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AI art "如月れん, 収容室の画家"
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如月れん, 収容室の画家

#Pechos#Gafas#tela vaquera#Pelo negro#pelo degradado#clavícula#1 chica#sosteniendo#pies fuera de cuadro#Virtual YouTuber#Ren Kisaragi#VSPO!
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勇者系魔王アマッカス

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character: kisaragi_ren_(vspo!), copyright: vspo!, lobotomy_corporation character: kisaragi_ren_(vspo!), copyright: lobotomy_corporation 1girl, solo, kisaragi_ren_(vspo!), medium shot, head tilt, from front, looking at viewer, quiet intense focus, half-closed eyes, faint closed-lip focus, containment chamber, concrete floor, paint splattered concrete, colorful dripping paint on walls, tattered canvases leaning against walls, thin paint-like ribbons trailing from fingertips, ribbons swirling in patterns on the floor, black hair, gradient hair, multicolored hair, red hair streaks, medium hair, red eyes, open jacket, jewelry, glasses, dramatic side lighting, long shadows, dutch angle slight A medium shot frames one young woman at the exact center of a concrete containment chamber, her body squared to the lens but her head tipped over to her right shoulder — a deliberate, studying tilt, chin slightly down, so she regards the viewer the way a curator regards a questionable canvas. She is caught mid-consideration: weight settled on her left leg, right hip pushed out a fraction, both arms hanging loose at her sides with the forearms turned slightly inward, palms half-open toward the floor. From the fingertips of both hands, thin paint-like ribbons spool out and trail down, red and magenta and teal, meeting the paint-splattered concrete and coiling away across it in slow, deliberate swirls that widen toward the frame edges. Her gaze is fixed straight on the viewer, unblinking and level, with only the faintest downward pull at one eyelid and one lip corner easing lower — the face of someone deciding what to make of what they see, not someone posing for it. Her hair is black at the crown and falls in a medium-length cut to her jaw, running out through red and magenta into a multicolor gradient at the ends; it hangs with the head tilt, one side's ends sliding forward across the cheek, the other side dropping clean behind the shoulder. Red eyes beneath a lowered brow hold the viewer's eye line. She wears an open jacket worn loose over a plain top, the collar fallen back and away from the throat, a thin chain at the collarbone, and narrow glasses sitting low on the bridge of her nose — pushed down just enough to reveal the red of her eyes over the rims. The camera is nearly eye-level but tilted a few degrees off horizontal, pushing the floor plane diagonally so the ribbons on the concrete read as a long skewing spiral rather than a flat pattern. Behind her, the chamber walls are smeared with broad diagonal strokes of dripping paint — cobalt, ochre, teal, coral — running down in long wet tongues that gather and pool at the base of the wall. Tattered canvases lean at angles against the wall behind her left shoulder and again at the far right edge, their edges furled and torn, faces turned away or scraped to bare ground so nothing on them reads as a competing picture. The single light source sits far off to the right of frame and slightly behind the camera plane: a hard, cool-white beam from a containment rig, raking across the concrete. It strikes the right side of her face, the outside of her right arm and the right wall's wet paint, lighting the drips to a wet shine, and throws her shadow long and stretched to the left across the floor — a thin, hard-edged silhouette of her head and hand, cut through by the brighter spirals of ribbon that pass in front of it. Everything on her left side falls into a deep cool shadow, the paint drips there dim and unreflective. A single thin ribbon lifts free of her right index finger and hangs a few centimeters off the ground, defying gravity for one beat before it will touch down — the only element in the chamber that does not obey the downward flow of the paint on the walls. Palette: concrete grey and shadowed charcoal as the ground, the walls' paint and the fingertip ribbons the only color in the room — cobalt, teal, magenta, coral and ochre, saturated against the neutral surface — with the red of her eyes and the red in her hair ending the same hue family as the red ribbons. High and low contrast held together by the single hard light. Mood: hushed, watchful, quietly exhibitory.
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Prompt original
character: kisaragi_ren_(vspo!), copyright: lobotomy_corporation 1girl, solo, kisaragi_ren_(vspo!), medium shot, head tilt, from front, looking at viewer, quiet intense focus, half-closed eyes, faint closed-lip focus, containment chamber, concrete floor, paint splattered concrete, colorful dripping paint on walls, tattered canvases leaning against walls, thin paint-like ribbons trailing from fingertips, ribbons swirling in patterns on the floor, black hair, gradient hair, multicolored hair, red hair streaks, medium hair, red eyes, open jacket, jewelry, glasses, dramatic side lighting, long shadows, dutch angle slight A medium shot frames one young woman at the exact center of a concrete containment chamber, her body squared to the lens but her head tipped over to her right shoulder — a deliberate, studying tilt, chin slightly down, so she regards the viewer the way a curator regards a questionable canvas. She is caught mid-consideration: weight settled on her left leg, right hip pushed out a fraction, both arms hanging loose at her sides with the forearms turned slightly inward, palms half-open toward the floor. From the fingertips of both hands, thin paint-like ribbons spool out and trail down, red and magenta and teal, meeting the paint-splattered concrete and coiling away across it in slow, deliberate swirls that widen toward the frame edges. Her gaze is fixed straight on the viewer, unblinking and level, with only the faintest downward pull at one eyelid and one lip corner easing lower — the face of someone deciding what to make of what they see, not someone posing for it. Her hair is black at the crown and falls in a medium-length cut to her jaw, running out through red and magenta into a multicolor gradient at the ends; it hangs with the head tilt, one side's ends sliding forward across the cheek, the other side dropping clean behind the shoulder. Red eyes beneath a lowered brow hold the viewer's eye line. She wears an open jacket worn loose over a plain top, the collar fallen back and away from the throat, a thin chain at the collarbone, and narrow glasses sitting low on the bridge of her nose — pushed down just enough to reveal the red of her eyes over the rims. The camera is nearly eye-level but tilted a few degrees off horizontal, pushing the floor plane diagonally so the ribbons on the concrete read as a long skewing spiral rather than a flat pattern. Behind her, the chamber walls are smeared with broad diagonal strokes of dripping paint — cobalt, ochre, teal, coral — running down in long wet tongues that gather and pool at the base of the wall. Tattered canvases lean at angles against the wall behind her left shoulder and again at the far right edge, their edges furled and torn, faces turned away or scraped to bare ground so nothing on them reads as a competing picture. The single light source sits far off to the right of frame and slightly behind the camera plane: a hard, cool-white beam from a containment rig, raking across the concrete. It strikes the right side of her face, the outside of her right arm and the right wall's wet paint, lighting the drips to a wet shine, and throws her shadow long and stretched to the left across the floor — a thin, hard-edged silhouette of her head and hand, cut through by the brighter spirals of ribbon that pass in front of it. Everything on her left side falls into a deep cool shadow, the paint drips there dim and unreflective. A single thin ribbon lifts free of her right index finger and hangs a few centimeters off the ground, defying gravity for one beat before it will touch down — the only element in the chamber that does not obey the downward flow of the paint on the walls. Palette: concrete grey and shadowed charcoal as the ground, the walls' paint and the fingertip ribbons the only color in the room — cobalt, teal, magenta, coral and ochre, saturated against the neutral surface — with the red of her eyes and the red in her hair ending the same hue family as the red ribbons. High and low contrast held together by the single hard light. Mood: hushed, watchful, quietly exhibitory.
Modo
pro
Tamaño
832 x 2048
Método de muestreo
Euler
Excluir de la imagen
lowres, worst quality, low quality, bad anatomy, explicit,

Modelo y LoRA utilizados

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.33k

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リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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