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1boy, 2girls, trio, central male figure, from below, low angle, close-up, heart-shaped eyes, heart-shaped pupils, heart-shaped light frame, glowing heart-shaped border, floating hearts, cleavage, bridal dress, wedding dress, kiss on cheek, simultaneous kiss, both cheeks, head tilt, arms linked, eyes closed, blush, open mouth, smile, heart background, romantic atmosphere, valentine, sparkling, lens flare, cel shading, flat colors, clean outlines From a low, slightly upward-tilted close-up, three figures are packed shoulder to shoulder into the center of the frame: a young man stands dead center, a bride pressed in tight on each side of him, both of them leaning their heads in and planting a kiss on each of his cheeks at the same instant. The left bride's lips are flattened against his left cheek and the right bride's against his right, their noses denting his skin, their heads tilted inward so their hair falls across his jaw; both brides have their eyes shut in the kiss, lashes down, faint blush on their cheeks, mouths curved into the contact. Each bride's near hand comes up to cup the far side of his face — the left bride's fingers curled under his chin, the right bride's fingers spread at his temple — so his head is held steady between four hands. The man's head is tipped back a little from the squeeze, chin lifted, and his eyes are wide open and filled entirely with pink heart shapes, the pupils themselves drawn as glossy hearts with a bright facet of highlight. His collar is open at the throat, and because he is centered and the camera sits just below his eye level, the deep V of the garment across his chest is prominent in the lower middle of the frame, the shadowed valley between soft curves catching the glow. The two brides wear white bridal dresses with bare shoulders, delicate lace at the neckline and short veils pinned into their updos; the veils' gauze drifts slightly toward the man as they lean, and loose strands of their hair swing forward across his shoulders. Around the trio a heart-shaped frame of light encloses them: a magenta-white band of glow running a clean heart outline around the whole group, brightest along the top lobes above their heads and tapering to a point at the bottom of the frame. Small solid and outlined hearts float in the surrounding air, drifting close to the light band and thinning toward the corners, overlapping the frame so it doesn't read as a flat sticker. The heart frame is the only light source: it throws a soft warm magenta rim across the tops of all three heads, the brides' shoulders and the man's cheekbones, and the gaps between the floating hearts and the outer corners fall away into a deep wine-colored darkness. A single top-left heart in the ring is half occluded by the man's hair, so its lower lobe glows through the strands as a scattered pink spill rather than a hard edge. Cute cel-shaded TV-anime look — flat high-contrast colors, crisp clean outlines, simple two-tone shadows, pink-white-magenta palette on deep wine shadow, the white of the bridal dresses the only cool note. Effortlessly romantic and giddy.
Mostrar parámetros
Modo
flash
Estilo
Anime retro de los 90
Tamaño
1632 x 1232
Estilo: Anime retro de los 90

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.13k

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AI artwork
息
1boy, 2girls, trio, central male figure, from below, low angle, close-up, heart-shaped eyes, heart-shaped pupils, heart-shaped light frame, glowing heart-shaped border, floating hearts, cleavage, bridal dress, wedding dress, kiss on cheek, simultaneous kiss, both cheeks, head tilt, arms linked, eyes closed, blush, open mouth, smile, heart background, romantic atmosphere, valentine, sparkling, lens flare, cel shading, flat colors, clean outlines From a low, slightly upward-tilted close-up, three figures are packed shoulder to shoulder into the center of the frame: a young man stands dead center, a bride pressed in tight on each side of him, both of them leaning their heads in and planting a kiss on each of his cheeks at the same instant. The left bride's lips are flattened against his left cheek and the right bride's against his right, their noses denting his skin, their heads tilted inward so their hair falls across his jaw; both brides have their eyes shut in the kiss, lashes down, faint blush on their cheeks, mouths curved into the contact. Each bride's near hand comes up to cup the far side of his face — the left bride's fingers curled under his chin, the right bride's fingers spread at his temple — so his head is held steady between four hands. The man's head is tipped back a little from the squeeze, chin lifted, and his eyes are wide open and filled entirely with pink heart shapes, the pupils themselves drawn as glossy hearts with a bright facet of highlight. His collar is open at the throat, and because he is centered and the camera sits just below his eye level, the deep V of the garment across his chest is prominent in the lower middle of the frame, the shadowed valley between soft curves catching the glow. The two brides wear white bridal dresses with bare shoulders, delicate lace at the neckline and short veils pinned into their updos; the veils' gauze drifts slightly toward the man as they lean, and loose strands of their hair swing forward across his shoulders. Around the trio a heart-shaped frame of light encloses them: a magenta-white band of glow running a clean heart outline around the whole group, brightest along the top lobes above their heads and tapering to a point at the bottom of the frame. Small solid and outlined hearts float in the surrounding air, drifting close to the light band and thinning toward the corners, overlapping the frame so it doesn't read as a flat sticker. The heart frame is the only light source: it throws a soft warm magenta rim across the tops of all three heads, the brides' shoulders and the man's cheekbones, and the gaps between the floating hearts and the outer corners fall away into a deep wine-colored darkness. A single top-left heart in the ring is half occluded by the man's hair, so its lower lobe glows through the strands as a scattered pink spill rather than a hard edge. Cute cel-shaded TV-anime look — flat high-contrast colors, crisp clean outlines, simple two-tone shadows, pink-white-magenta palette on deep wine shadow, the white of the bridal dresses the only cool note. Effortlessly romantic and giddy.
息耐者カール
AI artwork
息
1boy, 2girls, trio, central male figure, from below, low angle, close-up, heart-shaped eyes, heart-shaped pupils, heart-shaped light frame, glowing heart-shaped border, floating hearts, cleavage, bridal dress, wedding dress, kiss on cheek, simultaneous kiss, both cheeks, head tilt, arms linked, eyes closed, blush, open mouth, smile, heart background, romantic atmosphere, valentine, sparkling, lens flare, cel shading, flat colors, clean outlines From a low, slightly upward-tilted close-up, three figures are packed shoulder to shoulder into the center of the frame: a young man stands dead center, a bride pressed in tight on each side of him, both of them leaning their heads in and planting a kiss on each of his cheeks at the same instant. The left bride's lips are flattened against his left cheek and the right bride's against his right, their noses denting his skin, their heads tilted inward so their hair falls across his jaw; both brides have their eyes shut in the kiss, lashes down, faint blush on their cheeks, mouths curved into the contact. Each bride's near hand comes up to cup the far side of his face — the left bride's fingers curled under his chin, the right bride's fingers spread at his temple — so his head is held steady between four hands. The man's head is tipped back a little from the squeeze, chin lifted, and his eyes are wide open and filled entirely with pink heart shapes, the pupils themselves drawn as glossy hearts with a bright facet of highlight. His collar is open at the throat, and because he is centered and the camera sits just below his eye level, the deep V of the garment across his chest is prominent in the lower middle of the frame, the shadowed valley between soft curves catching the glow. The two brides wear white bridal dresses with bare shoulders, delicate lace at the neckline and short veils pinned into their updos; the veils' gauze drifts slightly toward the man as they lean, and loose strands of their hair swing forward across his shoulders. Around the trio a heart-shaped frame of light encloses them: a magenta-white band of glow running a clean heart outline around the whole group, brightest along the top lobes above their heads and tapering to a point at the bottom of the frame. Small solid and outlined hearts float in the surrounding air, drifting close to the light band and thinning toward the corners, overlapping the frame so it doesn't read as a flat sticker. The heart frame is the only light source: it throws a soft warm magenta rim across the tops of all three heads, the brides' shoulders and the man's cheekbones, and the gaps between the floating hearts and the outer corners fall away into a deep wine-colored darkness. A single top-left heart in the ring is half occluded by the man's hair, so its lower lobe glows through the strands as a scattered pink spill rather than a hard edge. Cute cel-shaded TV-anime look — flat high-contrast colors, crisp clean outlines, simple two-tone shadows, pink-white-magenta palette on deep wine shadow, the white of the bridal dresses the only cool note. Effortlessly romantic and giddy.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, three people, man in the center, two brides on either side, bride on the left, bride on the right, double cheek kiss, kissing both cheeks, lips pressed to his cheeks, heart-shaped eyes, heart pupils, glowing heart-shaped frame, heart-shaped light border, cleavage, plunging neckline, white wedding dress, satin wedding gown, lace wedding gown, strapless gown, bare shoulders, bridal veil, long hair, looking at each other, closed eyes, blush, half-closed eyes, from front, upper body, close-up, centered composition, pink and white palette, cel shading, clean outlines, flat colors, TV anime frame A symmetrical upper-body close-up shot from the front, cropped just below the bust so the three faces, the two brides' décolletage and the whole heart-shaped light frame all sit inside the picture. In the center stands a young man with short dark hair, head tipped back a little and chin lifted, both cheeks caught between two women leaning in from left and right; his eyes are wide open and his pupils are crisp glowing pink hearts, no normal iris left around them, and his mouth hangs slightly open in a dazed grin with a shine of colour at the lips. On the left, a bride with her hair swept up under a short tulle veil presses her lips to his right cheek, her near hand resting flat on his shoulder, the other arm curled behind his back; she wears a white satin gown with a plunging neckline that opens a deep V, the satin catching a hard highlight along the edge of the fabric. On the right, a second bride with long loose hair flowing out behind her shoulders kisses his left cheek, her fingers spread lightly over his chest, her gown white lace with a matching plunging neckline showing the same open cleavage, lace scallops tracing the neckline edge. Both brides' heads tilt inward toward his face, their eyes shut in the kiss, lashes down, cheeks flushed; neither looks at the camera. Shoulders overlap in a clean occlusion order: the brides' veils and falling hair cross in front of the man's shoulders, the man's collar sits behind both women's arms. The environment is a warm pale-pink field behind them, out of focus, and ringing the whole group is a heart-shaped frame of glowing light, a continuous luminous outline with a soft pink-white bloom, brightest at the top cleft of the heart and thinning as it runs down the sides; it is the only light source, so its glow rims the tops of all three heads, rims the brides' veils in a luminous edge, and falls off into a slightly darker pink at the bottom corners of the frame. Colour is disciplined: white and warm skin tones, pink glow, and a single saturated rose-red landing only in the two heart pupils and the flush on all three pairs of cheeks. Where the glow crosses the brides' veils the chiffon goes translucent and the light shows through it. Rendering is a cute cel-shaded anime look with strong hand-drawn TV-anime energy: flat high-contrast colour fills, clean confident outlines, simple two-tone shadows with no gradients inside the shadow shapes. Sweet, giddy, joyfully shameless.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, three people, man in the center, two brides on either side, bride on the left, bride on the right, double cheek kiss, kissing both cheeks, lips pressed to his cheeks, heart-shaped eyes, heart pupils, glowing heart-shaped frame, heart-shaped light border, cleavage, plunging neckline, white wedding dress, satin wedding gown, lace wedding gown, strapless gown, bare shoulders, bridal veil, long hair, looking at each other, closed eyes, blush, half-closed eyes, from front, upper body, close-up, centered composition, pink and white palette, cel shading, clean outlines, flat colors, TV anime frame A symmetrical upper-body close-up shot from the front, cropped just below the bust so the three faces, the two brides' décolletage and the whole heart-shaped light frame all sit inside the picture. In the center stands a young man with short dark hair, head tipped back a little and chin lifted, both cheeks caught between two women leaning in from left and right; his eyes are wide open and his pupils are crisp glowing pink hearts, no normal iris left around them, and his mouth hangs slightly open in a dazed grin with a shine of colour at the lips. On the left, a bride with her hair swept up under a short tulle veil presses her lips to his right cheek, her near hand resting flat on his shoulder, the other arm curled behind his back; she wears a white satin gown with a plunging neckline that opens a deep V, the satin catching a hard highlight along the edge of the fabric. On the right, a second bride with long loose hair flowing out behind her shoulders kisses his left cheek, her fingers spread lightly over his chest, her gown white lace with a matching plunging neckline showing the same open cleavage, lace scallops tracing the neckline edge. Both brides' heads tilt inward toward his face, their eyes shut in the kiss, lashes down, cheeks flushed; neither looks at the camera. Shoulders overlap in a clean occlusion order: the brides' veils and falling hair cross in front of the man's shoulders, the man's collar sits behind both women's arms. The environment is a warm pale-pink field behind them, out of focus, and ringing the whole group is a heart-shaped frame of glowing light, a continuous luminous outline with a soft pink-white bloom, brightest at the top cleft of the heart and thinning as it runs down the sides; it is the only light source, so its glow rims the tops of all three heads, rims the brides' veils in a luminous edge, and falls off into a slightly darker pink at the bottom corners of the frame. Colour is disciplined: white and warm skin tones, pink glow, and a single saturated rose-red landing only in the two heart pupils and the flush on all three pairs of cheeks. Where the glow crosses the brides' veils the chiffon goes translucent and the light shows through it. Rendering is a cute cel-shaded anime look with strong hand-drawn TV-anime energy: flat high-contrast colour fills, clean confident outlines, simple two-tone shadows with no gradients inside the shadow shapes. Sweet, giddy, joyfully shameless.
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リオ
4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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