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AI artwork featuring #Freestyle creating
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SHIMESABAKUN

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No inspiration, just winging it
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SHIMESABAKUN

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(((Beautiful background))), (4k, 8k, Ultra HD), (Masterpiece), (Best quality), (High detailed), cinematic lighting, cinematic angle, soft light, color detail, backlighting, depth of field, long exposure, light steps, intricate colors, vibrant colors, tky_chatgpt_anime_boost_color_detail_line_anime_quality, A cinematic scene inside a top-secret underground research facility — Area 51 style. Deep beneath the desert, a stark concrete specimen-holding chamber lit by harsh cold-white fluorescent tubes: bare concrete walls with cable trays and pipes, a floor drain, yellow caution stripes painted around a containment zone, a wall of old CRT monitors showing vital-sign readouts, a steel observation camera in the corner. In the center, a heavy steel-barred containment cage on a concrete plinth, its gate sealed with a chained padlock and a biohazard warning placard. Inside the cage, a little-grey-style alien — rendered as an utterly inhuman creature, absolutely no cuteness, no anthropomorphization: a huge hairless bulbous cranium dominating a frail body, smooth grey-mottled desiccated leathery skin stretched over a thin ribcage, two enormous glossy black wrap-around almond eyes with wet reflective surfaces and no visible pupils, no nose, no ears, only a tiny lipless slit of a mouth that opens slightly too wide, a thin serpentine neck, atrophied narrow shoulders and long spindly arms ending in three over-long articulated grey fingers with black nails, spindly legs folded under it as it crouches at the bars — one long hand hooked through the steel bars, its massive black eyes staring unblinkingly straight out at the researchers, head tilted at an unnatural angle, a faint tremor of muscles under the veined grey skin, cold clinical horror rather than anything friendly. Outside the cage, three researchers observe it: ALL wearing full-body olive-grey NBC protective suits with rubber hoods and full-face respirator gas masks with round eye lenses, gloves and boots, faceless and clinical — one stands holding a clipboard writing notes, one points a flashlight beam at the alien's face, one crouches beside a rolling instrument cart with cables running toward the cage, a tablet displaying waveform readouts. A trolley of sealed sample vials stands near the wall. Lighting: hard fluorescent glare from above with greenish cast, deep shadows in the corners, the flashlight beam cutting across the creature's wet black eyes, palette of concrete grey, institutional green-white, olive NBC suits and the alien's pale grey skin, cold clinical horror atmosphere, painted-realistic sci-fi movie style with anime-detail rendering, highly detailed, masterpiece.
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Modo
flash
Tamaño
2048 x 1536

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.05k
Cinematic Lighting - AI Model cover image

LoRA de usuario

Cinematic Lighting
6.42k
Beautiful background - AI Model cover image

LoRA de usuario

Beautiful background
117
ChatGPT × Anime Boost - AI Model cover image

LoRA de usuario

ChatGPT × Anime Boost
141

Asistente de creación

Mio.2
Agente
Mio.2

Entrada mínima, resultado profesional

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Avatar image of SHIMESABAKUN
A graphic R18G alien autopsy scene inside a UFO experiment chamber, horror movie realism: a cold steel operating bed stands at the center of a dark organic alien laboratory with wet-looking grey biomechanical walls, writhing cables, tubes and alien glyph panels, lit by a single harsh circular surgical lamp throwing a hard white-green cone of light. On the bed lies a captured human completely hidden under a bloodstained white sheet — face and body unidentifiable, sex and age indeterminable — the sheet tented over the torso, with only the surgical site exposed: the abdomen cut open along a long incision held wide by steel retractors, raw wet red tissue and viscera visible inside, blood pooling and soaking the sheet, dripping steadily off the bed's edge into a floor drain. The human's left arm lies outside the sheet and ends below the elbow in a cauterized severed stump held by surgical clamps, another instrument tray beside it holds removed organs glistening in blood, a suction tube runs into the open cavity, blood-soaked sponges and scalpels scatter the trays. Three classic grey aliens perform the procedure like clinical surgeons — grey-skinned, oversized smooth heads, huge black almond eyes, no human expressions — one leaning over the open incision holding a long glowing instrument inside the cavity, one lifting a glistening blood-coated organ out toward an open specimen jar, one standing at a wall console with readouts, thin cables running from the console into the bed. Shelves behind them hold rows of specimen jars with tissue samples floating in fluid, hanging IV-like fluid bags of strange liquid, monitor screens showing anatomical diagrams. Vivid fresh red blood everywhere in the lamp light against the cold blue-green machine shadows, steam rising from the open cavity, cold sterile horror atmosphere. Vertical dramatic composition from a low side angle at bed level, anime-style detailed illustration blended with painted-realistic body-horror rendering, wet glistening texture on flesh and blood, highly detailed, masterpiece.
SHIMESABAKUN
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(((Beautiful background))), (4k, 8k, Ultra HD), (Masterpiece), (Best quality), (High detailed), cinematic lighting, cinematic angle, soft light, color detail, backlighting, depth of field, long exposure, light steps, intricate colors, vibrant colors, tky_chatgpt_anime_boost_color_detail_line_anime_quality, Inside a vast top-secret underground research hangar, the wreckage of the flying saucer is being analyzed by about ten researchers. The wreckage is the canonical saucer design, now shattered and half-cannibalized: a massive cracked hull section of a wide gunmetal-grey disc plated in faceted hexagonal panel armor, propped on a steel scaffolding cradle, torn open along a jagged fracture line that exposes the green-lit interior — inhuman structural struts, bundles of unknown cables, and walls of alien technology far beyond modern human science: crystalline light conduits still faintly glowing green and violet, circuitry etched with strange glyph patterns that no human engineer can read, a broken arc of the glowing red-orange equatorial ring flickering weakly on the torn rim, the dark triple-beam underside aperture split open like a peeled eye socket, the low dome cupola sheared off and sitting on the concrete nearby. Scattered across the hangar floor: pried-off hexagonal armor panels stacked like giant shrapnel, unidentifiable alloy fragments on oil drums, a forklift moving a panel, tarps and tool crates. Ten researchers swarming the wreck: several in white lab coats over shirts and ties with ID badges on lanyards, others in grey work coveralls, one standing on a scissor lift photographing the cracked equatorial ring with a large camera, two holding tablet analyzers with glowing readouts pointed at the exposed alien circuitry, one crouching inside the torn hull with a flashlight probing a crystal conduit, two wheeling an instrument cart with oscilloscopes and thick cables snaking up into the wreckage, one writing furiously on a clipboard, one pointing and arguing with a colleague about the fracture line, one taking close-up photographs, all dwarfed by the enormous scale of the hull. The hangar itself: colossal underground bay with corrugated steel walls, exposed trusses, a gantry crane overhead, tall floodlights on stands blazing down, thick power cables across the concrete floor, yellow caution lines around the debris zone, stenciled TOP SECRET and RESTRICTED AREA warnings on the wall, a massive blast door far in the background, cold white fluorescent industrial light mixed with the eerie green glow leaking from inside the alien hull. Camera: wide cinematic establishing shot across the hangar floor — the broken saucer dominating the frame, researchers small around it, deep perspective into the underground bay. Painted-realistic sci-fi movie style with anime-detail rendering, highly detailed, masterpiece.
SHIMESABAKUN

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