
k
character: superman, batman, batman_wearing_wedding_dress
two men, 2boys, superman, batman, muscular, large muscles, bulky physique, broad shoulders, thick arms, fully clothed, superman in black tuxedo, black jacket, white dress shirt, black bow tie, batman wearing wedding dress, white wedding dress, wedding veil, sheer veil over head and shoulders, high heels, garter belt, thigh high stockings, white thigh-high stockings, fireman's carry, carrying, over shoulder, front view, from below, low angle, looking down, dutch angle, dramatic perspective, tall vertical composition, short black hair, sideburns, blue eyes, bare ears, no earrings, hair unadorned, outdoors, stone steps, daylight, cast shadows, blue and white palette
Front view, camera low and tilted upward: the frame is a tall vertical wedge of open sky and pale stone, with the two men occupying the lower two thirds and looming over the lens. Superman stands planted on a broad stone step, his weight on his left leg with the right foot braced one step lower, hips square to the camera, torso upright and slightly arched back to balance the load. His black tuxedo jacket is fully buttoned, the white dress shirt pressed flat across his chest, black bow tie tight at his throat, black trousers, black polished shoes gripping the step edge. Both arms are raised and locked straight overhead, hands wrapped around Batman's right wrist and right knee, holding them high so Batman's hips rest across the back of Superman's neck, the fireman's carry folding Batman's body over his shoulders in a long diagonal. Superman's chin is tipped up, blue eyes looking up past Batman's hip toward the sky, mouth set in a flat determined line, a small crease between his brows from the effort. Short black hair, sideburns down past the ear, both ears bare.
Batman hangs down the front of Superman's torso, his body draped over the shoulders in a slope from hips to head: hips high on Superman's neck, ribcage against Superman's shoulder blades, and his head and left arm hanging low on the far side, near Superman's right hip. The white wedding dress falls in heavy satin folds from his waist, the skirt bunched and rucked where it presses on Superman's back, the hem swinging loose and catching the light. The sheer wedding veil is thrown back over his crown and streams out sideways and down in the low wind, its mesh pulling taut at the comb and fluttering over his shoulder, half of it falling across Superman's forearm. White thigh-high stockings run the full length of his legs where they hang, the tops gripped snug by the white garter belt's straps visible under the lifted skirt, the elastic band pressed into the thigh. White high heels, one foot flexed with the toe pointed down, the other heel hanging off the toe by the strap. Batman's blue eyes are half-lidded and looking sideways at the camera lens from under his dark hair, lips pressed in a flat line, a faint flush on his cheekbones from being tipped upside down.
Light comes from high and slightly left: white sun on the stone steps, bright highlights along the satin skirt, the stockings and Superman's shirt front, and the two men's cast shadows falling together down the step faces to the right, the shadow stretching longer than the bodies that make it. The sky behind is a clean pale blue with no clouds. Nothing else is admitted into the palette beyond white, black and that blue, with the pale grey of the stone as the ground. The texture budget goes to the satin's sheen versus the wool tuxedo's matte, the mesh of the veil, and the taut stocking tops.
A single detail to anchor the physics: the veil's trailing edge drifts in the opposite direction to the skirt's hem, the fine mesh catching on Superman's sleeve where the two fabrics meet, the heavier satin falling straight down while the light gauze floats.
Tender and unstoppably absurd.
kisserofboyz
k
character: superman, batman, batman_wearing_wedding_dress
2 men, superman, batman, muscular, large muscles, broad shoulders, thick arms, fully clothed, superman in tuxedo, black tuxedo jacket, white dress shirt, black bow tie, black trousers, batman wearing wedding dress, white wedding dress, sleeveless bodice, full floor-length skirt, wedding veil, white lace veil over the head, high heels, white high heel shoes, garter belt, white lace garter belt, thigh high stockings, white thigh high stockings, fireman's carry, carrying over shoulder, batman slung over superman's shoulders, superman's arm braced across batman's thighs, front view, from below, looking at another, short hair, black hair, sideburns, blue eyes, twintails, white veil trailing, veil spilling down superman's back, no hat, empty hands, muscular thighs, taut fabric, low angle, dramatic perspective, foreshortening
Front view from below: extreme low angle looking up at both men, the camera placed near floor level and tilted back so the two figures tower into a high, dark ceiling and the space above their heads opens out. A powerfully built man with short black hair, sideburns and blue eyes stands squarely at the base of the frame in a fitted black tuxedo — jacket buttoned, white shirttails visible at the hips, black bow tie cinched tight at his throat, trousers creased sharp over black shoes planted shoulder-width apart, both feet flat and carrying the load. His muscular right arm is braced forward and across the thighs of the man slung over his shoulders; his left hand locks that man's wrist high in the air. His jaw is set, chin lifted, eyes angled up toward the carried man rather than at the lens.
Over his shoulders lies a second muscular man in a white wedding dress: the sleeveless bodice strains over his broad back and chest, the floor-length skirt hangs upside down and pools in heavy white folds behind the first man's neck and down his back, and the white lace veil slips from the carried man's head to trail over the tuxedo shoulder, its mesh catching the light. Beneath the hanging skirt, white lace garter belt straps cross his upper thighs above white thigh high stockings, and one white high heel shoe dangles from a raised foot, the other hooked behind the first man's arm. The carried man's head hangs low past the first man's chest, and his eyes are turned back and down toward the eyes of the man carrying him, one corner of his mouth hooked up.
The light comes from a single hard source high and behind the two figures, so the tuxedo shoulder and the tops of the white dress folds take a bright rim while their faces stay in cool half-shadow; the skirt casts a broad soft shadow across the tuxedo's chest. The palette is limited to charcoal black, white, and the warm skin of the two men against a dark neutral ground with a faint seam of floor at the bottom edge. The fabric of the wedding dress pulls tight where the shoulder bears the weight, every strap and fold reading as real cloth under load. Dramatic, absurdly grand.
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