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concentric rings in clouds, ripple pattern, wavy cloud bands, cloud formation expanding outward, blue sky, aerial view, from below, wide shot, no humans, no characters, sky only, no land, no text, no lettering, no border, no frame, single unbroken firmament, crisp cirrus filaments, soft cumulus heaps, rippled altocumulus arcs, atmosphere, aerial perspective, deep blue zenith, pale horizon blue, sunlit cloud tops, cool shadowed cloud undersides, still air, high noon clarity The camera looks straight up from directly beneath the sky: no ground, no horizon, no rooftops, no birds, nothing but cloud and empty blue, the whole frame one unbroken firmament. Centered high in the upper third sits the origin of the pattern, a small dense knot of cloud not much wider than a few frame-widths across, so tightly coiled that its filaments blur into a single bright core; from it ring after ring of cloud lifts outward in expanding concentric waves, each band an unbroken circle of coherent wavy structure that widens as it travels, the innermost rings narrow and sharply defined, the outer rings broad and softly frayed so their crests break apart into scattered puffs while still tracing the same concentric curve. The rings are not flat painted lines but real cloud volume: each band thickens and lifts along its outward-facing crest, catches the light there, and thins to a translucent veil on its inner face, and because the rings expand outward in every direction at once they cross the frame's top edge and both side edges, so the circles are read as arcs continuing past the visible crop. The wavy structure lives in the cloud texture itself — rippled altocumulus style ridges spaced evenly along each band, fine filament striations running tangentially with the circle, small cumulus heaps swelling on the crests between troughs, the troughs left as clear blue gaps showing the sky through. Overhead, the light comes from a single source near the zenith slightly behind the origin knot, so the outward-facing crests are lit warm white while the inner faces and the undersides of each ridge fall into cool blue-grey — the troughs are the darkest blue in the picture, and the shadow line on each ridge falls consistently on its inner edge all the way around the full circle, the same way on every band, which is what makes the pattern read as one coherent expanding event rather than separate clouds. The blue sky itself is graded by distance: deep, saturated cobalt at the empty edges and center-top, desaturated and paler toward the faint haze of the low periphery, with faint forward-scattered brightness haloing the sunlit crests. The palette is held to blue and white alone — white cloud crests, grey-blue cloud shadow, and every hue between them — with one sliver of warm ivory on the brightest crest nearest the origin; nothing else admitted. Detail is concentrated on the origin knot and the first two or three rings, where individual filaments and ridge shadows are countable; the outer rings simplify to broad bands and soft edges without flattening into a texture swatch, and the gaps between them hold a clean, silent blue. No horizon, no objects, no figures anywhere in frame. Serene, quietly monumental.
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Prompt original
Clouds forming expanding concentric wavy patterns in a blue sky.
Modo
pro
Tamaño
1104 x 1824
Método de muestreo
Euler
Excluir de la imagen
lowres, worst quality, low quality, bad anatomy, explicit
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.22k

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concentric undulating cloud bands, blue sky, no humans, no characters, landscape only, nature, high altitude view, from below, looking up, wide shot, thin wispy cloud filaments, layered wave patterns, even spacing, deep azure zenith, paler cyan near the horizon edge, no land visible, uninterrupted sky field, cool palette, crisp daylight The camera points straight up from the ground, wide and unbroken, so the entire frame is sky and nothing else: an uninterrupted blue field deepening toward the zenith at the top of the image and paling to a colder cyan along the bottom edge, with no land, no horizon line, no bird, no aircraft anywhere in it. Across that blue, thin high-altitude cloud filaments are drawn into concentric bands -- a set of nested arcs sharing one unseen centre beyond the upper-left corner, each band a long ribbon of fine parallel fibres that rises and falls in a slow undulation, crest to trough to crest, so the arcs read as waves rather than rings. The bands keep a disciplined, even spacing, wider apart toward the frame edge and tightening as they approach the implied centre where the arcs crowd closest together, and the lowest band is the thickest, its fibres densest and its edges softest, thinning and breaking into loose wisps at the very crown of each crest. The filaments carry the single judgeable detail of the image: their shadowed undersides are faint grey-blue while every upward-facing face of a fibre catches the sun almost white, so the bands are visibly three-dimensional and the light direction is unmistakable, coming from high and to the right. Where two bands cross nearest the centre the thinner one passes visibly in front, its fibres unbroken, the thicker one continuing behind. No cast shadow on the sky, no grain, no vignette; the palette is held to blue and white alone, deep azure, pale cyan and sunlit white, with the faint grey of the undersides the only other tone. Serene, weightless.
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