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user-1933930960950615780
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- Prompt original
- 黒髪ロング、眼鏡、美少女、口元にひとつのホクロ、スレンダーグラマー、制服、ブレザー、プリーツスカート、黒タイツ学校の廊下、日中、正面
- Modo
- pro
- Etiqueta de calidad
- ﹝Prompts﹞
- Tamaño
- 1104 x 1824
- Excluir de la imagen
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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1girl, solo, black hair, long hair, straight hair, hair past waist, glasses, clear-framed rectangular glasses, beautiful girl, single mole, mole near mouth, mole under the corner of her mouth, slanted eyes, slender, curvy figure, school uniform, blazer, dark navy blazer, white collared shirt, ribbon necktie, pleated skirt, tartan plaid pleated skirt, black tights, no earrings, bare ears, school hallway, daytime, indoors, front view, facing the viewer, looking at viewer, upper thighs, standing, mid-step, hand on skirt hem, corridor receding behind her, window light, linoleum floor, lockers, classroom doors, soft daylight, gentle mood,
A straight-on front view at eye level, camera placed square to a single girl in the middle of a school corridor, the perspective running away behind her so that the polished floorboards and the ceiling light rows converge toward a vanishing point directly behind her head. She is one person, alone in the frame, and she faces the lens squarely, chin level, her dark eyes set on the viewer with a calm, faintly knowing look; her lips are shut in a small closed smile that lifts the right corner only, and the single small mole sits just under the outer edge of her mouth on that side, exactly one mark and no other. Her black hair is long, dead straight, and hangs down past her waist, parting in two sheets ahead of her shoulders so the strands fall in front of the blazer's lapels; clear-framed rectangular glasses rest on the bridge of her nose, the frames thin enough that the daylight puts a narrow bright streak across the left lens. She wears a dark navy school blazer, open, over a white collared shirt buttoned to the top and a ribbon necktie at the throat; the blazer is cut slim at the waist and the shirt pulls gently across a full chest before tapering into a narrow waist and a rounded hip line. The tartan pleated skirt falls to mid-thigh, its knife pleats standing in crisp ridges; her black tights run from the skirt hem down over slender legs to her shoes, the fabric catching a faint sheen down the front of each shin. Her weight is on her left leg, the right knee bent and the right toe just settling onto the floor mid-step; her right hand rests flat on the side of the skirt, fingers spread and pressing one pleat against her thigh, while her left arm hangs loose with the fingertips brushing the blazer's hem. Secondary motion: the skirt's pleats still swing from the step, the ribbon tail lifts a little at her throat, and one thin strand of hair drifts across her cheek. Environment: the corridor is empty around her, a row of grey lockers along the left wall, classroom doors with small windows along the right, a long band of tall windows on the right side pouring white daylight across the floor so that a wide rectangle of light lies diagonally behind her and her shadow stretches forward onto the linoleum toward the viewer, longer than she is; the light falls on the left side of her face and the right side of her body, and the far end of the corridor sits softer and cooler in shadow. Palette: navy, white, tartan red-and-charcoal, black, and the pale grey-green of the linoleum, nothing else admitted. Reflected light from the floor faintly brightens the underside of her chin and the inner edges of her tights. Composed, quietly confident.
user-1933930960950615780
1girl, solo, black hair, long hair, straight hair, glasses, beautiful girl, mole under mouth, slender, curvy, school uniform, blazer, pleated skirt, black tights, walking, facing viewer, from front, full body, cowboy shot, school hallway, daytime, looking at viewer, light smile, hand on strap, dutch angle, depth of field,
A full-length frontal view taken from a slight low angle with a gentle dutch tilt, the camera at chest height and tilted so the hallway's vanishing point pulls up and to the right of the frame. One girl walks straight toward the lens down the centerline of a Japanese school corridor, caught mid-stride: her left foot planted flat on the linoleum, her right knee lifted and swinging forward, skirt pleats flaring slightly away from the leading thigh and settling against the trailing one. Her long black hair falls straight past her shoulder blades, the front locks swinging forward across her collar with the rhythm of the step, a few strands lifted and separated by the motion. Thin-framed glasses sit level on her nose, and the corridor's window light lays a pale rectangular reflection across the left lens and a smaller one across the right. A single small mole sits just below and to the left of her lower lip, alone on the skin near the mouth; her lips are closed in a small, composed half-smile, chin slightly lifted, both eyes looking straight back at the viewer through the lenses with a calm, direct confidence. Her build is slender at the waist and shoulders with a clear curve at the bust and hips beneath the uniform: a navy blazer worn open over a white collared shirt and a ribbon at the throat, the blazer's front edges hanging a little apart, and a pleated skirt in a muted plaid falling to mid-thigh, its folds swinging with the stride. Opaque black tights run from under the hem to dark loafers, and the tights catch a soft sheen along the front of the shins where the window light grazes them. Her right hand grips the shoulder strap of a school bag hanging at her hip, fingers curled around the strap; her left arm swings back slightly with the step, hand loose and open. The corridor is empty: a long row of windows on the left throwing bright rectangles of daylight across the floor, the light pooled in bands on the linoleum and the shadows between them falling in soft parallelograms; classroom doors and a noticeboard with illegible pinned papers slide past in the midground, and the far end of the hall dims into cool shadow. Cool daylight dominates the palette, white and pale grey-blue from the windows, navy and muted plaid on the uniform, warm skin against the cold glass, the floor a dull grey-green with long reflections of the window bands stretched by perspective. Sharp focus on the face and the near shoulder, the far corridor softening into shallow depth of field, film-smooth shading with crisp edges. Quiet, composed confidence.
user-1933930960950615780
1girl, solo, straight-on, facing viewer, from front, cowboy shot, black hair, long hair, straight hair, black eyes, glasses, clear-rimmed glasses, single mole, mole under mouth, beauty mark, beautiful girl, slender, curvy, school uniform, blazer, white shirt, collar, red ribbon, pleated skirt, black pantyhose, black tights, standing, weight on one leg, hand adjusting glasses, head tilt, faint closed-lip smile, looking at viewer, school hallway, daytime, linoleum floor, lockers, window light, volumetric light, depth of field, anime coloring, cel shading, soft shading
A frontal straight-on cowboy shot from chest height, the girl square to the lens with her shoulders almost level and her chin dipped a few degrees, one hip pushed out so her weight rides on her left leg while the right knee relaxes inward, feet apart on the linoleum at the bottom of the frame. Her black hair is long and straight, falling past her waist on both sides, the bangs parted an inch off centre and grazing the top rim of her glasses; the right-hand lock slides forward over her blazer shoulder while the left falls behind it, so only a hint of her pleated skirt's swaying hem shows where the jacket opens. She wears a dark navy blazer buttoned once at the waist over a white collared shirt with a red ribbon at the throat, and a mid-thigh pleated skirt whose knife pleats hold a crisp edge; below it black pantyhose sheathes both legs in an even matte charcoal sheen, brightest down the shin and the front of the thigh, darkest in the crease behind the knee, and her dark loafers sit flat on the floor. Her right hand is raised, fingertip and thumb pinching the outer corner of her glasses to nudge them up her nose, thumb resting against her cheekbone; her left hand hangs loose at her side, knuckles barely brushing the blazer's hem, fingers curled and relaxed. She looks directly into the lens through clean rectangular clear-rimmed lenses, her eyes steady behind them, and the small dark mole sits just under the right corner of her mouth, a single accent that the faint, closed-lip smile pulls slightly upward. Long daylight comes from a row of hallway windows on the left, a hard-warm wash down the side of her face turned to the glass and a softer fill across the front, throwing her shadow diagonally to the right on the floor and stretching long parallelograms of window light across the tiles; the corridor recedes behind her in one-point perspective — pale green-grey lockers stacked along the right wall, a strip of doors along the left, a dark far vanishing point — and she occludes the centre of the perspective line, her body the sharp foreground against the softened depth. The palette stays cool and institutional — navy, white, red, charcoal, green-grey walls — with her black hair and pantyhose closing the darkest values. The lenses catch a thin white reflection of the window row, a flat mirror-bright streak that sits on the glass only and does not reach the eyes behind. Quiet, crisp daytime calm.
user-1933930960950615780
1girl, solo, front view, facing viewer, walking toward viewer, mid-stride, black hair, long hair, straight hair, hair past waist, black eyes, glasses, thin-framed rectangular glasses, beautiful girl, fair skin, single mole below the left corner of the mouth, slender yet curvy figure, school uniform, blazer, navy blazer, white collared shirt, red ribbon tie, pleated skirt, dark pleated skirt, pleated skirt in motion, black tights, school hallway, indoors, daytime, corridor, windows on both sides, sunlight, looking at viewer, faint closed-lip smile, head slightly tilted, arms at sides, one arm swinging forward, books held against hip, upper-body focus to three-quarter body, cowboy shot, from front, slight low angle, depth of field
The camera sits at a slightly low chest-height in the middle of the school corridor, looking straight down its length at her as she walks toward it — front view, facing the viewer, her body filling the centre of the frame from head to mid-thigh in a cowboy shot. She is caught exactly mid-stride: her weight is on her right foot, planted flat, while her left knee is lifted and her left toe is peeling off the floor behind her, the hem of her dark pleated skirt swung a half-beat behind the motion of her hips, each blade of the pleats slightly separated and catching the light. Her long black hair falls straight past her waist over the navy blazer, one length of it slipping forward over her right shoulder, the rest bright with a streak of window light; the ends stir behind her shoulder blades from the forward movement. Her white collared shirt is buttoned high, the red ribbon tie sits neat at her throat, the navy blazer hangs open at the front and its lapels lap over the pleated skirt's waistband. The skirt swings around her hips; the black tights cover her legs smoothly from under the hem down to her shoes, the fabric stretching and brightening over the lifted left knee, its elastic waistband unseen under the skirt.
Her slim waist tapers into the curve of her hips and the bust that fills the blazer's front — slender yet curvy, read in the cinched waist and the flare of the skirt. Thin rectangular glasses sit on the bridge of her nose, the lenses picking up two small window reflections; behind them her black eyes are fixed directly on the viewer, a calm, faint closed-lip smile on her mouth, the single dark mole sitting just below and left of her lower lip, the only mark on her clear pale face. Her chin tips down a degree, so her gaze comes up through the top of the lenses. One arm hangs relaxed at her side, hand loose-fingered and open; the other arm is bent to hold a stack of books pressed against her hip, fingers curled under the bottom book's spine, the fingertips compressed pale against the cloth-covered boards.
The corridor runs away behind her: a polished wooden floor laid in long boards whose seams converge toward the far vanishing point, pale-cream walls broken by a regular rhythm of windows along the left, closed classroom doors with small frosted glass panels along the right, and a low dado rail in blue-grey. Daylight is the only light source — bright white daylight pouring in through the left-side windows, laying long soft parallelogram patches of light across the floorboards at a slanted angle, striking the left plane of her blazer, the left side of her skirt and the outer curve of her right cheek and nose, while her right side falls into a clean soft shadow and a thin cast shadow trails from her shoes to the right rear. The windows' light reflects off the polished floor in the same slanted bands, slightly duller and warped by the boards. The far end of the corridor fades into a soft, sun-hazed blur with no figures in it, the depth of the hallway giving her full figure a clear silhouette at the centre. The palette is disciplined: deep navy blazer and skirt, white shirt, red ribbon, black hair and tights, and the corridor's cream, blue-grey and warm wood — nothing else admitted.
Her hair swings and settles a hair's breadth after her step; the skirt's pleats lag the hips by that same beat; the pages' edges of the top book are pressed slightly out of alignment by her thumb. Warm daylight, quiet, effortlessly graceful.
user-1933930960950615780
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