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- Prompt original
- 平沢唯、床まで届く大きな白いマントで全身を隙間なくきっちり包み込まれて、首の紐はきっちり締められてフードをかぶっている。前の合わせ目は隙間なく閉じられて足の先も見えない。明るい教室の中に立っている正面からの姿。八頭身。フードの中では鼻と口を覆う猿轡をされている。首から足首にいたるまで全身にわたってロープで十重二十重にぐるぐる巻きにされて、床の上に転がされてきつく締め付けられている。
- Modo
- flash
- Tamaño
- 1104 x 1824
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Modelo y LoRA utilizados
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余
character: hirasawa_yui
1girl, solo, hirasawa_yui, short brown hair, brown eyes, hair between eyes, hair ornament, blue ribbon, white_hairclip, large white cloak, hooded cloak, hood up, hood down over face, drawstring at neck, cord tied tightly under chin, front closure fully shut seam to seam, floor-length cloak, feet completely hidden, nothing of the body visible, no hands visible, bright classroom, daytime, from front, full body, standing, eight heads tall, tall proportions, gagged, nose and mouth covered by gag, gag inside hood, rope, shibari, rope harness, many layers of rope, rope from neck to ankles, arms bound to torso, legs bound together, tightly bound, lying on floor, rolled onto floor, rolled up, on side, gaze visible above gag, tears in eyes, blush, furrowed brow, strained expression, classroom desks and chairs, large windows, sunlight, clean linework, cel shading, flat color
A full-body front view, camera at standing eye level aimed slightly down the length of the figure, the whole cloaked figure centered in a bright classroom. The single girl stands upright, spine straight, shoulders pulled slightly back, the massive white cloak swallowed around her so completely that only the hood opening shows any life; the cloak pours from her shoulders to the floor without a wrinkle breaking the closed seam down the front, the fabric pooling flat where it meets the ground so that not even the outline of a toe shows. The hood rises over her head in a stiff funnel, the drawstring cord cinched tight under her chin, cutting a small dark shadow line across the throat. Inside the hood opening her short brown hair spills in a messy fringe across her forehead; a white hairclip and a blue ribbon hold the sides of the bob, the ribbon ends limp against the cloak's inner lining. Beneath the fringe her brown eyes are wide and glassy, welling at the lower lash line, brows drawn up in the middle. A wide pale gag band crosses the lower half of her face, pressing the skin around her nose and sealing her mouth, dimpling the cheeks where it pulls taut; the strap disappears into the hood's lining at both sides. From the collarbone down the white cloak is cinched and crossed by rope in many overlapping layers, the rope looping around the shoulders, cutting deep valleys into the fabric, wrapping the arms flat to the torso and banding down the body in tight parallel coils until it disappears under the cloak's hem at the ankles. Her weight is shifted and her body is tipped, thrown off balance, as she is rolled onto her side on the floor — one shoulder against the boards, the bound body rigid, the cloak crushed and furrowed where it takes her weight. Her bound feet, wholly under the cloth, cannot find purchase; the ropes creak into stretched creases along the side now facing the lens. Bright daylight floods in from tall classroom windows at frame left, laying long bright rectangles across the wooden floor; the desks and chairs around her stand clean and still, and the light spills a hard cast shadow of the bound figure across the boards to frame right. The palette is restricted to white cloak, warm honey-brown hair and floorboards, cool blue ribbons, and gray classroom daylight. Quiet, airless dread.
余命一万一日
余
character: hirasawa_yui
1girl, solo, hirasawa_yui, full body, front view, standing, facing viewer, eight heads tall, elongated proportions, floor-length white cloak, fully wrapped body, no gaps, front seam closed, hood up, hood cord tied tight at neck, feet hidden under cloak, hem touching floor, gag, nose and mouth covered, gag inside hood, rope around neck, rope wrapped around entire body, many coils of rope, rope over cloak, bright classroom, daytime, sunlight through windows, desks and chairs, brown hair, short hair, hair between eyes, hairclip, blue ribbon, brown eyes, wide-eyed, furrowed brow, blush, sweat, trembling, strained, looking at viewer, confined, static, still
A full-body frontal view of one girl standing perfectly still in a bright classroom, the camera at her waist height and locked square to her so the whole figure sits inside the frame from the crown of the hood to the cape's hem, its foot sweeping out of the bottom of the crop with a sliver of sunlight-lit floorboard behind it. Her build is stretched to an eight-heads-tall canon of proportions: long slim limbs, narrow shoulders, a small head high on a long neck, so the cloak falls as an unbroken vertical column rather than bunching at the waist. The cloak is a heavy matte-white garment cut to the floor; its hem meets the boards with no gap at all, the fabric pooling in a shallow fold line where it touches, and no foot, ankle or shoe is visible anywhere beneath it -- the white simply continues down to the ground. The front seam runs dead centre from hood to hem, both edges pressed flat against one another and closed the whole way, a faint vertical shadow line the only proof they are two panels. The hood is pulled up and forward, swallowing her hairline; its cord is knotted tight under her chin, the knot pulled so the fabric puckers in radiating creases around her throat, and the hood's mouth is a dark oval rimmed with a thicker doubled border.
Inside that oval the gag is visible: a pale band crossing her face from cheek to cheek, pressed hard over the bridge of her nose and over her mouth, flattening the tip of her nose and cutting a shallow groove in her cheeks, tied off behind, with the cloth drawn so tight it slightly narrows the oval of the hood. Only her brown eyes show above it, wide and strained, brows pulled to a worried peak. Her short brown hair is almost entirely hidden by the hood, but a few strands escape at the left rim and a bar-shaped hairclip and a small blue ribbon peek from the shadow at the hood's edge. Her arms hang inside the white column without breaking its silhouette.
Over the cloak, rope: one loop is cinched fast around the base of her neck, riding on top of the cord knot, and from that loop the coils run down her body in a tight cross-wrapped lattice -- over her chest, around her upper arms, twice under the bust, again diagonally across the belly and hips, and down towards her thighs -- ten or a dozen passes, every one pulled snug enough to dent the white fabric into shallow troughs between the coils. The rope is pale natural hemp-coloured twist, taking the light on its upper edges and dropping a narrow shadow onto the cloth beneath it. The cloth bunches where the rope presses it and springs back in small creases between passes.
She stands weight on her right leg, left knee slightly bent inside the cloak, and the cloak's hem accordingly lifts a fraction on one side and stays in contact with the floor on the other. The light is bright schoolroom daylight: tall windows off frame left throw a soft warm key across the left half of the cloak, the white taking a faint amber cast on that side and cooling to grey-blue on the right, with a long soft shadow of the figure cast to the lower right across the boards and a second, thinner shadow of the hood slanting up onto a desk behind her. Desks and chairs sit in the bright, slightly overexposed background, past the shallow depth of field, their edges soft. The palette is white, hemp-beige, warm window light and the cool grey-green of the classroom furniture, her eyes the only saturated note. The detail budget sits on the knot at her throat, the seam, the gag's pressure marks and the rope's contact with the cloth. Quiet, tense.
余命一万一日
余
character: hirasawa_yui
1girl, solo, hirasawa_yui, full body, front view, standing, facing viewer, eight heads tall, elongated proportions, floor-length white cloak, fully wrapped body, no gaps, front seam closed, hood up, hood cord tied tight at neck, feet hidden under cloak, hem touching floor, gag, nose and mouth covered, gag inside hood, rope around neck, rope wrapped around entire body, many coils of rope, rope over cloak, bright classroom, daytime, sunlight through windows, desks and chairs, brown hair, short hair, hair between eyes, hairclip, blue ribbon, brown eyes, wide-eyed, furrowed brow, blush, sweat, trembling, strained, looking at viewer, confined, static, still
A full-body frontal view of one girl standing perfectly still in a bright classroom, the camera at her waist height and locked square to her so the whole figure sits inside the frame from the crown of the hood to the cape's hem, its foot sweeping out of the bottom of the crop with a sliver of sunlight-lit floorboard behind it. Her build is stretched to an eight-heads-tall canon of proportions: long slim limbs, narrow shoulders, a small head high on a long neck, so the cloak falls as an unbroken vertical column rather than bunching at the waist. The cloak is a heavy matte-white garment cut to the floor; its hem meets the boards with no gap at all, the fabric pooling in a shallow fold line where it touches, and no foot, ankle or shoe is visible anywhere beneath it -- the white simply continues down to the ground. The front seam runs dead centre from hood to hem, both edges pressed flat against one another and closed the whole way, a faint vertical shadow line the only proof they are two panels. The hood is pulled up and forward, swallowing her hairline; its cord is knotted tight under her chin, the knot pulled so the fabric puckers in radiating creases around her throat, and the hood's mouth is a dark oval rimmed with a thicker doubled border.
Inside that oval the gag is visible: a pale band crossing her face from cheek to cheek, pressed hard over the bridge of her nose and over her mouth, flattening the tip of her nose and cutting a shallow groove in her cheeks, tied off behind, with the cloth drawn so tight it slightly narrows the oval of the hood. Only her brown eyes show above it, wide and strained, brows pulled to a worried peak. Her short brown hair is almost entirely hidden by the hood, but a few strands escape at the left rim and a bar-shaped hairclip and a small blue ribbon peek from the shadow at the hood's edge. Her arms hang inside the white column without breaking its silhouette.
Over the cloak, rope: one loop is cinched fast around the base of her neck, riding on top of the cord knot, and from that loop the coils run down her body in a tight cross-wrapped lattice -- over her chest, around her upper arms, twice under the bust, again diagonally across the belly and hips, and down towards her thighs -- ten or a dozen passes, every one pulled snug enough to dent the white fabric into shallow troughs between the coils. The rope is pale natural hemp-coloured twist, taking the light on its upper edges and dropping a narrow shadow onto the cloth beneath it. The cloth bunches where the rope presses it and springs back in small creases between passes.
She stands weight on her right leg, left knee slightly bent inside the cloak, and the cloak's hem accordingly lifts a fraction on one side and stays in contact with the floor on the other. The light is bright schoolroom daylight: tall windows off frame left throw a soft warm key across the left half of the cloak, the white taking a faint amber cast on that side and cooling to grey-blue on the right, with a long soft shadow of the figure cast to the lower right across the boards and a second, thinner shadow of the hood slanting up onto a desk behind her. Desks and chairs sit in the bright, slightly overexposed background, past the shallow depth of field, their edges soft. The palette is white, hemp-beige, warm window light and the cool grey-green of the classroom furniture, her eyes the only saturated note. The detail budget sits on the knot at her throat, the seam, the gag's pressure marks and the rope's contact with the cloth. Quiet, tense.
余命一万一日
余
character: shimamura_uzuki
sleeping, deeply asleep, eyes closed, 1girl, solo, full body, whole body visible head to feet, eight heads tall proportions, tall slender figure, inside navy sleeping bag, mummy-style sleeping bag, hood up around head, drawcord at collar cinched fully tight, cinched hood opening, only face and a little hair exposed, tiny face window, long brown hair, a few strands of brown hair spilling from the hood opening, brown eyes closed, peaceful sleeping face, relaxed brow, faint parted lips, slow breathing, rope around neck, many coils of rope wrapped around the neck, rope wound many times around the entire body over the sleeping bag, ropes binding the sleeping bag shut, horizontal coils stacked from shoulders to ankles, thick twisted hemp rope, standing upright suspended, vertical hanging, arms pinned inside the bag along the body, legs pressed together inside the bag, toes pointed down inside the fabric, from below, low angle, worm's-eye view, dramatic foreshortening, seamless dark studio ground, soft single key light from upper left, moody shadows, muted navy and warm hemp palette, quiet dread
The camera looks up from near floor level: a tall slender body hangs upright in a navy mummy sleeping bag, the whole figure from the crown of the hood to the pointed tips of the toes inside the fabric within frame, the low angle lengthening the bag into a tapering column that reads as eight heads tall. The hood is drawn over the head, its drawcord pulled all the way tight so the opening puckers into a small dark-rimmed oval; inside that oval only the face shows — both eyes shut, brows slack, lips barely parted in a slow exhale — with a few brown strands of long hair escaping the cinched rim and lying against the cheek and the nylon. Nothing else of her is exposed: the bag's fabric is taut across her shoulders, chest, hips and knees, shaping the body underneath, her arms pressed straight down along her sides inside it, both feet pushed into the bottom corner so the fabric tents into a point. Hemp rope comes in at the throat first, several turns wound around the neck above the collar, and from there runs down the whole length of the bag in stacked horizontal coils, layer crossing layer, cinching the nylon into soft folds between each pass and pulling the bag narrower at the waist and ankles; the tightest coils press dimples into the fabric, and the rope's fibers catch a faint sheen where the key light grazes their upper curves. A single soft key light falls from the upper left, modeling the left side of the hood and face and the top arc of every rope turn, while the right side of the bag sinks into shadow; beneath the hanging toes a small pool of darkness spreads on the seamless ground with no visible cast shadow, since the light is diffuse and the body hangs clear of any surface. The palette holds to deep navy cloth, pale warm skin in the face window, and the dull straw tone of the rope, nothing else. The only motion is the infinitesimal sway of the suspended bag and the slow rise and fall of breath at the cinched collar. Peaceful, unsettling.
余命一万一日
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