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View details氷狐龍幽月
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- Prompt original
- エメラルドグリーンの髪、腰の下まであるふわふわのロングヘア、中性的、エメラルドグリーンの気だるげな切れ長のタレ目、肩出しのオーバーサイズの白シャツ、下は履いてない、ペットの白蛇。
- Modo
- flash
- Tamaño
- 1104 x 1824
Asistente de prompts
Modelo y LoRA utilizados
Imágenes similares
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1girl, solo, emerald green hair, very long hair, fluffy hair, hair below hips, wavy hair, emerald green eyes, tareme, droopy eyes, slit pupils, half-closed eyes, languid expression, androgynous, flat chest, oversized shirt, white shirt, off-shoulder, bare shoulders, collarbone, bare legs, no pants, barefoot, white snake, snake around neck, snake on shoulders, holding snake, from above, from side, looking up, head tilt, standing, contrapposto, arm support, window light, white room,
Shot from above and slightly to her left, the camera looks down the length of a tall, narrow white-walled room at a lean androgynous figure who stands hip-cocked and three-quarters turned, weight on the right leg, left knee loose and bent. Her emerald green hair is a soft fluffy mass that spills from the crown in loose waves, runs over both shoulders and falls past her hips to the backs of her thighs; where the window light hits the crown it goes bright yellow-green, and the underlayers sink to near-black bottle green. The oversized white shirt is sized for someone much larger: the wide neckline has slipped off both shoulders and hangs in a straight horizontal fold across the chest, exposing the full bare line of both shoulders and the flat sternum and collarbones; the sleeves swallow her hands to the knuckles and the hem breaks just at the tops of her thighs. Below it her hips and legs are entirely bare -- no cloth, no waistband, nothing but skin down to her bare feet on the pale boards -- and she is all the more exposed because of how carelessly she stands in it. Her head tips a little back and to one side, chin up, lids half lowered over emerald green eyes whose slit pupils sit in a pale green iris; the long outer corners pull down and the upper lids lie heavy, so the look reads as listless, unbothered, faintly bored. She is looking up and away past the upper corner of the window, not at the lens.
A white snake is draped across her -- thick as two fingers, paper-white, cool and glossy -- its body looping behind her neck, coming forward over her right shoulder, sliding down the slope of her exposed right shoulder and along her bare forearm to the wrist, where its blunt head lifts and turns out to face the room. The snake's weight pulls the loose shirt collar a little off the shoulder; her left hand is up and slightly cupped, half hidden in the oversized cuff, one finger stroking the coil where it crosses her forearm -- that hand and the snake are her only action. Her right arm hangs slack, hand swallowed by the sleeve, knuckles just brushing the hem of the shirt at her thigh. Cool north window light enters high at frame left and rakes down across the room: it whitens the crown of her hair, picks out the bare shoulder and the pale snake's curve, and drops long thin shadows of her legs and the hanging shirtsleeve across the floorboards to the right. Beyond the light the wall and floor fall to a soft grey-blue; the room is empty apart from her, the boards running away under the camera, and the floor near the window holds faint dusty crescents of light. The palette is emerald green, white, bare pale skin and grey-blue shadow, nothing else admitted. Quiet, languid.
氷狐龍幽月
氷
1girl, solo, emerald green hair, very long hair, fluffy hair, hair below hips, wavy hair, emerald green eyes, tareme, droopy eyes, slit pupils, half-closed eyes, languid expression, androgynous, flat chest, oversized shirt, white shirt, off-shoulder, bare shoulders, collarbone, bare legs, no pants, barefoot, white snake, snake around neck, snake on shoulders, holding snake, from above, from side, looking up, head tilt, standing, contrapposto, arm support, window light, white room,
Shot from above and slightly to her left, the camera looks down the length of a tall, narrow white-walled room at a lean androgynous figure who stands hip-cocked and three-quarters turned, weight on the right leg, left knee loose and bent. Her emerald green hair is a soft fluffy mass that spills from the crown in loose waves, runs over both shoulders and falls past her hips to the backs of her thighs; where the window light hits the crown it goes bright yellow-green, and the underlayers sink to near-black bottle green. The oversized white shirt is sized for someone much larger: the wide neckline has slipped off both shoulders and hangs in a straight horizontal fold across the chest, exposing the full bare line of both shoulders and the flat sternum and collarbones; the sleeves swallow her hands to the knuckles and the hem breaks just at the tops of her thighs. Below it her hips and legs are entirely bare -- no cloth, no waistband, nothing but skin down to her bare feet on the pale boards -- and she is all the more exposed because of how carelessly she stands in it. Her head tips a little back and to one side, chin up, lids half lowered over emerald green eyes whose slit pupils sit in a pale green iris; the long outer corners pull down and the upper lids lie heavy, so the look reads as listless, unbothered, faintly bored. She is looking up and away past the upper corner of the window, not at the lens.
A white snake is draped across her -- thick as two fingers, paper-white, cool and glossy -- its body looping behind her neck, coming forward over her right shoulder, sliding down the slope of her exposed right shoulder and along her bare forearm to the wrist, where its blunt head lifts and turns out to face the room. The snake's weight pulls the loose shirt collar a little off the shoulder; her left hand is up and slightly cupped, half hidden in the oversized cuff, one finger stroking the coil where it crosses her forearm -- that hand and the snake are her only action. Her right arm hangs slack, hand swallowed by the sleeve, knuckles just brushing the hem of the shirt at her thigh. Cool north window light enters high at frame left and rakes down across the room: it whitens the crown of her hair, picks out the bare shoulder and the pale snake's curve, and drops long thin shadows of her legs and the hanging shirtsleeve across the floorboards to the right. Beyond the light the wall and floor fall to a soft grey-blue; the room is empty apart from her, the boards running away under the camera, and the floor near the window holds faint dusty crescents of light. The palette is emerald green, white, bare pale skin and grey-blue shadow, nothing else admitted. Quiet, languid.
氷狐龍幽月
氷
1girl, solo, emerald green hair, very long hair, fluffy hair, hair below hips, wavy hair, emerald green eyes, tareme, droopy eyes, slit pupils, half-closed eyes, languid expression, androgynous, flat chest, oversized shirt, white shirt, off-shoulder, bare shoulders, collarbone, bare legs, no pants, barefoot, white snake, snake around neck, snake on shoulders, holding snake, from above, from side, looking up, head tilt, standing, contrapposto, arm support, window light, white room,
Shot from above and slightly to her left, the camera looks down the length of a tall, narrow white-walled room at a lean androgynous figure who stands hip-cocked and three-quarters turned, weight on the right leg, left knee loose and bent. Her emerald green hair is a soft fluffy mass that spills from the crown in loose waves, runs over both shoulders and falls past her hips to the backs of her thighs; where the window light hits the crown it goes bright yellow-green, and the underlayers sink to near-black bottle green. The oversized white shirt is sized for someone much larger: the wide neckline has slipped off both shoulders and hangs in a straight horizontal fold across the chest, exposing the full bare line of both shoulders and the flat sternum and collarbones; the sleeves swallow her hands to the knuckles and the hem breaks just at the tops of her thighs. Below it her hips and legs are entirely bare -- no cloth, no waistband, nothing but skin down to her bare feet on the pale boards -- and she is all the more exposed because of how carelessly she stands in it. Her head tips a little back and to one side, chin up, lids half lowered over emerald green eyes whose slit pupils sit in a pale green iris; the long outer corners pull down and the upper lids lie heavy, so the look reads as listless, unbothered, faintly bored. She is looking up and away past the upper corner of the window, not at the lens.
A white snake is draped across her -- thick as two fingers, paper-white, cool and glossy -- its body looping behind her neck, coming forward over her right shoulder, sliding down the slope of her exposed right shoulder and along her bare forearm to the wrist, where its blunt head lifts and turns out to face the room. The snake's weight pulls the loose shirt collar a little off the shoulder; her left hand is up and slightly cupped, half hidden in the oversized cuff, one finger stroking the coil where it crosses her forearm -- that hand and the snake are her only action. Her right arm hangs slack, hand swallowed by the sleeve, knuckles just brushing the hem of the shirt at her thigh. Cool north window light enters high at frame left and rakes down across the room: it whitens the crown of her hair, picks out the bare shoulder and the pale snake's curve, and drops long thin shadows of her legs and the hanging shirtsleeve across the floorboards to the right. Beyond the light the wall and floor fall to a soft grey-blue; the room is empty apart from her, the boards running away under the camera, and the floor near the window holds faint dusty crescents of light. The palette is emerald green, white, bare pale skin and grey-blue shadow, nothing else admitted. Quiet, languid.
氷狐龍幽月
氷
1girl, solo, original character, androgynous, emerald green hair, very long hair, fluffy hair, hair past hips, emerald green eyes, tareme, narrow sharp eyes, half-closed eyes, sleepy, languid, listless, off-shoulder, oversized white shirt, bare shoulders, bare legs, barefoot, no pants, no skirt, white snake, snake on shoulder, holding, sitting, from above, cowboy shot, dutch angle, looking up at viewer, head tilt, one knee up, arm support, light smile, closed mouth, bare ears, collarbone, depth of field, soft light
The camera looks down from above at a slight dutch tilt, so the figure fills the frame from the hips up, seated on the bare floor in the corner of an otherwise empty, shadowless pale grey studio: no furniture, no props, nothing but the person and the white snake. The androgynous figure sits tilted toward the corner with the right hip carrying the weight and the left knee drawn up under the shirt hem; the oversized white shirt has slid off both shoulders, the fabric pooling loosely at the elbows, the collar wide and open at the bare throat and collarbones, and below the hem the hips and long bare legs are completely exposed against the floor, no cloth at all, one foot tucked under the opposite thigh. Both ears are bare and no accessory of any kind interrupts the hair, which falls in a fluffy emerald mass past the hips, spreading over the floor on the right side and lifting slightly where the shoulder has dragged the shirt down. The emerald green eyes are narrow, sharp and downward-slanting at the outer corners, heavy-lidded with a listless, sleepy weight; the chin tilts back so the gaze comes up to the lens through the lashes, one brow a fraction lower than the other, the lips shut in a faint, indifferent smile. The right hand lies loosely on the upraised knee; the left forearm rests on the floor behind the hip, propping the lean. The white snake's body loops over the left shoulder and around the back of the neck, its head lifting just beside the jaw with the blunt snout pointing toward the viewer, its weight compressing the shirt collar into a crease and the tip of its tail curling around the upper arm; its small dark eye is fixed on the person's face rather than the camera. One soft overhead light, cool and diffuse, pools on the crown of the head and the top planes of the shoulders and snake, and the floor beneath the hips and legs falls into a gentle soft-edged shadow that thickens toward the lower edge of the frame. The palette is strictly emerald green, white and warm pale grey skin, the green living only in the hair and eyes, the white in the shirt and the snake, with nothing else admitted. Clean cel-shaded anime linework, crisp flat shadow shapes, hair rendered as soft overlapping strands. Quiet, dreamy languor.
氷狐龍幽月
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