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AI artwork featuring #K-On!, #Tsumugi Kotobuki, #capa corta, #bosque, #capa, #capucha and #Gekkou

Tsumugi Kotobuki, Gekkou

Arte de IA de 余命一万一日 en PixAI. Etiquetas: capa corta, bosque, capa, capucha. Creado con Tsubaki.3.

#K-On!#Tsumugi Kotobuki #capa corta #bosque #capa #capucha #Gekkou

Publicado: Nov 9, 2026

余

余命一万一日

character: kotobuki_tsumugi 1girl, solo, kotobuki_tsumugi, long blonde hair, blue eyes, hair between eyes, sidelocks, floating hair, eight heads tall, full body, standing, black cloak, hood up, hooded cloak, hands hidden, arms inside cloak, drawstring, tightly tied neck cord, closed front seam, seamless cloak front, no gap, completely covered from neck to feet, covered feet, forest, night, moonlight, backlighting, rim light, from below, wide shot, vertical composition, tall trees, dark palette, serious expression, looking to the side, still air A full-body figure seen from a low angle, the camera near the forest floor looking up, so the eight-heads-tall silhouette rises tall and narrow between the trunks and the moonlit canopy opens behind the hood. The single figure stands in the centre of a dark forest, wrapped completely in a jet-black wizard cloak: it begins at the throat and falls unbroken to the very tips of the feet, the hem pooling just at ground level, and the front seam runs down the middle pressed shut edge to edge, the two halves meeting so flush that no line of skin, no sliver of interior and no daylight shows through it anywhere — the closure reads as one continuous sheet of black cloth. The hood is up, drawn forward over the head, so the face sits deep inside a dark opening; beneath it long blonde hair escapes at the temples and falls in sidelocks past the jaw, and the hair lifts slightly at the edges as if stirred by a faint draft funnelling between the trees. A cord is knotted hard at the neck, cinched tight enough that the fabric gathers into taut radial creases fanning out from the knot across the collarbones. Both arms are inside the cloak: the sleeves hang empty and unbroken with no hands emerging, and the fabric bulges only faintly where the arms fold against the body, both hands buried and invisible within the wool. The figure's weight rests on one leg, the hip pushed slightly out so the cloak drapes in a long asymmetric fall, one fold catching the light and the other side swallowed in shadow. The face is turned a little to the side, eyes looking off between the trunks, chin lowered, expression composed and grave. The only light source is the moon: cold blue-white light from high above and behind the figure strikes the top of the hood, the shoulders and the outer ridge of the cloak, laying a crisp rim along the silhouette while the whole front of the garment falls into near-black; the moonlight rakes through the canopy and lands in broken patches on the moss and roots of the forest floor, yet where the figure stands the ground beneath the hem is dark, the cloak's own shadow pooling there and swallowing the leaf litter. Tall trunks frame the composition on both sides, their bark picking up a thin silver edge, and the background recedes into deep blue-green darkness with the trunks simplifying into flat silhouettes. The palette is restricted to jet black, cold moonlight blue-white, and the dim blue-green of moss and bark, nothing else admitted. The cloak's wool has a dense matte texture that drinks the light, its only sheen a narrow cool highlight along the rim. Still, cold, and quietly ominous.

Tsumugi Kotobuki, Gekkou

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