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solo, 1boy, butler, male butler, formal tailcoat, white dress gloves, black line art, thick black outlines, hand-drawn look, cyberpunk aesthetic, neon-lit alley, chrome implants, glowing cyan visor over one eye, silver hair slicked back, undercut, sharp eyes, dvij, from below, cowboy shot, dutch angle, one hand adjusting glove, other hand holding silver tray with glowing cocktail glass, looking down at viewer, sideways glance, smug, half-closed eyes, open collar, no necktie, bare throat, broad shoulders, lean build, long legs, black tailcoat with high collar, neon reflections on patent leather shoes, glorious special effects, glowing neon particles, electric sparks, luminous holographic wisps, radiant light burst, lens flare streaks, energy trails, dramatic backlight, rim light, wet asphalt reflections, rain-slick ground, steam vents, kanji signs, glowing signage, atmospheric glow, intense color contrast, magenta and cyan palette, gold accents, cinematic composition, high contrast, dramatic shadow, detailed linework, every edge inked in black. Deep low-angle cowboy shot: the frame sits at hip height and tilts eight degrees to the left, so the butler’s long legs and polished patent-leather shoes anchor the bottom while the perspective throws his lean torso, broad shoulders and high-collared black tailcoat upward toward a ceiling of tangled cables and faint neon haze. His head is angled a quarter turn away, chin tucked, so he looks down along the line of his nose at the viewer—half-lidded eyes under silver brows, one corner of his mouth pulled into a lopsided smirk, a raised eyebrow slicing the shadow across the cybernetic visor running over his left eye in a cyan glow. His left hand, in a white dress glove, tugs at the wrist cuff of his right glove, the fabric crumpling between thumb and fingers; his right hand balances a silver serving tray at shoulder height, the tray’s polished edge catching a mirror image of the neon alley. On the tray rests a single cocktail glass, its contents a luminous cyan web of rising bubbles, no garnish, no straw, the glass’s curved side bending the glow of the alley into a thin crescent. His slicked-back silver hair shows a single wet-dark strand slipping loose at the temple, and the tail of his coat shifts behind him, stirred by the heat of a steam vent below the raised curb. Behind him the alley narrows: a slab of dark brick, a flickering magenta sign with illegible kanji, one dumpster, a low step where a puddle holds the entire skyline upside down. A single overhead neon tube above and behind his left shoulder is the only hard light source; it draws a white-hot rim along his shoulder, collar and tray’s rim, and throws long black shadows forward across the wet street, while beyond its cone the alley drops to near-black. Every surface—brick, coat, glove, tray, glass, visor edge, hair strand—is bounded by a confident black ink line, the lines thickening at the silhouette and thinning over the face, with cel-flat fills and a few crisp white specular highlights. The palette is magenta and cyan against wet-asphalt black, admitted as a single glowing accent in the cocktail and visor, with a single thread of gold in his cufflink. Steam from the vent curls up through the neon beam, a visible ladder of lit vapor; the cocktail’s glow leaves a faint cyan caustic ring on the silver tray beneath the glass, and the wet ground doubles the neon sign in a reflection darker and softer than its source. Gloriously overdone special effects bloom behind him: a starburst lens flare through the neon tube, luminous particles drifting like dust, electric arcs snapping from a loose cable, and radiating energy trails that sweep from the tray’s edge to the alley walls. Cinematic, cyberpunk-noir, effortlessly stylish.
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Prompt original
วาดให้เหมือนคนวาด ตัดเส้นขอบดำทุกครั้ง เอฟเฟคงดงาม,solo,cyberpunk,พ่อบ้าน
Modo
flash
Tamaño
992 x 992
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.02k

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AI artwork
ln
solo, 1boy, butler, male butler, formal tailcoat, white dress gloves, black line art, thick black outlines, hand-drawn look, cyberpunk aesthetic, neon-lit alley, chrome implants, glowing cyan visor over one eye, silver hair slicked back, undercut, sharp eyes, dvij, from below, cowboy shot, dutch angle, one hand adjusting glove, other hand holding silver tray with glowing cocktail glass, looking down at viewer, sideways glance, smug, half-closed eyes, open collar, no necktie, bare throat, broad shoulders, lean build, long legs, black tailcoat with high collar, neon reflections on patent leather shoes, glorious special effects, glowing neon particles, electric sparks, luminous holographic wisps, radiant light burst, lens flare streaks, energy trails, dramatic backlight, rim light, wet asphalt reflections, rain-slick ground, steam vents, kanji signs, glowing signage, atmospheric glow, intense color contrast, magenta and cyan palette, gold accents, cinematic composition, high contrast, dramatic shadow, detailed linework, every edge inked in black. Deep low-angle cowboy shot: the frame sits at hip height and tilts eight degrees to the left, so the butler’s long legs and polished patent-leather shoes anchor the bottom while the perspective throws his lean torso, broad shoulders and high-collared black tailcoat upward toward a ceiling of tangled cables and faint neon haze. His head is angled a quarter turn away, chin tucked, so he looks down along the line of his nose at the viewer—half-lidded eyes under silver brows, one corner of his mouth pulled into a lopsided smirk, a raised eyebrow slicing the shadow across the cybernetic visor running over his left eye in a cyan glow. His left hand, in a white dress glove, tugs at the wrist cuff of his right glove, the fabric crumpling between thumb and fingers; his right hand balances a silver serving tray at shoulder height, the tray’s polished edge catching a mirror image of the neon alley. On the tray rests a single cocktail glass, its contents a luminous cyan web of rising bubbles, no garnish, no straw, the glass’s curved side bending the glow of the alley into a thin crescent. His slicked-back silver hair shows a single wet-dark strand slipping loose at the temple, and the tail of his coat shifts behind him, stirred by the heat of a steam vent below the raised curb. Behind him the alley narrows: a slab of dark brick, a flickering magenta sign with illegible kanji, one dumpster, a low step where a puddle holds the entire skyline upside down. A single overhead neon tube above and behind his left shoulder is the only hard light source; it draws a white-hot rim along his shoulder, collar and tray’s rim, and throws long black shadows forward across the wet street, while beyond its cone the alley drops to near-black. Every surface—brick, coat, glove, tray, glass, visor edge, hair strand—is bounded by a confident black ink line, the lines thickening at the silhouette and thinning over the face, with cel-flat fills and a few crisp white specular highlights. The palette is magenta and cyan against wet-asphalt black, admitted as a single glowing accent in the cocktail and visor, with a single thread of gold in his cufflink. Steam from the vent curls up through the neon beam, a visible ladder of lit vapor; the cocktail’s glow leaves a faint cyan caustic ring on the silver tray beneath the glass, and the wet ground doubles the neon sign in a reflection darker and softer than its source. Gloriously overdone special effects bloom behind him: a starburst lens flare through the neon tube, luminous particles drifting like dust, electric arcs snapping from a loose cable, and radiating energy trails that sweep from the tray’s edge to the alley walls. Cinematic, cyberpunk-noir, effortlessly stylish.
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AI artwork
ln
solo, 1boy, butler, male butler, formal tailcoat, white dress gloves, black line art, thick black outlines, hand-drawn look, cyberpunk aesthetic, neon-lit alley, chrome implants, glowing cyan visor over one eye, silver hair slicked back, undercut, sharp eyes, dvij, from below, cowboy shot, dutch angle, one hand adjusting glove, other hand holding silver tray with glowing cocktail glass, looking down at viewer, sideways glance, smug, half-closed eyes, open collar, no necktie, bare throat, broad shoulders, lean build, long legs, black tailcoat with high collar, neon reflections on patent leather shoes, glorious special effects, glowing neon particles, electric sparks, luminous holographic wisps, radiant light burst, lens flare streaks, energy trails, dramatic backlight, rim light, wet asphalt reflections, rain-slick ground, steam vents, kanji signs, glowing signage, atmospheric glow, intense color contrast, magenta and cyan palette, gold accents, cinematic composition, high contrast, dramatic shadow, detailed linework, every edge inked in black. Deep low-angle cowboy shot: the frame sits at hip height and tilts eight degrees to the left, so the butler’s long legs and polished patent-leather shoes anchor the bottom while the perspective throws his lean torso, broad shoulders and high-collared black tailcoat upward toward a ceiling of tangled cables and faint neon haze. His head is angled a quarter turn away, chin tucked, so he looks down along the line of his nose at the viewer—half-lidded eyes under silver brows, one corner of his mouth pulled into a lopsided smirk, a raised eyebrow slicing the shadow across the cybernetic visor running over his left eye in a cyan glow. His left hand, in a white dress glove, tugs at the wrist cuff of his right glove, the fabric crumpling between thumb and fingers; his right hand balances a silver serving tray at shoulder height, the tray’s polished edge catching a mirror image of the neon alley. On the tray rests a single cocktail glass, its contents a luminous cyan web of rising bubbles, no garnish, no straw, the glass’s curved side bending the glow of the alley into a thin crescent. His slicked-back silver hair shows a single wet-dark strand slipping loose at the temple, and the tail of his coat shifts behind him, stirred by the heat of a steam vent below the raised curb. Behind him the alley narrows: a slab of dark brick, a flickering magenta sign with illegible kanji, one dumpster, a low step where a puddle holds the entire skyline upside down. A single overhead neon tube above and behind his left shoulder is the only hard light source; it draws a white-hot rim along his shoulder, collar and tray’s rim, and throws long black shadows forward across the wet street, while beyond its cone the alley drops to near-black. Every surface—brick, coat, glove, tray, glass, visor edge, hair strand—is bounded by a confident black ink line, the lines thickening at the silhouette and thinning over the face, with cel-flat fills and a few crisp white specular highlights. The palette is magenta and cyan against wet-asphalt black, admitted as a single glowing accent in the cocktail and visor, with a single thread of gold in his cufflink. Steam from the vent curls up through the neon beam, a visible ladder of lit vapor; the cocktail’s glow leaves a faint cyan caustic ring on the silver tray beneath the glass, and the wet ground doubles the neon sign in a reflection darker and softer than its source. Gloriously overdone special effects bloom behind him: a starburst lens flare through the neon tube, luminous particles drifting like dust, electric arcs snapping from a loose cable, and radiating energy trails that sweep from the tray’s edge to the alley walls. Cinematic, cyberpunk-noir, effortlessly stylish.
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