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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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Asta Fate

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Asta Fate

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1girl, solo, holding sword, slender sword, long thin blade, matte black blade, black metal, light-absorbing, no reflections, no specular highlights, dull matte surface, impossible geometry, impossible object, twisted blade, floating fragments, from below, close-up, cowboy shot, dutch angle, low angle, three-quarter view, looking at object, outstretched arm, holding blade upright, one eye visible, light smile, tareme, wind, hair blown back, outdoors, empty sky, low sun, backlight, silhouette edge, dark blade, ink-black, silver-grey sky, ochre light Seen from a low, tilted three-quarter angle, a girl stands with the sword raised before her, and the picture is about the blade. Her body is a small warm shape at the left edge of the frame, half in shadow: a girl with wind-blown dark hair lifting off her nape, her face in three-quarter view toward the upper right, one eye catching the low sun, lips parted in a faint, absorbed half-smile, gaze fixed upward along the blade's length. Her right arm is fully outstretched, elbow slightly bent, wrist locked, and her hand closes around a plain unadorned grip just under the guard; her forearm crosses the frame's lower-right corner, foreshortened large by the low camera. Her weight sits on the back foot, front toe just touching the ground, shoulder dropped, so the whole line of her body leans back from the sword rather than toward it. Her skirt and the loose ends of her hair stream to the left, away from the blade, as if the air itself is being pulled. The sword is the center: a long, thin, elegant blade spanning the frame from lower right to upper left, slender enough to look fragile and threatening for exactly that reason, its silhouette clean and infinitely thin against the sky. Its composition is impossible: the blade's edge subtly warps and rotates along its length, the flat plane turning through angles that cannot belong to a single solid object, and a section of the steel ahead of the guard floats free, separate from the rest, suspended in the air with a thin gap of sky between the two pieces, aligned as though nothing were missing. The metal is a matte black void — no sheen, no band, no specular highlight anywhere along it, no glint at the edge or the tip. It does not reflect the sky, the sun or the girl. Instead, at the boundary of the blade the sunlight seems to stop: the sky brightens right up to the silhouette and does not continue across it, and the edge is smooth and dead, the way a hole in the light would look. The blade reads as a flattened absence cut out of the bright air, cool and silent, and the gap in the floating fragment shows the sky's light continuing around and between the pieces without ever touching the black metal. The light is a low, warm sun behind her, entering from the right edge of the frame, throwing gold on her cheek, her hair's rim, her knuckles and the guard, and leaving her front and the blade's face in unbroken darkness. The sky behind is a silver-grey graded faintly warmer toward the sun, empty with no landmark and no cloud, only a few strands of hair and one thin shadow from her arm smeared across the lower frame as the only other subject. The palette is silver-grey, warm ochre and one absolute black. Quiet menace.
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Prompt original
C'était une lame élancée et menaçante, d'une composition impossible. Le métal était un vide noir mat qui semblait absorber la lumière du soleil. Aucun reflet n'y brillait
Modo
pro
Etiqueta de calidad
﹝Prompts﹞
Tamaño
1104 x 1824
Excluir de la imagen
lowres, worst quality, low quality, bad anatomy, explicit
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.23k

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AI artwork
Avatar image of Asta Fate
1girl, solo, holding sword, slender sword, long thin blade, matte black blade, black metal, light-absorbing, no reflections, no specular highlights, dull matte surface, impossible geometry, impossible object, twisted blade, floating fragments, from below, close-up, cowboy shot, dutch angle, low angle, three-quarter view, looking at object, outstretched arm, holding blade upright, one eye visible, light smile, tareme, wind, hair blown back, outdoors, empty sky, low sun, backlight, silhouette edge, dark blade, ink-black, silver-grey sky, ochre light Seen from a low, tilted three-quarter angle, a girl stands with the sword raised before her, and the picture is about the blade. Her body is a small warm shape at the left edge of the frame, half in shadow: a girl with wind-blown dark hair lifting off her nape, her face in three-quarter view toward the upper right, one eye catching the low sun, lips parted in a faint, absorbed half-smile, gaze fixed upward along the blade's length. Her right arm is fully outstretched, elbow slightly bent, wrist locked, and her hand closes around a plain unadorned grip just under the guard; her forearm crosses the frame's lower-right corner, foreshortened large by the low camera. Her weight sits on the back foot, front toe just touching the ground, shoulder dropped, so the whole line of her body leans back from the sword rather than toward it. Her skirt and the loose ends of her hair stream to the left, away from the blade, as if the air itself is being pulled. The sword is the center: a long, thin, elegant blade spanning the frame from lower right to upper left, slender enough to look fragile and threatening for exactly that reason, its silhouette clean and infinitely thin against the sky. Its composition is impossible: the blade's edge subtly warps and rotates along its length, the flat plane turning through angles that cannot belong to a single solid object, and a section of the steel ahead of the guard floats free, separate from the rest, suspended in the air with a thin gap of sky between the two pieces, aligned as though nothing were missing. The metal is a matte black void — no sheen, no band, no specular highlight anywhere along it, no glint at the edge or the tip. It does not reflect the sky, the sun or the girl. Instead, at the boundary of the blade the sunlight seems to stop: the sky brightens right up to the silhouette and does not continue across it, and the edge is smooth and dead, the way a hole in the light would look. The blade reads as a flattened absence cut out of the bright air, cool and silent, and the gap in the floating fragment shows the sky's light continuing around and between the pieces without ever touching the black metal. The light is a low, warm sun behind her, entering from the right edge of the frame, throwing gold on her cheek, her hair's rim, her knuckles and the guard, and leaving her front and the blade's face in unbroken darkness. The sky behind is a silver-grey graded faintly warmer toward the sun, empty with no landmark and no cloud, only a few strands of hair and one thin shadow from her arm smeared across the lower frame as the only other subject. The palette is silver-grey, warm ochre and one absolute black. Quiet menace.
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