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character: shiroko_(blue_archive), copyright: blue_archive chibi, 1girl, solo, shiroko \(blue archive\), grey hair, medium hair, blue eyes, mismatched pupils, wolf ears, animal ear fluff, hair ornament, cross hair ornament, closed mouth, looking away, looking at sea, standing, mountain bike, bicycle, from behind, from below, wide shot, coastal road, collapsed road, landslide, cracked asphalt, rubble, abandoned building, ruined inn, sea, ocean, cliff, overcast, day, blue scarf, white shirt, long sleeves, jacket, skirt, gloves, chibi proportions, scenery, no humans in background Viewed from behind and slightly below, a chibi-proportioned girl with grey medium-length hair stands at the broken lip of a coastal road, her mountain bike stopped beside her. She is small in frame, head no higher than the bike's handlebar, her silhouette a compact rounded shape against the sea. The bike is propped at an angle across the road, front wheel turned, one pedal down, kickstand not deployed — she holds it upright with her left hand on the handlebar grip, her right hand hanging loose at her side. Her wolf ears stand upright, tufts of fluff at their bases stirring in the sea wind, the cross-shaped hair ornament pinned in her hair catching the light; her chin is turned a fraction toward the water so that one blue eye with its mismatched pupil is just visible in profile, fixed on the horizon. The road ends in front of her: asphalt sheared away and slumped seaward in a raw landslide scar, edges crumbled into pale broken concrete, rebar curling out of the fractured slab, loose gravel and dirt fanned down the slope toward the water. Just beyond the collapse, an abandoned two-storey inn leans on its foundation, roof tiles slipping, windows black and glassless, a weathered wooden signboard hanging crooked above its entrance, its painted characters faded and illegible. The sea fills the middle distance in a wide flat band of grey-blue, breaking into white along the rocks below; the sky is overcast, a soft diffuse silver light from above and behind the camera that leaves no hard shadows, only a faint darkening under the bike and beneath the girl's chin. The palette is muted — grey asphalt, pale dirt, weathered wood, the dull blue of her scarf and the cold blue of the sea — with the only saturated note in her blue eyes and the scarf's edge lifted by the wind. Wind pushes her hair and scarf toward the sea, and a few loose pebbles rest on the intact asphalt where the road has not yet given way. Quiet, desolate, contemplative.
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Prompt original
ブルーアーカイブのシロコがマウンテンバイクを止めて海を眺めている　がけ崩れを起こして崩壊した海岸の道路　崩壊している付近に廃墟旅館　ミニキャラ
Modo
pro
Tamaño
1152 x 864
Método de muestreo
Euler
Excluir de la imagen
lowres, worst quality, low quality, bad anatomy, explicit

Modelo y LoRA utilizados

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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character: shiroko_terror_(blue_archive), shiroko_(blue_archive), copyright: blue_archive 3 girls, chibi, mini character, super deformed, shiroko terror, shiroko, chiroko, long grey hair, very long hair, hair between eyes, cross hair ornament, ahoge, wolf ears, animal ear fluff, blue eyes, mismatched pupils, medium grey hair, school uniform, blue archive uniform, white shirt, blue scarf, dark jacket, pleated skirt, black gloves, black thigh strap, sitting, sitting on breakwater, side view, profile, looking at horizon, gazing at distance, seaside, coastline road, coastal breakwater, concrete tetrapods, mountain bikes, parked bicycles, bicycle rack, many seagulls, flock of seagulls, flying, ocean, horizon line, blue sky, cumulus clouds, daylight, wide shot, depth of field, wind, hair blowing, backlight, calm, breezy A true side view, camera at the eye level of the seated chibi figures and set back far enough to include the whole breakwater edge and the parked bikes: the three small super-deformed girls sit in a row along the top of a weathered concrete breakwater, all facing left in profile, arranged with the closest of them at the near edge and the farthest one smaller toward the vanishing point, so the row follows the breakwater's run down the coast road's right-hand side. All three share the same chibi build -- oversized round heads, tiny bodies, stubby limbs dangling over the concrete face -- and all three wear the same Blue Archive school uniform silhouette: white shirt, dark jacket, pleated skirt, blue scarf knotted at the collar, black gloves on small hands. Nearest, at frame left, the long-haired girl with the cross-shaped hair ornament and the small ahoge sits with her knees drawn up and her boots braced against a tetrapod below; her wolf ears stand up and fluff out with the sea breeze, both palms planted flat on the concrete behind her hips, spine leaned back, chin lifted toward the horizon line. Beside her, the medium-haired girl sits with her legs hanging straight over the edge, swinging one boot in a slow idle arc, one black-gloved hand flat on the concrete at her hip, the other shading her brow; her face is tilted slightly up and her mismatched pupils are fixed on the far water. Third, set a little further along the breakwater and rendered smaller by distance, the smallest of the three sits with her knees hugged to her chest, braced sideways against a rusted mooring bollard, and her whole face is turned left, straight at the horizon. All three gazes leave the frame to the left, aimed at the same point where the sea meets the sky; none look back at the camera. Behind them and a little up the slope runs the coastal road, two mountain bikes leaned together on their kickstands at the road's shoulder, one handlebar turned so its front wheel points into the breakwater, the pedals of the nearer bike frozen at the bottom of its stroke. The seagulls fill the upper third: dozens of them, some banking hard with their wings bent into a V, some gliding flat, a few wheeling low over the water, wings cupping the air; one gull is very large and near, cutting across the top-left corner of the sky. Down the breakwater's seaward face, white foam beads and slides between the tetrapods, and the water is a deep blue-green with a hard bright sun-glint stitched along the horizon. Light comes from the upper left, raking across the girls from the open sea: it strikes the tops of their heads, the outer edges of the wolf ears and the seaward cheek of each face, leaving their backs and the concrete behind them in cool shadow, and it lays three short soft shadows on the breakwater top pointing right. The bikes cast thin shadows that stretch toward the road. Palette is disciplined to sea blue, bleached grey concrete, white foam and uniforms' white-and-navy with the blue scarf as the only saturated note, plus the bone-white of the gulls. The chibi proportions get the detail budget: faces, ears, hands on the concrete, the hems of the jackets getting pushed by the wind. Quiet, breezy.
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#Blue Archive#Sunaookami Shiroko#Shiroko Terror

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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