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AI art "Female Stuffing"
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Female Stuffing

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1girl, solo, from below, cowboy shot, close-up, dutch angle, motorcycle helmet, full-face helmet, visor, opaque dark visor, face hidden, hair sticking out of helmet, hair escaping helmet, black suit, black jacket, black trousers, black gloves, huge belly, stuffed belly, bloated belly, belly bulge, tight clothes, wide hips, thick thighs, curvy, very thick, plump, hand on own stomach, leaning back, looking to the side, parted lips visible below helmet, open mouth, blush, black background, spotlight, high contrast, dutch angle Low-angle dutch shot tilted about twelve degrees, camera set below hip height and looking up along her left side, so she fills the left two-thirds of the frame and the vast swell of her stuffed belly pushes into the foreground, foreshortened and enormous while her helmeted head sits smaller and higher at the upper right. A single full-face motorcycle helmet encloses her head completely, chin bar and jaw guard locked shut, the dark visor an opaque glossy slab with nothing readable behind it; only the cheeks and the blurred lower lip show through the open lower edge of the mask's chin guard, caught mid-breath with her lips parted. A small wedge of hair escapes where the helmet's neck roll rides up: straight dark strands pushed out of the rear lip of the helmet, flattened against the shell and curling at the ends, one strand lifted slightly by her movement. Her black suit runs from a high collar at the helmet's rubber seal down over her shoulders and chest: matte black technical fabric with a soft sheen, a separating zipper pulled tight down the front, the jacket taut and pulling in radiating creases outward from a swollen, immense belly that domes out low and forward, the fabric strained and glossy where it stretches, the lower jacket hem lifted clear of her waistband by the pressure. Her trousers are the same black suit material, stretched taut over wide hips and very thick thighs, the inner seams drawn tight, one thigh planted forward bearing her weight while the other leg angles back and the hip cocks out to the side. One gloved hand rests splayed across the underside of her belly, fingers spread and pressing in so the fabric dimples around them; her other arm hangs back with the hand loosely curled at her hip. She is caught in a backward lean โ€” the belly's weight pulling her spine into an arch, shoulders pulled back, chin lifted. Her visor turns toward the right edge of the frame, away from the lens, her head tipped so the hair-wedge at the helmet's rear catches the light. The world is hidden behind her: a seamless deep charcoal backdrop. One hard rim light from behind her left shoulder carves a cold white edge along the helmet's shell, the tops of her shoulders and the crest of the belly, leaving her front in low, glossy shadow; the only soft fill lifts her lower lip and the straining fabric. Palette held to blacks, charcoal and a single cold white rim โ€” nothing else admitted. Quiet, imposing tension.
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Prompt original
An anime girl with a motorcycle mask on which hides her face but shows a bit of her hair being stuffed with her belly being massive with a black suit and she is thicc very thicc
Modo
pro
Tamaรฑo
768 x 1280
Mรฉtodo de muestreo
Euler
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lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
pc
1girl, solo, standing, motorcycle helmet, full-face mask covering face, face fully hidden, visor, only hair visible, dark hair, hair spilling from beneath helmet, massive stuffed belly, distended stomach, taut round belly, black suit, tight black suit, curvy figure, very thick thighs, wide hips, heavy build, plump arms, three-quarter view, from below, cowboy shot, hand on own stomach, other hand at hip, head tilted down, looking down at belly, bare neck beneath helmet, no visible face, no eyes visible, no mouth visible A single woman stands at three-quarter angle in the near-empty concrete space of an underground parking ramp, the low camera pitched up from knee height so her belly overhangs the frame's lower third and her shoulders flatten against the ribbed ceiling slab. The motorcycle helmet seals her head completely โ€” glossy black shell, chin bar locked over the jaw, dark visor dropped to the nose bridge โ€” and only a fringe of black hair worms out from under the helmet's rear rim and above the visor's top edge, compressed flat against the shell by the padding inside. She wears a black suit: a fitted single-breasted jacket strained across the chest, its lower button left open so the front swings around the swell of the stuffed belly, and matching black trousers whose seams pull white with tension over the widest part of her hips and thighs; the fabric shines at the stress points where it presses out over flesh instead of draping. The pose is held, not posed: she's caught a half-step in, weight riding on the left leg with the right toe turned out and the knee unlocked, hips shifted so the belly lists slightly to one side. Her right hand presses flat and spread over the top of the belly, fingers splayed against the taut fabric, and her left hand rests low on her hip with the thumb hooked through the waistband seam. Her chin is tipped down and the visor points at the dome of her own stomach; the tilt is visible only in the angle of the helmet's crown against the ceiling lights. Light comes from a single row of sodium-tinted tubes overhead, hitting the top of the helmet so a hard white bloom runs down the shell and casts a short, dark shadow under her chin onto her chest; the same light rakes across the belly's upper curve in a broad highlight and leaves the underside in shadow, and it lays a long soft shadow of her legs out across the oil-stained concrete behind her. A yellow line of paint runs diagonally across the floor and disappears behind her right ankle. Beyond her, cars are only dark shapes in the unlit rows. Palette: black suit, black helmet, warm rust-and-amber overhead light, grey concrete, one yellow floor stripe. Still, heavy, quietly immovable.
Precious Carlos

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