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user-1998836895748265345
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- Prompt original
- 男性、1人、ソロ、顔のみ、教室、席に着く、黒目、イケメン、ハンサム、男らしい、ジト目、細目、黒の学ラン、黒髪、ボブ、bob cut, very low resolution, low quality digital video frame, early 2000s camcorder footage, heavily compressed image, visible pixelation, blocky image artifacts, blurry details, soft focus, muddy colors, washed out colors, low bitrate video, digital noise, amateur snapshot, nostalgic vintage footage, poor image quality
- Modo
- flash
- Etiqueta de calidad
- ﹝Prompts﹞
- Tamaño
- 1232 x 1232
Asistente de prompts
Modelo y LoRA utilizados
Imágenes similares
Mostrar más1boy, solo, male focus, close-up, face only, portrait crop, from above, slight dutch angle, sitting at desk, classroom, black hair, bob cut, blunt bob framing the jawline, straight bangs across the brow, black eyes, narrow eyes, jitome, half-closed eyes, scornful stare, looking at viewer, handsome male, masculine, sharp jawline, straight nose, thick brows, black gakuran, closed high collar, gold buttons at the collar, school desk, chair back, wooden desk surface, folded hands, low resolution, pixelated, macroblocking, compression artifacts, blurry, soft focus, washed-out colors, muddy colors, low bitrate, digital noise, camcorder footage, nostalgic, early 2000s,
Shot from slightly above and a touch off-axis, the camera looks down at a single high-school boy seated at his desk, filling the frame from the top of his head to the point of his chin — the frame edge cuts across the black collar of his gakuran, so the shot is face and throat only, with no shoulders or hands visible. His black bob hangs straight and heavy, the bangs lying flat across his forehead and the blunt side edges stopping at the corners of his jaw; the crown of his head is the nearest thing to the lens and is beginning to lose focus. He has tilted his chin down and rolled his black eyes up to meet the lens, and under the low, heavy upper lids they read as narrow, half-lidded, and openly unimpressed — a flat, level, scornful stare that never wavers, the corner of his mouth pulled down a fraction, one brow a little lower than the other, nothing else moving. Behind and around him the classroom falls out of focus: a grid of desk edges, the pale rectangle of a window at the upper left, a smear of blackboard green deeper in the room. The light comes from that window, cool and flat, laying a soft highlight down the left side of his hair and the bridge of his nose while the right side of his face sinks into dim shadow, and the desk below throws nothing back because it is cropped away. The palette stays in graphite and cold grey-green: black hair, black collar, the boy's skin the only warm note, everything else drained. The whole image is processed as though pulled from a first-generation camcorder tape — stacked macroblocking in the flat shadow areas, the black of the hair clotting into solid blocks, colour bleeding at the edge of his cheek and the collar, the window blooming into a soft white smear, faint horizontal tape noise across the lower third, the focus going soft at the crown of the head and at the frame edges. Quiet, unbothered insolence.
user-1998836895748265345
1boy, solo, male focus, close-up, face only, portrait crop, from above, slight dutch angle, sitting at desk, classroom, black hair, bob cut, blunt bob framing the jawline, straight bangs across the brow, black eyes, narrow eyes, jitome, half-closed eyes, scornful stare, looking at viewer, handsome male, masculine, sharp jawline, straight nose, thick brows, black gakuran, closed high collar, gold buttons at the collar, school desk, chair back, wooden desk surface, folded hands, low resolution, pixelated, macroblocking, compression artifacts, blurry, soft focus, washed-out colors, muddy colors, low bitrate, digital noise, camcorder footage, nostalgic, early 2000s,
Shot from slightly above and a touch off-axis, the camera looks down at a single high-school boy seated at his desk, filling the frame from the top of his head to the point of his chin — the frame edge cuts across the black collar of his gakuran, so the shot is face and throat only, with no shoulders or hands visible. His black bob hangs straight and heavy, the bangs lying flat across his forehead and the blunt side edges stopping at the corners of his jaw; the crown of his head is the nearest thing to the lens and is beginning to lose focus. He has tilted his chin down and rolled his black eyes up to meet the lens, and under the low, heavy upper lids they read as narrow, half-lidded, and openly unimpressed — a flat, level, scornful stare that never wavers, the corner of his mouth pulled down a fraction, one brow a little lower than the other, nothing else moving. Behind and around him the classroom falls out of focus: a grid of desk edges, the pale rectangle of a window at the upper left, a smear of blackboard green deeper in the room. The light comes from that window, cool and flat, laying a soft highlight down the left side of his hair and the bridge of his nose while the right side of his face sinks into dim shadow, and the desk below throws nothing back because it is cropped away. The palette stays in graphite and cold grey-green: black hair, black collar, the boy's skin the only warm note, everything else drained. The whole image is processed as though pulled from a first-generation camcorder tape — stacked macroblocking in the flat shadow areas, the black of the hair clotting into solid blocks, colour bleeding at the edge of his cheek and the collar, the window blooming into a soft white smear, faint horizontal tape noise across the lower third, the focus going soft at the crown of the head and at the frame edges. Quiet, unbothered insolence.
user-1998836895748265345
1boy, solo, male focus, close-up, face only, portrait crop, from above, slight dutch angle, sitting at desk, classroom, black hair, bob cut, blunt bob framing the jawline, straight bangs across the brow, black eyes, narrow eyes, jitome, half-closed eyes, scornful stare, looking at viewer, handsome male, masculine, sharp jawline, straight nose, thick brows, black gakuran, closed high collar, gold buttons at the collar, school desk, chair back, wooden desk surface, folded hands, low resolution, pixelated, macroblocking, compression artifacts, blurry, soft focus, washed-out colors, muddy colors, low bitrate, digital noise, camcorder footage, nostalgic, early 2000s,
Shot from slightly above and a touch off-axis, the camera looks down at a single high-school boy seated at his desk, filling the frame from the top of his head to the point of his chin — the frame edge cuts across the black collar of his gakuran, so the shot is face and throat only, with no shoulders or hands visible. His black bob hangs straight and heavy, the bangs lying flat across his forehead and the blunt side edges stopping at the corners of his jaw; the crown of his head is the nearest thing to the lens and is beginning to lose focus. He has tilted his chin down and rolled his black eyes up to meet the lens, and under the low, heavy upper lids they read as narrow, half-lidded, and openly unimpressed — a flat, level, scornful stare that never wavers, the corner of his mouth pulled down a fraction, one brow a little lower than the other, nothing else moving. Behind and around him the classroom falls out of focus: a grid of desk edges, the pale rectangle of a window at the upper left, a smear of blackboard green deeper in the room. The light comes from that window, cool and flat, laying a soft highlight down the left side of his hair and the bridge of his nose while the right side of his face sinks into dim shadow, and the desk below throws nothing back because it is cropped away. The palette stays in graphite and cold grey-green: black hair, black collar, the boy's skin the only warm note, everything else drained. The whole image is processed as though pulled from a first-generation camcorder tape — stacked macroblocking in the flat shadow areas, the black of the hair clotting into solid blocks, colour bleeding at the edge of his cheek and the collar, the window blooming into a soft white smear, faint horizontal tape noise across the lower third, the focus going soft at the crown of the head and at the frame edges. Quiet, unbothered insolence.
user-1998836895748265345
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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