Nov 9, 2026

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AI art "企業ドラマに出演するモバマスアイドルたち" featuring #The Idolmaster, #The Idolmaster Cinderella Girls and #Kaede Takagaki

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企業ドラマに出演するモバマスアイドルたち

高峯のあ、詰める。高垣楓、劣勢。

#The Idolmaster #The Idolmaster Cinderella Girls #Kaede Takagaki

Publicado: Nov 10, 2026

soutyohtei

character: takagaki_kaede, mifune_miyu, takamine_noa 3girls, takamine_noa, takagaki_kaede, mifune_miyu, izakaya, sitting around table, drinking, sake, beer mugs, suit, office casual, jitome, scornful stare, looking at another, flustered, panic, waving both arms, motion lines, open mouth, sweatdrop, from side, cowboy shot, speech bubble, japanese text, indoor, warm lamplight, night The view is a low, slightly off-axis three-quarter shot from across the table, eye-level just above the tabletop's rim so the three of them read as a tight triangle: Takashima Noa nearest on the left, half-turned toward the center, Takagaki Kaede in the middle-right with the whole breadth of her flail inside the frame, Mifune Miyu furthest right and pushed back in depth. Takashima Noa sits with her weight on her right hip, left elbow planted on the tabletop, chin tipped down and forward; her grey hair falls long past her shoulder with a loose float of strands lifted by the room's warm updraft, and her brown eyes are narrowed to thin flat lids, half-lidded in a deadpan jitome aimed sideways and level at Kaede, one brow faintly raised, mouth in a flat small line just parted on the last word. She wears a tailored charcoal suit jacket buttoned once over a white shirt, collar crisp, a ribbon tie knotted small at her throat, dark trousers, and her gloved hands are folded around a sake cup, fingertips on the rim. Above her head, left of frame, a rectangular speech bubble with a clean tail points down to her temple and carries the words "亜貴さんがどこへ出かけてるかうまいこと調べて、偶然を装って出会うとか、ちょっと引くわね" set in three balanced lines of bold black Japanese type. Takagaki Kaede sits directly across that stare, caught mid-panic, torso twisted toward Noa, both arms flung up and outward with hands open and palms showing, sleeves riding back, fingers splayed; three thin speed lines flick beside each forearm to show the frantic bat-bat of her hands. Her short brown-and-green hair swings with the motion, one lock snapped across her forehead, and her eyes are wide, mismatched green and blue, both fixed on Noa, brows drawn up and inward, mouth open in a flustered protest, a single sweatdrop at her temple and a red flush across both cheeks. She wears office-casual: a soft cream blouse with sleeves rolled to the elbow, an open olive cardigan slipping off one shoulder, a thin necklace at the collarbone, a pleated skirt, and the small mole under her left eye visible as she turns. Her speech bubble, right of frame and slightly higher, tail pointing to her open mouth, holds "まってまって旅先で会ったのは本当に偶然だから！" in two lines of bold black Japanese type. Mifune Miyu sits back-right, one elbow on the table and a beer mug in her other hand, long brown hair drawn into a low ponytail that trails over her shoulder, brown eyes sliding sideways toward Kaede with a mild, amused half-smile, lips pressed together, one cheek faintly pink from the drink. Her office casual is a soft beige knit top under an open navy blazer, a plain skirt below, a bracelet at her wrist; she leans back, half out of the argument, saying nothing, watching it happen. Her gaze lands on Kaede; Kaede's gaze lands on Noa; Noa's gaze lands on Kaede — the triangle of looks closes. The table between them is scarred dark wood, crowded with a large beer mug, two small sake cups, a plate of yakitori skewers, an edamame bowl and a dish of salted cabbage; condensation from the cold mug has run down and pooled in a ring that creeps along the wood's grain. A paper lantern hangs above the table as the dominant light source, warm amber, striking the tops of their heads and the rims of the cups and dropping their faces into soft shadow below the cheekbones; behind them the izakaya recedes into red-brown gloom, a few blurred bottle labels and a short illegible noren curtain, the darkness absolute beyond the lantern's pool. Palette held to warm amber, charcoal, cream, olive and dark wood. Lively, tipsy, cheerfully accusatory.

企業ドラマに出演するモバマスアイドルたち

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