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AI artwork featuring #Your Shadow Says Goodbye Before You Do
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Your Shadow Says Goodbye Before You Do

Arte de IA de w1w4w2w3 en PixAI. Creado con Tsubaki.3.

#Your Shadow Says Goodbye Before You Do
w1

w1w4w2w3

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artist: yoneyama_mai, imazawa, mochizuki_kei, xianyu_liang, ask_(askzy), year_2026, year_2024, year_2025 1girl, solo, full body, standing, flat geometric ground, translucent doppelgänger, shadow split, doppelgänger walking away, back turned, girl motionless, facing away, faint threadlike ties, fraying threads, sharp contour separation, thin hard-edged line art, monochrome, pale indigo wash, low saturation, split-plane composition, negative space, minimalist poster, paper grain, crisp outlines, varying line weight, confident linework, motion lines, scenic environment, detailed background, dramatic lighting, cinematic lighting, cinematic shadows, backlighting, from behind, wide shot, centered vanishing corridor, still The camera sits low and behind the girl, off-axis to the right of frame center, so the shot reads first as a pale empty plane and then as two silhouettes in it: a solid girl standing still in the lower-left third, and her translucent double already three paces into the midground, drifting away from her toward the far vanishing corridor. The girl we stand behind is a slim young woman in a high-collared dark techwear jacket, cropped trousers and heavy-soled boots, seen entirely from behind — short sharp-cut white hair lifting at the nape in a faint draught, shoulders level, both hands slack at her sides, one boot heel a half-step advanced on the pale ground and the other planted, weight on the back foot; her back never turns toward us and her face is not visible above her collar. Her double is the same figure in the same clothes but rendered translucent, a glassy pale-indigo silhouette with her own edges half-lit so the corridor shows through her; she is caught mid-stride walking away, one arm swinging forward, her back to the girl, and her pale hair is blown sideways as if into a headwind. Between their spine-lines a dozen thin threadlike ties stretch and come apart: the near ones still strung taut from the girl's shoulder-blade and hip to the double's matching points, the far ones already snapped and curling loose in the air, the frayed ends hooking and shivering — the only thing in the frame that moves. The ground is a set of flat geometric planes, pale grey slabs and a single long shadow-plane of deeper indigo, true parallels receding to a single horizon line; the girl's shadow is hard-edged, short, and splits at her feet into two directions, one half still attached to her heels and the other stretched thin under the drifting double and fading where she goes. Motion lines are cut as fine white streaks along the corridor past the double's trailing leg and a few short ticks behind her heel, while around the girl the air is perfectly still. The environment is a vast, bare, scenic architectural corridor of abstract geometry — tall slab walls, one open arch of light far behind them, no figure, no prop, no signage, no lettering anywhere on any surface. The one light source is a low, cold backlight pouring from the far arch behind the double, so both silhouettes are rimmed on their heads, shoulders and shoulder blades, the double refracting a prismatic pale-indigo halo at her edges while the girl's dark jacket stays almost flat and unlit at her back; all shadow falls toward the viewer in long low-saturation wedges and the upper third of the frame is left empty negative space except for a faint wash of pale indigo. The palette is strictly restrained monochrome — pale gray paper, charcoal, and one indigo — with no other color admitted; the tightest contrast sits on the girl's dark back against the pale field, the lowest on the dissolving threads. Linework runs thick and dark on the fore-edge of every contour and on the girl's silhouette, thinning to a hair on the double and on the background geometry, all hard-edged and confident; a fine paper grain sits over the flat color, edge light ticking along the double's shoulder where the backlight catches her. Ample empty space, split-plane composition, quiet stillness and a low, held breath of self-estrangement.
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Prompt original
1girl, solo, standing on flat geometric ground, shadow splits into a translucent doppelgänger, the shadow-doppelgänger turning to drift away while the girl remains motionless, faint threadlike ties fraying between them, sharp contour separation, thin hard-edged line art, restrained monochrome washed with pale indigo, split-plane composition, ample negative space, visual metaphor for self-estrangement and parting, minimalist poster design, subtle paper grain, crisp outlines, low saturation, quiet stillness ,yoneyama mai (style), imazawa (style), mochizuki kei (style), xianyu liang (style), ask (askzy) (style), ,location, scencery, scenic, detail environment, dramatic lighting, cinematic lighting, story in commentary, year 2026, year 2024, year 2025,masterpiece, highres, absurdres,UHD, newest, 8k, sharp focus, crisp edges, smooth, best quality, cinematic lighting, cinematic shadows, cinematic angle, very aesthetic, no text, varying line weight, confident linework, motion lines,
Modo
pro
Tamaño
1408 x 1408
Método de muestreo
Euler
Excluir de la imagen
lowres, worst quality, low quality, bad anatomy, explicit
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.71k

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w1w4w2w3
#Don’t Say Goodbye Before the Rain Stops
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w1w4w2w3
#Don’t Say Goodbye Before the Rain Stops#Your Shadow Says Goodbye Before You Do

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