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吉田晴樹

Arte de IA de 吉田晴樹 en PixAI. Creado con Tsubaki.3 Flash.

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吉田晴樹

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2girls, height difference, extremely tall female, 200cm tall, long black hair, beret, navy blue coat, cream knit top, necklace, black bag, light blue earrings, short skirt, tights, very long legs, excellent figure, long legs, winter, basement department store, clothing shop, browsing clothes, looking at clothes, clothes rack, hanging advertisement papers from ceiling, ceiling sign, store clerk, 170cm tall, standing next to her, from slightly distant viewpoint, full body, wide shot, cowboy shot, standing, head tilt up, looking up, raised eyebrow, open mouth, holding bag strap, arm at side, glancing sideways, looking at another, winter clothes, indoor lighting, fluorescent light, cool palette, depth of field, crowdless, Viewed from a slightly distant vantage point across the shop floor, the whole of a basement-level clothing store opens up in a wide, level shot: a young woman stands at the left of a freerack of winter garments, her 200-centimetre frame towering over the rail, while a store clerk of about 170 centimetres stands to her right, the top of the clerk's head level with the tall woman's shoulder. The tall woman is caught mid-browse, her weight settled on her left leg with her right foot slightly forward, torso turned three-quarters toward the rack so her long black hair falls down the navy wool of her coat in a straight, heavy curtain past her shoulder blades. Her left hand holds the strap of a black bag that hangs at her hip, the leather pinched between two fingers; her right hand lifts a hanger of a cream-coloured knit from the rail, the fabric sliding off the metal as she tilts her head down and to the side, chin lifted just enough that her gaze settles on the garment rather than the clerk. A stylish beret sits tilted on her crown, its brim shadowing her brow; a necklace rests against the cream knit at her throat above the coat's open lapel, and a light blue earring catches the ceiling light beside her jaw. The short skirt shows below the coat hem, the tights running in long uninterrupted lines down legs that span most of her height, her feet planted in dark shoes on the pale shop floor. Beside her the clerk is smaller and more compact, dark uniform shirt tucked into slacks, one hand raised at chest height in a small gesture toward the rack, the other holding a folded garment against her hip, her face turned up toward the tall woman with a polite, slightly open-mouthed expression, brows lifted as she speaks. The tall woman's eyes stay on the clothes, but her mouth curves faintly on one side, acknowledging the clerk without turning her head fully. Above them, a row of hanging advertisement papers is suspended at intervals from the ceiling on thin cords, the nearest sheet of printed promo paper hanging so low that its bottom corner floats barely a hand's width above the beret — the gap between paper and hat is the smallest vertical measurement in the frame, and the clerk's raised hand is at the height of the tall woman's elbow, the scale contrast stating itself without a caption. The papers hang dead vertical, undisturbed by any air movement, their printed faces turned toward the camera and their surfaces flat matte under the overhead fixtures, the lettering on them small and blurred into illegible grey blocks. Beyond the rack, shelves of folded knitwear and a low display table recede toward the back wall, softening into depth-of-field blur; the floor tiles run in straight lines away from the camera, giving the shot its recession. Light comes from a grid of recessed fluorescent panels in the ceiling, cool and slightly green-white, falling from directly overhead: the tops of the beret and the clerk's hair catch the brightest values, shadows sit compact and soft beneath chins, hems and the display table, and the tall woman's coat drapes in broad flat planes of navy with only a faint sheen along the shoulder. The palette is held to navy, cream, black and the cool grey-white of the shop, with the single pale blue of the earring and the pale blue of the hanging promo sheets answering each other. Quiet, everyday winter shopping, with a little comic warmth in the size of her beside the little clerk.
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Prompt original
女子大生。身長200㎝スタイル抜群。長髪黒髪。冬。彼女はおしゃれなベレー帽に紺色のコート、その下にクリーム色のニットの服とネックレスをかけている。黒いバッグを身に着けている。水色のおしゃれなピアスを装飾している。下半身は短いスカートにタイツを履いている。彼女の脚はとても長い。彼女は地下デパートの洋服店に立ち寄って洋服を見ている。天井に吊り下げられている広告の紙に彼女の頭がつきそうである。少し遠くからの視点。女は身長がとても高く、存在感がある。彼女の隣には身長170㎝の店員がいる。
Modo
flash
Tamaño
1232 x 1632
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.16k

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AI artwork
吉
2girls, height difference, extremely tall female, 200cm tall, long black hair, beret, navy blue coat, cream knit top, necklace, black bag, light blue earrings, short skirt, tights, very long legs, excellent figure, long legs, winter, basement department store, clothing shop, browsing clothes, looking at clothes, clothes rack, hanging advertisement papers from ceiling, ceiling sign, store clerk, 170cm tall, standing next to her, from slightly distant viewpoint, full body, wide shot, cowboy shot, standing, head tilt up, looking up, raised eyebrow, open mouth, holding bag strap, arm at side, glancing sideways, looking at another, winter clothes, indoor lighting, fluorescent light, cool palette, depth of field, crowdless, Viewed from a slightly distant vantage point across the shop floor, the whole of a basement-level clothing store opens up in a wide, level shot: a young woman stands at the left of a freerack of winter garments, her 200-centimetre frame towering over the rail, while a store clerk of about 170 centimetres stands to her right, the top of the clerk's head level with the tall woman's shoulder. The tall woman is caught mid-browse, her weight settled on her left leg with her right foot slightly forward, torso turned three-quarters toward the rack so her long black hair falls down the navy wool of her coat in a straight, heavy curtain past her shoulder blades. Her left hand holds the strap of a black bag that hangs at her hip, the leather pinched between two fingers; her right hand lifts a hanger of a cream-coloured knit from the rail, the fabric sliding off the metal as she tilts her head down and to the side, chin lifted just enough that her gaze settles on the garment rather than the clerk. A stylish beret sits tilted on her crown, its brim shadowing her brow; a necklace rests against the cream knit at her throat above the coat's open lapel, and a light blue earring catches the ceiling light beside her jaw. The short skirt shows below the coat hem, the tights running in long uninterrupted lines down legs that span most of her height, her feet planted in dark shoes on the pale shop floor. Beside her the clerk is smaller and more compact, dark uniform shirt tucked into slacks, one hand raised at chest height in a small gesture toward the rack, the other holding a folded garment against her hip, her face turned up toward the tall woman with a polite, slightly open-mouthed expression, brows lifted as she speaks. The tall woman's eyes stay on the clothes, but her mouth curves faintly on one side, acknowledging the clerk without turning her head fully. Above them, a row of hanging advertisement papers is suspended at intervals from the ceiling on thin cords, the nearest sheet of printed promo paper hanging so low that its bottom corner floats barely a hand's width above the beret — the gap between paper and hat is the smallest vertical measurement in the frame, and the clerk's raised hand is at the height of the tall woman's elbow, the scale contrast stating itself without a caption. The papers hang dead vertical, undisturbed by any air movement, their printed faces turned toward the camera and their surfaces flat matte under the overhead fixtures, the lettering on them small and blurred into illegible grey blocks. Beyond the rack, shelves of folded knitwear and a low display table recede toward the back wall, softening into depth-of-field blur; the floor tiles run in straight lines away from the camera, giving the shot its recession. Light comes from a grid of recessed fluorescent panels in the ceiling, cool and slightly green-white, falling from directly overhead: the tops of the beret and the clerk's hair catch the brightest values, shadows sit compact and soft beneath chins, hems and the display table, and the tall woman's coat drapes in broad flat planes of navy with only a faint sheen along the shoulder. The palette is held to navy, cream, black and the cool grey-white of the shop, with the single pale blue of the earring and the pale blue of the hanging promo sheets answering each other. Quiet, everyday winter shopping, with a little comic warmth in the size of her beside the little clerk.
吉田晴樹
AI artwork
吉
2girls, height difference, extremely tall female, 200cm tall, long black hair, beret, navy blue coat, cream knit top, necklace, black bag, light blue earrings, short skirt, tights, very long legs, excellent figure, long legs, winter, basement department store, clothing shop, browsing clothes, looking at clothes, clothes rack, hanging advertisement papers from ceiling, ceiling sign, store clerk, 170cm tall, standing next to her, from slightly distant viewpoint, full body, wide shot, cowboy shot, standing, head tilt up, looking up, raised eyebrow, open mouth, holding bag strap, arm at side, glancing sideways, looking at another, winter clothes, indoor lighting, fluorescent light, cool palette, depth of field, crowdless, Viewed from a slightly distant vantage point across the shop floor, the whole of a basement-level clothing store opens up in a wide, level shot: a young woman stands at the left of a freerack of winter garments, her 200-centimetre frame towering over the rail, while a store clerk of about 170 centimetres stands to her right, the top of the clerk's head level with the tall woman's shoulder. The tall woman is caught mid-browse, her weight settled on her left leg with her right foot slightly forward, torso turned three-quarters toward the rack so her long black hair falls down the navy wool of her coat in a straight, heavy curtain past her shoulder blades. Her left hand holds the strap of a black bag that hangs at her hip, the leather pinched between two fingers; her right hand lifts a hanger of a cream-coloured knit from the rail, the fabric sliding off the metal as she tilts her head down and to the side, chin lifted just enough that her gaze settles on the garment rather than the clerk. A stylish beret sits tilted on her crown, its brim shadowing her brow; a necklace rests against the cream knit at her throat above the coat's open lapel, and a light blue earring catches the ceiling light beside her jaw. The short skirt shows below the coat hem, the tights running in long uninterrupted lines down legs that span most of her height, her feet planted in dark shoes on the pale shop floor. Beside her the clerk is smaller and more compact, dark uniform shirt tucked into slacks, one hand raised at chest height in a small gesture toward the rack, the other holding a folded garment against her hip, her face turned up toward the tall woman with a polite, slightly open-mouthed expression, brows lifted as she speaks. The tall woman's eyes stay on the clothes, but her mouth curves faintly on one side, acknowledging the clerk without turning her head fully. Above them, a row of hanging advertisement papers is suspended at intervals from the ceiling on thin cords, the nearest sheet of printed promo paper hanging so low that its bottom corner floats barely a hand's width above the beret — the gap between paper and hat is the smallest vertical measurement in the frame, and the clerk's raised hand is at the height of the tall woman's elbow, the scale contrast stating itself without a caption. The papers hang dead vertical, undisturbed by any air movement, their printed faces turned toward the camera and their surfaces flat matte under the overhead fixtures, the lettering on them small and blurred into illegible grey blocks. Beyond the rack, shelves of folded knitwear and a low display table recede toward the back wall, softening into depth-of-field blur; the floor tiles run in straight lines away from the camera, giving the shot its recession. Light comes from a grid of recessed fluorescent panels in the ceiling, cool and slightly green-white, falling from directly overhead: the tops of the beret and the clerk's hair catch the brightest values, shadows sit compact and soft beneath chins, hems and the display table, and the tall woman's coat drapes in broad flat planes of navy with only a faint sheen along the shoulder. The palette is held to navy, cream, black and the cool grey-white of the shop, with the single pale blue of the earring and the pale blue of the hanging promo sheets answering each other. Quiet, everyday winter shopping, with a little comic warmth in the size of her beside the little clerk.
吉田晴樹
AI artwork
吉
2girls, height difference, extremely tall female, 200cm tall, long black hair, beret, navy blue coat, cream knit top, necklace, black bag, light blue earrings, short skirt, tights, very long legs, excellent figure, long legs, winter, basement department store, clothing shop, browsing clothes, looking at clothes, clothes rack, hanging advertisement papers from ceiling, ceiling sign, store clerk, 170cm tall, standing next to her, from slightly distant viewpoint, full body, wide shot, cowboy shot, standing, head tilt up, looking up, raised eyebrow, open mouth, holding bag strap, arm at side, glancing sideways, looking at another, winter clothes, indoor lighting, fluorescent light, cool palette, depth of field, crowdless, Viewed from a slightly distant vantage point across the shop floor, the whole of a basement-level clothing store opens up in a wide, level shot: a young woman stands at the left of a freerack of winter garments, her 200-centimetre frame towering over the rail, while a store clerk of about 170 centimetres stands to her right, the top of the clerk's head level with the tall woman's shoulder. The tall woman is caught mid-browse, her weight settled on her left leg with her right foot slightly forward, torso turned three-quarters toward the rack so her long black hair falls down the navy wool of her coat in a straight, heavy curtain past her shoulder blades. Her left hand holds the strap of a black bag that hangs at her hip, the leather pinched between two fingers; her right hand lifts a hanger of a cream-coloured knit from the rail, the fabric sliding off the metal as she tilts her head down and to the side, chin lifted just enough that her gaze settles on the garment rather than the clerk. A stylish beret sits tilted on her crown, its brim shadowing her brow; a necklace rests against the cream knit at her throat above the coat's open lapel, and a light blue earring catches the ceiling light beside her jaw. The short skirt shows below the coat hem, the tights running in long uninterrupted lines down legs that span most of her height, her feet planted in dark shoes on the pale shop floor. Beside her the clerk is smaller and more compact, dark uniform shirt tucked into slacks, one hand raised at chest height in a small gesture toward the rack, the other holding a folded garment against her hip, her face turned up toward the tall woman with a polite, slightly open-mouthed expression, brows lifted as she speaks. The tall woman's eyes stay on the clothes, but her mouth curves faintly on one side, acknowledging the clerk without turning her head fully. Above them, a row of hanging advertisement papers is suspended at intervals from the ceiling on thin cords, the nearest sheet of printed promo paper hanging so low that its bottom corner floats barely a hand's width above the beret — the gap between paper and hat is the smallest vertical measurement in the frame, and the clerk's raised hand is at the height of the tall woman's elbow, the scale contrast stating itself without a caption. The papers hang dead vertical, undisturbed by any air movement, their printed faces turned toward the camera and their surfaces flat matte under the overhead fixtures, the lettering on them small and blurred into illegible grey blocks. Beyond the rack, shelves of folded knitwear and a low display table recede toward the back wall, softening into depth-of-field blur; the floor tiles run in straight lines away from the camera, giving the shot its recession. Light comes from a grid of recessed fluorescent panels in the ceiling, cool and slightly green-white, falling from directly overhead: the tops of the beret and the clerk's hair catch the brightest values, shadows sit compact and soft beneath chins, hems and the display table, and the tall woman's coat drapes in broad flat planes of navy with only a faint sheen along the shoulder. The palette is held to navy, cream, black and the cool grey-white of the shop, with the single pale blue of the earring and the pale blue of the hanging promo sheets answering each other. Quiet, everyday winter shopping, with a little comic warmth in the size of her beside the little clerk.
吉田晴樹
AI artwork
吉
1girl, solo, tall female, 200cm, very tall, long legs, slender, curvy, great figure, long black hair, black hair, beret, fashionable beret, navy blue coat, long coat, cream knit sweater, turtleneck sweater, necklace, light blue earrings, drop earrings, short skirt, black tights, winter, walking, walking toward viewer, from below, dutch angle, full body, low angle, underground shopping mall, underground street, large underground mall, head nearly touching ceiling, ceiling close to head, imposing presence, towering, long stride, hands in coat pockets, looking ahead, from below, depth of field, crowd blurred in background, signage bokeh The camera sits low and tilted slightly off-axis, looking steeply up from knee height so the woman's full height is thrown into sharp perspective: her beret and crown of black hair almost graze a low ceiling ribbed with fluorescent light panels, while her black tights and long legs dominate the near foreground and her heavy dark winter boots plant one ahead of the other mid-stride. She is the sole figure of focus, walking straight down the center of a vast underground shopping street toward the lens, coat unbuttoned so the navy wool falls open over a cream knit top that hugs her torso, the knit's ribbing catching the overhead light, a fine necklace resting at her collarbone and small light-blue earrings swinging just under the edge of the beret. Her long black hair spills over both coat shoulders and lifts faintly with her stride. One gloved-free hand is thrust into a coat pocket, the other hangs relaxed at her side; her chin is level, brows set, a cool self-assured expression as she looks slightly past the lens, aware of the stares. Around her the market corridor recedes in deep perspective: glass display cases, glowing signs, and small distant shoppers shrink to miniatures beside her legs, some of them turning their heads upward. Cool fluorescent ceiling light is the only source, spilling down the corridor in a long bright band that catches the shoulders of her coat, the crown of her beret, and the glossy sheen of her tights, while the undersides of her coat and the sloping ceiling above her head fall into deeper shadow. Palette is the cream of the knit, the navy of the coat, cool white light, and the faint blue of her earrings and distant signage. Editorial fashion-photography staging, crisp cel-shaded anime finish with clean linework and soft gradient shading, quietly imposing.
吉田晴樹

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4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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