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Illyasviel von Einzbern, Serie Fate

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#Pechos#sonrojo#curvilínea#pelo largo#guitarra#Instrumento musical#Illyasviel von Einzbern#hombros descubiertos#1 chica#Serie Fate#cabello entre los ojos
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En PixAI los prompts son públicos por defecto, pero cada creador puede ocultarlos en las obras que publica. Quien creó esta obra decidió hacerlo, así que las palabras con las que se generó la imagen permanecen privadas: solo esa persona puede verlas. Ocultar el prompt no cambia nada más: la obra sigue siendo pública y puedes darle me gusta, comentarla y compartirla como siempre.
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A medium shot from a low-angle perspective captures a girl band performing with intense energy on a dim underground concert stage. The band members, young women with a punk-rock aesthetic, are captured in dynamic poses; the guitarist is leaning back during a shredding solo with fingers gripping the fretboard, while the drummer strikes the cymbals with high-velocity motion and the bassist stands firmly with a focused, fierce expression. They are dressed in edgy stage attire consisting of leather jackets, pleated skirts, and studded accessories. The setting is a gritty basement venue with exposed brick walls, heavy iron pipes, and scattered amplifiers and cables on the floor. The atmosphere is electric and rebellious, illuminated by dramatic spotlights in hues of magenta and electric blue that cut through a thick haze of stage smoke, creating sharp contrasts and a high-energy mood.
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character: kasane_teto 1girl, kasane teto, drill hair, red hair, twin drills, ahoge, hair between eyes, hair ribbon, bow, hair bow, red eyes, large breasts, large ass, playing electric guitar, grey jacket, long sleeves, shirt, ribbon, buttons, grey skirt, boots, sitting, leaning forward, from side, cowboy shot, dutch angle, eyes closed, open mouth, singing, head tilt back, holding guitar pick, fingers on fretboard, guitar strap across chest, looking at nothing in particular A single girl seen from a low three-quarter side angle, tilted slightly on a dutch angle, seated on a low amplifier cabinet at stage center — her twin red drills spiral down past her shoulders and one drill swings forward over the guitar's upper bout as she leans into the instrument. She is caught mid-phrase: her left hand clamps a chord high on the fretboard, knuckles flexed, fingertips pressed flat to the strings; her right forearm rests on the guitar body's edge, the pick pinched between thumb and index, wrist cocked for a downstroke. The electric guitar — solid-body, deep cherry-red with a black pickguard — cuts diagonally across her torso, its strap riding over her grey jacket's shoulder, the body overlapping the grey skirt at her hip. Her weight sits on her right hip against the amp's edge, left boot braced flat on the stage floor, knee out. Her head tilts back, chin lifted, eyes closed and lids relaxed, mouth open wide in a belted note, a strand of hair between her eyes flicked sideways by her own motion. The amp is the only light source behind her — a warm amber glow rimming the drills and the guitar's top edge in orange, her face and the front of the jacket falling into cooler shadow lit only by a faint blue spill from an unseen stage monitor at floor level; a hard cast shadow of the guitar neck stretches across the stage boards to her left. Sweat sheen on the guitar's lacquer, fingerprints smeared on the pickguard. Palette locked to red, grey and black with amber rim light. Raw, loud, unbothered.
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