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Jingburger
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- Prompt original
- 1girl, solo, long hair, breasts, looking at viewer, long sleeves, skirt, blonde hair, red eyes, thighhighs, bare shoulders, standing, medium breasts, full body, ahoge, outdoors, boots, sky, virtual youtuber, choker, detached sleeves, puffy sleeves, black thighhighs, day, black skirt, miniskirt, blue sky, black choker, thigh strap, see-through clothes, black boots, one side up, puffy long sleeves, car, microskirt, road, power lines, street, side cutout, real world location
- Modo
- flash
- Tamaño
- 1104 x 1824
Asistente de prompts
Modelo y LoRA utilizados
Imágenes similares
Mostrar más1girl, solo, long hair, blonde hair, red eyes, ahoge, one side up, medium breasts, bare shoulders, black choker, detached sleeves, puffy long sleeves, see-through clothes, side cutout, black microskirt, thigh strap, black thighhighs, black boots, standing, looking at viewer, full body, outdoors, daytime, blue sky, street, road, power lines, car, real world location, virtual youtuber, from below, dutch angle, hand on own hip, contrapposto, wind lift, parted lips, half-closed eyes, smug, horizon line, vanishing point perspective
Shot from a low, tilted angle at street level, the camera sits almost at the asphalt and looks up: the girl stands full-body in the near foreground at the right third of the frame, her black-booted feet planted wide across the cracked white edge line of the road, one boot toe turned out, her weight sunk into her left hip so her right knee locks and her spine bows into a shallow S — no square stance. The low lens throws the verticals of the power poles past her shoulders into a slow lean, and the road's center seam runs from the bottom left corner straight at her boots, doubling as a leading line. Her head is tipped a few degrees down toward the lens, red eyes half-hooded and fixed on the viewer with a lopsided smirk, one brow lifted higher than the other; the wind coming down the street pushes a loose lock of her long blonde hair across her jaw and lifts the long ahoge above her crown so it curls over like a question mark. On the left side of her head the hair is gathered in one up-swept bundle, the rest falling long past her waist and swinging out behind her right shoulder. Her arms hang loose: the right hand rests knuckles-down on her hip just above the microskirt's waistband, fingers curled over the fabric, while the left arm hangs and the puffy detached sleeve slides down from her bare shoulder to bunch near her elbow, its translucent white fabric catching the light so the shape of her forearm reads faintly through it; the side cutout at her ribs shows a sliver of bare skin between the sleeve's cuff and the skirt's top edge. The black microskirt sits high and short with a narrow hem that flares as she shifts, the black thigh strap cinches tight around her right upper thigh just below the hem, and the black thighhighs grip her legs above the black boots whose shafts crease at the ankle from her weight. A thin black choker lies flat across the front of her throat, sitting above her collarbones where her bare shoulders and chest rise and fall with a slow breath. Behind her the street stretches away in both directions — a low two-lane road with patched asphalt, a row of power lines sagging in catenary curves against the sky, and a small pale city car parked nose-in at the curb in the mid-background, its windshield throwing a hard white gleam and its underside hiding a wedge of black shadow. The sky is a flat, cloudless, saturated blue from edge to edge, brightest just above the power lines and deepening slightly toward the top of the frame. Sunlight comes from the upper left, high and warm; it lays a bright rim along the top of her hair, the tops of her shoulders, the crown of each puffy sleeve and the toe caps of her boots, and casts her full shadow down and to the right across the road, shortened by the near-noon angle, the shadow printed with the notches of the skirt hem and the gap between her thighs. The palette stays strict and graphic: blonde gold, saturated blue, and black — black boots, skirt, thighhighs, choker and strap — with white and translucent white only in the sleeves and the road markings. Heavy midday stillness, effortlessly cool.
疾風蒼雷
1girl, solo, long hair, blonde hair, red eyes, ahoge, one side up, medium breasts, bare shoulders, black choker, detached sleeves, puffy long sleeves, see-through clothes, side cutout, black microskirt, thigh strap, black thighhighs, black boots, standing, looking at viewer, full body, outdoors, daytime, blue sky, street, road, power lines, car, real world location, virtual youtuber, from below, dutch angle, hand on own hip, contrapposto, wind lift, parted lips, half-closed eyes, smug, horizon line, vanishing point perspective
Shot from a low, tilted angle at street level, the camera sits almost at the asphalt and looks up: the girl stands full-body in the near foreground at the right third of the frame, her black-booted feet planted wide across the cracked white edge line of the road, one boot toe turned out, her weight sunk into her left hip so her right knee locks and her spine bows into a shallow S — no square stance. The low lens throws the verticals of the power poles past her shoulders into a slow lean, and the road's center seam runs from the bottom left corner straight at her boots, doubling as a leading line. Her head is tipped a few degrees down toward the lens, red eyes half-hooded and fixed on the viewer with a lopsided smirk, one brow lifted higher than the other; the wind coming down the street pushes a loose lock of her long blonde hair across her jaw and lifts the long ahoge above her crown so it curls over like a question mark. On the left side of her head the hair is gathered in one up-swept bundle, the rest falling long past her waist and swinging out behind her right shoulder. Her arms hang loose: the right hand rests knuckles-down on her hip just above the microskirt's waistband, fingers curled over the fabric, while the left arm hangs and the puffy detached sleeve slides down from her bare shoulder to bunch near her elbow, its translucent white fabric catching the light so the shape of her forearm reads faintly through it; the side cutout at her ribs shows a sliver of bare skin between the sleeve's cuff and the skirt's top edge. The black microskirt sits high and short with a narrow hem that flares as she shifts, the black thigh strap cinches tight around her right upper thigh just below the hem, and the black thighhighs grip her legs above the black boots whose shafts crease at the ankle from her weight. A thin black choker lies flat across the front of her throat, sitting above her collarbones where her bare shoulders and chest rise and fall with a slow breath. Behind her the street stretches away in both directions — a low two-lane road with patched asphalt, a row of power lines sagging in catenary curves against the sky, and a small pale city car parked nose-in at the curb in the mid-background, its windshield throwing a hard white gleam and its underside hiding a wedge of black shadow. The sky is a flat, cloudless, saturated blue from edge to edge, brightest just above the power lines and deepening slightly toward the top of the frame. Sunlight comes from the upper left, high and warm; it lays a bright rim along the top of her hair, the tops of her shoulders, the crown of each puffy sleeve and the toe caps of her boots, and casts her full shadow down and to the right across the road, shortened by the near-noon angle, the shadow printed with the notches of the skirt hem and the gap between her thighs. The palette stays strict and graphic: blonde gold, saturated blue, and black — black boots, skirt, thighhighs, choker and strap — with white and translucent white only in the sleeves and the road markings. Heavy midday stillness, effortlessly cool.
疾風蒼雷
1girl, solo, long hair, blonde hair, red eyes, ahoge, one side up, medium breasts, bare shoulders, black choker, detached sleeves, puffy long sleeves, see-through clothes, side cutout, black microskirt, thigh strap, black thighhighs, black boots, standing, looking at viewer, full body, outdoors, daytime, blue sky, street, road, power lines, car, real world location, virtual youtuber, from below, dutch angle, hand on own hip, contrapposto, wind lift, parted lips, half-closed eyes, smug, horizon line, vanishing point perspective
Shot from a low, tilted angle at street level, the camera sits almost at the asphalt and looks up: the girl stands full-body in the near foreground at the right third of the frame, her black-booted feet planted wide across the cracked white edge line of the road, one boot toe turned out, her weight sunk into her left hip so her right knee locks and her spine bows into a shallow S — no square stance. The low lens throws the verticals of the power poles past her shoulders into a slow lean, and the road's center seam runs from the bottom left corner straight at her boots, doubling as a leading line. Her head is tipped a few degrees down toward the lens, red eyes half-hooded and fixed on the viewer with a lopsided smirk, one brow lifted higher than the other; the wind coming down the street pushes a loose lock of her long blonde hair across her jaw and lifts the long ahoge above her crown so it curls over like a question mark. On the left side of her head the hair is gathered in one up-swept bundle, the rest falling long past her waist and swinging out behind her right shoulder. Her arms hang loose: the right hand rests knuckles-down on her hip just above the microskirt's waistband, fingers curled over the fabric, while the left arm hangs and the puffy detached sleeve slides down from her bare shoulder to bunch near her elbow, its translucent white fabric catching the light so the shape of her forearm reads faintly through it; the side cutout at her ribs shows a sliver of bare skin between the sleeve's cuff and the skirt's top edge. The black microskirt sits high and short with a narrow hem that flares as she shifts, the black thigh strap cinches tight around her right upper thigh just below the hem, and the black thighhighs grip her legs above the black boots whose shafts crease at the ankle from her weight. A thin black choker lies flat across the front of her throat, sitting above her collarbones where her bare shoulders and chest rise and fall with a slow breath. Behind her the street stretches away in both directions — a low two-lane road with patched asphalt, a row of power lines sagging in catenary curves against the sky, and a small pale city car parked nose-in at the curb in the mid-background, its windshield throwing a hard white gleam and its underside hiding a wedge of black shadow. The sky is a flat, cloudless, saturated blue from edge to edge, brightest just above the power lines and deepening slightly toward the top of the frame. Sunlight comes from the upper left, high and warm; it lays a bright rim along the top of her hair, the tops of her shoulders, the crown of each puffy sleeve and the toe caps of her boots, and casts her full shadow down and to the right across the road, shortened by the near-noon angle, the shadow printed with the notches of the skirt hem and the gap between her thighs. The palette stays strict and graphic: blonde gold, saturated blue, and black — black boots, skirt, thighhighs, choker and strap — with white and translucent white only in the sleeves and the road markings. Heavy midday stillness, effortlessly cool.
疾風蒼雷
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