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AI artwork featuring #Serie Fate, #Fate/Grand Order, #Mash Kyrielight and #PixAI Halloween 2026
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Mash Kyrielight, Serie Fate

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PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
#Serie Fate#Fate/Grand Order#Mash Kyrielight

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character: mash_kyrielight, copyright: fate/grand_order 1girl, solo, standing, full body, from below, slight low angle, looking at viewer, blush, embarrassed, open mouth, flustered expression, glasses, red-framed glasses, short pink hair, hair over one eye, purple eyes, white and light gray zip-up hoodie jacket, open jacket, black lower panels, black pockets on jacket, black short dress, white collared shirt, red necktie, dark brown opaque tights, brown ankle boots, black flaps on boots, skirt flipped up, skirt lift, wind-blown skirt, only tights on legs, reaching toward viewer, outstretched hand, reaching out, open hand, foreshortening, city street background, urban, daylight, official costume, cute, The camera sits low and close, tilted slightly upward: the viewer is looking up at her from roughly hip height, one boot sole planted squarely on the sidewalk a pace in front of the lens, the other foot set back taking her weight so her hips cant a little off-axis. Her right arm is thrust straight toward the camera, elbow nearly locked, the open hand coming so far forward that it fills the near foreground and foreshortens -- palm up, fingers spread and slightly curled as though she is about to take the viewer's hand, the fingertips soft and the knuckle seams catching the light. Behind that hand her body reads in a long diagonal: chin tucked, shoulders drawn up a fraction, her free left hand buried in the hoodie's front pocket so the fabric tents around it. The wind has caught the hem of the black short dress and whipped it upward against her hip on the left side; below it a dark brown opaque tights leg is fully exposed from hipline to boot-top, the knitted nylon stretching glossy over the front of the thigh and matte where it curves away, one small run of static-clung lint near the knee, while the dress fabric itself bunches and folds across the raised hem. The open zip-up hoodie hangs off her shoulders, white and light gray panels falling to either side of the black short dress and letting the white collared shirt and the red necktie show in the gap; its black lower panels and black pockets sit heavy at the hem where the wind pulls it back. The brown ankle boots meet the pavement flat and firm, their black flaps overlapping the instep, and the sidewalk seam runs under them. Her short pink hair lifts and crosses her brow in the gust, the longer strands falling over one eye so that only the other purple eye, wide and watery behind the red-rimmed glasses, stays clear and locked on the viewer; her cheeks are hot pink to the ears, lips parted on a caught breath, one brow pulled up in a plea. The street recedes behind her: a narrow sidewalk with a low kerb, a shopfront and a parked bicycle softened into the background, a row of streetlights and signboards running off in perspective, all of it out of focus behind her. Daylight is flat and softly overcast from above and slightly behind the camera, so her face is evenly lit, the glasses throw two faint white highlights, and a soft short shadow falls directly beneath the boots; the buildings hold the only deep values in the frame. The palette is constrained to her own colors against a muted gray-beige street -- white and light gray, black, the single red of the necktie and the glasses frame, warm pink hair, dark brown tights, and the cool neutral concrete around her. Her hair and the skirt hem both stream toward the same side, one wind, two directions of cloth, quietly tender, a little comical.
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Prompt original
FGO,mash kyrielight\(FGO\), open white and light gray zip-up hoodie jacket with black lower panels and pockets, worn over a black short dress with white collared shirt and red necktie, dark brown opaque tights, brown ankle boots with black flaps,Glasses,official costume,可愛い,照れている,こちらに片方の手を差し伸べている,スカートが上に捲れている、タイツだけを履いている,立っている,街中
Modo
ultra
Etiqueta de calidad
﹝Prompts﹞
Tamaño
1104 x 1824
Método de muestreo
Euler
Excluir de la imagen
lowres, worst quality, low quality, bad anatomy, explicit
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.30k

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AI artwork
character: mash_kyrielight, copyright: fate/grand_order 1girl, solo, standing, full body, from below, slight low angle, looking at viewer, blush, embarrassed, open mouth, flustered expression, glasses, red-framed glasses, short pink hair, hair over one eye, purple eyes, white and light gray zip-up hoodie jacket, open jacket, black lower panels, black pockets on jacket, black short dress, white collared shirt, red necktie, dark brown opaque tights, brown ankle boots, black flaps on boots, skirt flipped up, skirt lift, wind-blown skirt, only tights on legs, reaching toward viewer, outstretched hand, reaching out, open hand, foreshortening, city street background, urban, daylight, official costume, cute, The camera sits low and close, tilted slightly upward: the viewer is looking up at her from roughly hip height, one boot sole planted squarely on the sidewalk a pace in front of the lens, the other foot set back taking her weight so her hips cant a little off-axis. Her right arm is thrust straight toward the camera, elbow nearly locked, the open hand coming so far forward that it fills the near foreground and foreshortens -- palm up, fingers spread and slightly curled as though she is about to take the viewer's hand, the fingertips soft and the knuckle seams catching the light. Behind that hand her body reads in a long diagonal: chin tucked, shoulders drawn up a fraction, her free left hand buried in the hoodie's front pocket so the fabric tents around it. The wind has caught the hem of the black short dress and whipped it upward against her hip on the left side; below it a dark brown opaque tights leg is fully exposed from hipline to boot-top, the knitted nylon stretching glossy over the front of the thigh and matte where it curves away, one small run of static-clung lint near the knee, while the dress fabric itself bunches and folds across the raised hem. The open zip-up hoodie hangs off her shoulders, white and light gray panels falling to either side of the black short dress and letting the white collared shirt and the red necktie show in the gap; its black lower panels and black pockets sit heavy at the hem where the wind pulls it back. The brown ankle boots meet the pavement flat and firm, their black flaps overlapping the instep, and the sidewalk seam runs under them. Her short pink hair lifts and crosses her brow in the gust, the longer strands falling over one eye so that only the other purple eye, wide and watery behind the red-rimmed glasses, stays clear and locked on the viewer; her cheeks are hot pink to the ears, lips parted on a caught breath, one brow pulled up in a plea. The street recedes behind her: a narrow sidewalk with a low kerb, a shopfront and a parked bicycle softened into the background, a row of streetlights and signboards running off in perspective, all of it out of focus behind her. Daylight is flat and softly overcast from above and slightly behind the camera, so her face is evenly lit, the glasses throw two faint white highlights, and a soft short shadow falls directly beneath the boots; the buildings hold the only deep values in the frame. The palette is constrained to her own colors against a muted gray-beige street -- white and light gray, black, the single red of the necktie and the glasses frame, warm pink hair, dark brown tights, and the cool neutral concrete around her. Her hair and the skirt hem both stream toward the same side, one wind, two directions of cloth, quietly tender, a little comical.
user-2048951108437423544
#Serie Fate#Fate/Grand Order#Mash Kyrielight
AI artwork
character: mash_kyrielight, copyright: fate/grand_order 1girl, solo, standing, full body, from below, slight low angle, looking at viewer, blush, embarrassed, open mouth, flustered expression, glasses, red-framed glasses, short pink hair, hair over one eye, purple eyes, white and light gray zip-up hoodie jacket, open jacket, black lower panels, black pockets on jacket, black short dress, white collared shirt, red necktie, dark brown opaque tights, brown ankle boots, black flaps on boots, skirt flipped up, skirt lift, wind-blown skirt, only tights on legs, reaching toward viewer, outstretched hand, reaching out, open hand, foreshortening, city street background, urban, daylight, official costume, cute, The camera sits low and close, tilted slightly upward: the viewer is looking up at her from roughly hip height, one boot sole planted squarely on the sidewalk a pace in front of the lens, the other foot set back taking her weight so her hips cant a little off-axis. Her right arm is thrust straight toward the camera, elbow nearly locked, the open hand coming so far forward that it fills the near foreground and foreshortens -- palm up, fingers spread and slightly curled as though she is about to take the viewer's hand, the fingertips soft and the knuckle seams catching the light. Behind that hand her body reads in a long diagonal: chin tucked, shoulders drawn up a fraction, her free left hand buried in the hoodie's front pocket so the fabric tents around it. The wind has caught the hem of the black short dress and whipped it upward against her hip on the left side; below it a dark brown opaque tights leg is fully exposed from hipline to boot-top, the knitted nylon stretching glossy over the front of the thigh and matte where it curves away, one small run of static-clung lint near the knee, while the dress fabric itself bunches and folds across the raised hem. The open zip-up hoodie hangs off her shoulders, white and light gray panels falling to either side of the black short dress and letting the white collared shirt and the red necktie show in the gap; its black lower panels and black pockets sit heavy at the hem where the wind pulls it back. The brown ankle boots meet the pavement flat and firm, their black flaps overlapping the instep, and the sidewalk seam runs under them. Her short pink hair lifts and crosses her brow in the gust, the longer strands falling over one eye so that only the other purple eye, wide and watery behind the red-rimmed glasses, stays clear and locked on the viewer; her cheeks are hot pink to the ears, lips parted on a caught breath, one brow pulled up in a plea. The street recedes behind her: a narrow sidewalk with a low kerb, a shopfront and a parked bicycle softened into the background, a row of streetlights and signboards running off in perspective, all of it out of focus behind her. Daylight is flat and softly overcast from above and slightly behind the camera, so her face is evenly lit, the glasses throw two faint white highlights, and a soft short shadow falls directly beneath the boots; the buildings hold the only deep values in the frame. The palette is constrained to her own colors against a muted gray-beige street -- white and light gray, black, the single red of the necktie and the glasses frame, warm pink hair, dark brown tights, and the cool neutral concrete around her. Her hair and the skirt hem both stream toward the same side, one wind, two directions of cloth, quietly tender, a little comical.
user-2048951108437423544
#Serie Fate#Fate/Grand Order#Mash Kyrielight
AI artwork
character: mash_kyrielight, copyright: fate/grand_order 1girl, solo, standing, full body, from below, slight low angle, looking at viewer, blush, embarrassed, open mouth, flustered expression, glasses, red-framed glasses, short pink hair, hair over one eye, purple eyes, white and light gray zip-up hoodie jacket, open jacket, black lower panels, black pockets on jacket, black short dress, white collared shirt, red necktie, dark brown opaque tights, brown ankle boots, black flaps on boots, skirt flipped up, skirt lift, wind-blown skirt, only tights on legs, reaching toward viewer, outstretched hand, reaching out, open hand, foreshortening, city street background, urban, daylight, official costume, cute, The camera sits low and close, tilted slightly upward: the viewer is looking up at her from roughly hip height, one boot sole planted squarely on the sidewalk a pace in front of the lens, the other foot set back taking her weight so her hips cant a little off-axis. Her right arm is thrust straight toward the camera, elbow nearly locked, the open hand coming so far forward that it fills the near foreground and foreshortens -- palm up, fingers spread and slightly curled as though she is about to take the viewer's hand, the fingertips soft and the knuckle seams catching the light. Behind that hand her body reads in a long diagonal: chin tucked, shoulders drawn up a fraction, her free left hand buried in the hoodie's front pocket so the fabric tents around it. The wind has caught the hem of the black short dress and whipped it upward against her hip on the left side; below it a dark brown opaque tights leg is fully exposed from hipline to boot-top, the knitted nylon stretching glossy over the front of the thigh and matte where it curves away, one small run of static-clung lint near the knee, while the dress fabric itself bunches and folds across the raised hem. The open zip-up hoodie hangs off her shoulders, white and light gray panels falling to either side of the black short dress and letting the white collared shirt and the red necktie show in the gap; its black lower panels and black pockets sit heavy at the hem where the wind pulls it back. The brown ankle boots meet the pavement flat and firm, their black flaps overlapping the instep, and the sidewalk seam runs under them. Her short pink hair lifts and crosses her brow in the gust, the longer strands falling over one eye so that only the other purple eye, wide and watery behind the red-rimmed glasses, stays clear and locked on the viewer; her cheeks are hot pink to the ears, lips parted on a caught breath, one brow pulled up in a plea. The street recedes behind her: a narrow sidewalk with a low kerb, a shopfront and a parked bicycle softened into the background, a row of streetlights and signboards running off in perspective, all of it out of focus behind her. Daylight is flat and softly overcast from above and slightly behind the camera, so her face is evenly lit, the glasses throw two faint white highlights, and a soft short shadow falls directly beneath the boots; the buildings hold the only deep values in the frame. The palette is constrained to her own colors against a muted gray-beige street -- white and light gray, black, the single red of the necktie and the glasses frame, warm pink hair, dark brown tights, and the cool neutral concrete around her. Her hair and the skirt hem both stream toward the same side, one wind, two directions of cloth, quietly tender, a little comical.
user-2048951108437423544
#Serie Fate#Fate/Grand Order#Mash Kyrielight

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