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View details氷狐龍幽月
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- Prompt original
- エメラルドグリーンの髪、腰の下まであるゆるふわのロングヘア、中性的、20代前半、エメラルドグリーンの気だるげな切れ長のジト目、タレ目、肩出しのオーバーサイズの白Tシャツ、下は履いてない、ペットの白蛇。
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- flash
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- 1104 x 1824
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Modelo y LoRA utilizados
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1girl, solo, white snake, emerald green hair, very long hair, hair past hips, fluffy hair, wavy hair, emerald green eyes, tareme, half-closed eyes, languid, androgynous, early 20s, oversized white t-shirt, off-shoulder shirt, bare shoulders, collarbone, no bra, bare legs, barefoot, bottomless, sitting, knees up, from above, dutch angle, looking up at viewer, head tilt, arm support, hand on own knee, snake around neck, snake on shoulder, looking at viewer, light smile, closed mouth, parted lips, blush, window light, high contrast, dark background
The camera looks down from slightly above and to one side, tipped a few degrees off level, over the near edge of a bare mattress. A young androgynous figure in their early twenties sits low in the frame with their knees drawn up and their weight sunk onto the right hip, one arm braced straight behind them on the mattress so the shoulder line tilts, the other hand resting open on the near knee. Their oversized white T-shirt hangs wide and loose off both shoulders, the collar stretched so the whole span of collarbone and the tops of both shoulders stay bare, the hem bunched and rucked over the hips where the mattress takes the weight; below it there is nothing at all — bare hips, bare thighs, bare shins, bare feet tucked under the far knee, skin continuous from the hem down to the toes. Below the hips the emerald green hair falls in a fluffy, unruly mass that spreads across the sheet and pools around the near thigh, the ends curling where they touch the fabric, a few strands lifted by their own springiness against the air. The head tips back and to the left; the long, heavy-lidded emerald green eyes slant upward out of the frame's top edge, the outer corners drawn low in a tareme droop, the lower lid relaxed, the mouth barely parted at one corner in a faint closed-lip smile that reads as listless rather than inviting. A small white snake rides the bare slope of the left shoulder, its body looping once behind the neck and lying cool and heavy against the skin; as it lifts its head toward the camera, the loose collar drags a centimetre sideways with it, and the skin beneath shows the flattened, faintly pink channel its weight has pressed into the shoulder. A second white snake is not present — there is one snake, and its coils cross the collarbone. The only light comes from a window at frame left, low and cool, silvering the near side of the bare shoulder, the collarbone hollow, the front of the throat and the pale scales of the snake; the far side of the face, the underside of the shirt and the fold of the sheet fall into a warm green-black shadow, and the figure's shadow and the hair's shadow lie together on the sheet, the hair's soft-edged and the body's hard. Palette: emerald green in the hair and the irises, the white of the shirt, the snake and the sheet, and the cool grey of the shadow — nothing else. The sheet wrinkles radiate outward from the braced hand and the pressed hip exactly the way the weight is loaded. Quiet, languid heat.
氷狐龍幽月
氷
1girl, solo, emerald green hair, very long hair, fluffy hair, hair below hips, wavy hair, emerald green eyes, tareme, droopy eyes, slit pupils, half-closed eyes, languid expression, androgynous, flat chest, oversized shirt, white shirt, off-shoulder, bare shoulders, collarbone, bare legs, no pants, barefoot, white snake, snake around neck, snake on shoulders, holding snake, from above, from side, looking up, head tilt, standing, contrapposto, arm support, window light, white room,
Shot from above and slightly to her left, the camera looks down the length of a tall, narrow white-walled room at a lean androgynous figure who stands hip-cocked and three-quarters turned, weight on the right leg, left knee loose and bent. Her emerald green hair is a soft fluffy mass that spills from the crown in loose waves, runs over both shoulders and falls past her hips to the backs of her thighs; where the window light hits the crown it goes bright yellow-green, and the underlayers sink to near-black bottle green. The oversized white shirt is sized for someone much larger: the wide neckline has slipped off both shoulders and hangs in a straight horizontal fold across the chest, exposing the full bare line of both shoulders and the flat sternum and collarbones; the sleeves swallow her hands to the knuckles and the hem breaks just at the tops of her thighs. Below it her hips and legs are entirely bare -- no cloth, no waistband, nothing but skin down to her bare feet on the pale boards -- and she is all the more exposed because of how carelessly she stands in it. Her head tips a little back and to one side, chin up, lids half lowered over emerald green eyes whose slit pupils sit in a pale green iris; the long outer corners pull down and the upper lids lie heavy, so the look reads as listless, unbothered, faintly bored. She is looking up and away past the upper corner of the window, not at the lens.
A white snake is draped across her -- thick as two fingers, paper-white, cool and glossy -- its body looping behind her neck, coming forward over her right shoulder, sliding down the slope of her exposed right shoulder and along her bare forearm to the wrist, where its blunt head lifts and turns out to face the room. The snake's weight pulls the loose shirt collar a little off the shoulder; her left hand is up and slightly cupped, half hidden in the oversized cuff, one finger stroking the coil where it crosses her forearm -- that hand and the snake are her only action. Her right arm hangs slack, hand swallowed by the sleeve, knuckles just brushing the hem of the shirt at her thigh. Cool north window light enters high at frame left and rakes down across the room: it whitens the crown of her hair, picks out the bare shoulder and the pale snake's curve, and drops long thin shadows of her legs and the hanging shirtsleeve across the floorboards to the right. Beyond the light the wall and floor fall to a soft grey-blue; the room is empty apart from her, the boards running away under the camera, and the floor near the window holds faint dusty crescents of light. The palette is emerald green, white, bare pale skin and grey-blue shadow, nothing else admitted. Quiet, languid.
氷狐龍幽月
氷
1girl, solo, original character, androgynous, emerald green hair, very long hair, fluffy hair, hair past hips, emerald green eyes, tareme, narrow sharp eyes, half-closed eyes, sleepy, languid, listless, off-shoulder, oversized white shirt, bare shoulders, bare legs, barefoot, no pants, no skirt, white snake, snake on shoulder, holding, sitting, from above, cowboy shot, dutch angle, looking up at viewer, head tilt, one knee up, arm support, light smile, closed mouth, bare ears, collarbone, depth of field, soft light
The camera looks down from above at a slight dutch tilt, so the figure fills the frame from the hips up, seated on the bare floor in the corner of an otherwise empty, shadowless pale grey studio: no furniture, no props, nothing but the person and the white snake. The androgynous figure sits tilted toward the corner with the right hip carrying the weight and the left knee drawn up under the shirt hem; the oversized white shirt has slid off both shoulders, the fabric pooling loosely at the elbows, the collar wide and open at the bare throat and collarbones, and below the hem the hips and long bare legs are completely exposed against the floor, no cloth at all, one foot tucked under the opposite thigh. Both ears are bare and no accessory of any kind interrupts the hair, which falls in a fluffy emerald mass past the hips, spreading over the floor on the right side and lifting slightly where the shoulder has dragged the shirt down. The emerald green eyes are narrow, sharp and downward-slanting at the outer corners, heavy-lidded with a listless, sleepy weight; the chin tilts back so the gaze comes up to the lens through the lashes, one brow a fraction lower than the other, the lips shut in a faint, indifferent smile. The right hand lies loosely on the upraised knee; the left forearm rests on the floor behind the hip, propping the lean. The white snake's body loops over the left shoulder and around the back of the neck, its head lifting just beside the jaw with the blunt snout pointing toward the viewer, its weight compressing the shirt collar into a crease and the tip of its tail curling around the upper arm; its small dark eye is fixed on the person's face rather than the camera. One soft overhead light, cool and diffuse, pools on the crown of the head and the top planes of the shoulders and snake, and the floor beneath the hips and legs falls into a gentle soft-edged shadow that thickens toward the lower edge of the frame. The palette is strictly emerald green, white and warm pale grey skin, the green living only in the hair and eyes, the white in the shirt and the snake, with nothing else admitted. Clean cel-shaded anime linework, crisp flat shadow shapes, hair rendered as soft overlapping strands. Quiet, dreamy languor.
氷狐龍幽月
氷
1girl, solo, androgynous, emerald green hair, very long hair, fluffy hair, hair past waist, emerald green eyes, tareme, slit pupils, half-closed eyes, languid, expressionless, off-shoulder, oversized white shirt, bare shoulders, collarbone, no pants, bare legs, barefoot, white snake, snake around neck, snake draping over shoulder, holding snake, long sleeves, sleeves past wrists, from above, close-up, upper body, looking up at viewer, head tilt, empty pale room, soft daylight, muted palette,
Shot from above and slightly behind the subject's left shoulder, the camera looking down the length of a bare back and a fall of emerald green hair. The hair is the largest shape in frame: fluffy, voluminous, waist-length and longer, individual strands catching the light where it curls over the shoulder blades and pooling out of frame toward the hips. The oversized white shirt has slipped off both shoulders, its wide collar resting low across the upper arms, leaving the shoulders, the back of the neck and the spine bare; the fabric hangs loose and unbelted, and below its hem there is only bare leg, a knee and a thigh in shadow at the bottom of the frame. A white snake lies in a loose coil around the neck, its head resting forward over the collarbone, its body crossing the bare shoulder and the white cotton, the scales catching a fine cool sheen while the shirt stays matte. One hand rises to the snake's head, fingertips just under its jaw, the cuff of the long sleeve falling back over the wrist. The face is turned up and back toward the lens: emerald green eyes, narrow and droopy at the outer corners, lids lowered halfway, no tension in the brow, mouth relaxed and slightly parted, a look of complete languor aimed upward past the viewer rather than at them. The light comes from a single tall window to the left, cool and soft, so the left side of the neck and the snake's flank glow and the right side of the face and the underside of the hair fall into a gentle shadow; the snake's head casts a small soft shadow onto the shirt collar. Palette is emerald green, white and pale skin against a plain washed-out grey wall, nothing else admitted. The blanket of hair flattens where it lies over the shirt, lifting free where the shoulder curves. Quiet, drowsy.
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