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AI art "路地裏"
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路地裏

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1boy, solo, middle-aged man, sitting, sitting on ground, dark alley, night, looking at viewer, full grin, wide smile, teeth, horror (theme), from below, close-up, foreshortening, dutch angle, dark, dim lighting, alley, brick wall, garbage bags, puddle, blood, shadows, unsettling, 1boy, male focus, short black hair, messy hair, stubble, thick eyebrows, wide eyes, staring, open mouth, large smile, grin, yellow teeth, wrinkles, age lines, broad shoulders, overweight, white shirt, short sleeves, dirty shirt, sweat, dark pants, sandals, bare feet, toes, knees up, arms resting on knees, leaning forward, head tilted, chin down, looking up, eye contact, toothy grin, unnaturally wide smile, at night, moonless, streetlight, dim light, warm light, from below The camera sits low on wet asphalt, tilted a few degrees off level, so the alley's brick walls converge crookedly and squeeze the frame around one middle-aged man sitting hunched on the ground, knees drawn up and both forearms dropped across them, his weight tipped forward onto the balls of his feet and his shoulders rounded so that his face pushes toward the lens from below. He is seen from below and slightly to one side, torso foreshortened, the underside of his jaw and the dark hollows of his eye sockets catching the only light, and he has lifted his chin only enough to fix both eyes straight on the viewer, pupils small, whites showing all around, unblinking. His mouth is pulled wide open in a full beaming grin, lips stretched thin across yellowed teeth, gums showing at the corners, the smile far too broad for the muscles of his face, and the strain of it creases deep folds from his nose to the corners of his mouth. Short messy black hair clumps with sweat at his temples, stubble darkens his jaw and upper lip, thick brows ride high and uneven, and a sheen of sweat sits on his forehead and the bridge of his nose. His white short-sleeved shirt is unbuttoned at the throat, soiled grey at the collar and damp under the arms, clinging where it crosses his belly; dark trousers bunch at his drawn-up knees, and one bare foot is planted flat in the puddle with the toes splayed while the other leg folds under him. One hand hangs loose off his knee with the fingers curled and relaxed, the other grips his own shin, thumb pressing a pale dent into the fabric. A single streetlamp far behind and above him is the only light source, throwing a hard rim along the top of his head and shoulders while his face receives the bounce of it off the wet ground, so the light comes from below as well as behind and every wrinkle casts upward; beyond that small pool the alley is absolute black. The puddle beneath him doubles his silhouette, broken and stretched where his foot disturbs it, and the brick behind his shoulder carries a long dark stain that runs down into the standing water. Garbage bags sag against the wall at the edge of the light, and the wet asphalt holds small perfect rings where drips from a fire escape strike it. Palette of wet black, sodium-orange lamp glow, sickly grey-white shirt and the yellow of his teeth, nothing else admitted. Quiet dread.
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Prompt original
深夜の暗い路地に座り込んでいるオジサン。 こちらを見て満面の笑みを浮かべている。 ホラー
Modo
flash
Tamaño
1104 x 1824
Asistente de prompts

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c
1boy, solo, old man, fat, large male, heavy build, balding, receding hairline, thin wispy grey hair at the temples, wrinkled skin, deep wrinkles, double chin, jowls, ugly bastard, grin, evil grin, wide smile, teeth showing, rectangular glasses, opaque glasses, glowing glasses, thick black rectangular frames, black background, dark, from below, close-up, dutch angle, looking at viewer, head tilt, shoulders squared to camera, low-key lighting A single figure fills the frame from below, shot low and tilted a few degrees off level so his mass looms up over the lens: one enormous old man, a heavy slope of shoulder and chest rising out of the bottom edge, his bald crown catching a hard rim of light at the very top of the crop as he leans forward and down toward the viewer. His head is thrust slightly forward off the thick column of his neck, chin doubled and tripled into soft folded masses that press down over his collar, the skin shining and deeply creased — furrows across the forehead, crow's feet webbed at the lenses, deep nasolabial folds framing the mouth. The only hair left is a few thin grey wisps swept across the temples from the balding dome. Thick black rectangular frames sit squarely on his broad nose, and behind them the lenses are fully opaque, no eyes visible at all, glowing from within with a cold pale-green light that spills a faint green cast onto his cheekbones and the underside of his brows; the frames themselves catch a hard white glint along their top edges. Below them his mouth is pulled wide into an evil grin, lips stretched thin, uneven yellowish teeth bared, one corner of the grin hitched higher than the other, a small wet highlight on the lower lip; the grin is what the whole image is built around and it is lit most brightly. Light comes from a single hard source low and in front, angled slightly up, so it strikes the undersides of his chin, jaw and brow and leaves the top of his skull and the sides of his face dropping into shadow; beyond him there is nothing but a solid black field, absolute darkness with no floor, no wall, no horizon, and no cast shadows because there is no surface to catch them. The glowing lenses are the only other light in the frame, and they do not illuminate the black around him. Palette is restricted to black, the sickly green of the lens glow, warm ruddy skin tones in the lit planes, and the dull yellow of teeth, nothing else admitted. Detail budget sits on the face: skin texture, creases, the frames' thickness, the glint and the wet mouth. Sinister and gleeful.
cocaconga
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Avatar image of narrava
artist: ratatatat74, A cinematic medium shot from a front view featuring a Japanese man in his early forties standing centrally within an open apartment doorway, with a dim, old corridor stretching behind him. He has a sturdy build and wears an old gray canvas jacket over a plain collared shirt, dark work trousers and a brown driver's cap. His clothes are rugged and practical, faded from frequent travel but clean and carefully maintained. The jacket has neatly mended cuffs, worn pocket edges and slight fading across the shoulders. One hand rests casually in his jacket pocket; the other rests against the edge of the open wooden door. He has a weathered face with broad cheekbones, short black hair graying at the temples and fine lines around his dark brown eyes. He looks directly at the viewer with a neutral but friendly expression, his mouth relaxed and his gaze attentive and quietly guarded. His posture is easy and familiar, suggesting a man accustomed to unfamiliar doorways and long journeys. The apartment entrance is old and cramped: worn wooden doorframe, chipped paint, faded wallpaper, aged plaster, a narrow dim hallway beyond, old electrical switches and small traces of ordinary domestic life. Moody cinematic lighting and restrained rim lighting separate his silhouette from the darkness, emphasizing the worn canvas, careful repairs and weathered features. High contrast, sharp cel-shading and a muted color palette, with subdued warmth falling across his face.
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