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森のクリスマスパーティー
Arte de IA «森のクリスマスパーティー» de ホイップどーなつ en PixAI. Etiquetas: Nieve, Gato negro, animal, Noche, bosque, pájaro. Creado con Tsubaki.2.
早めのクリスマスです。
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Oculto por el autor
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,cat(animal),short muzzle,pink muzzle,perfect whiskers,perked cat ears,paws,(cat-90 style),cat(animal),short muzzle,pink muzzle,perfect whiskers,perked cat ears,paws,(cat-90 style),pretty and cute,(chibi),masterpiece,comical,simple,smile,:3,chibi,super deformed,cute,pastel colors,soft colors,colored lineart,thick lineart,sketchy lineart,messy brush strokes,painterly,soft shading,minimal rendering,large eyes,round face,blush,hand drawn,anime style,clean composition,
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1 cat, solo, black cat, sitting, animal focus, majestic, sleek short black fur, amber eyes, glowing eyes, no humans, wide shot, cinematic wide shot, from side, slight low angle, forest, winter, night, snow, falling snow, snowfall, snow-covered ground, bare trees, silhouetted trees, dark background, moonlight, pale blue light, cold light, deep blacks, silver and white palette, monochrome palette, limited palette, film grain, no text, no watermark, no signature, quiet, melancholic, sacred, mysterious, atmospheric
A cinematic wide shot, camera low and slightly off-axis, placed three-quarters to the cat's left so the animal reads in near-profile against the forest's depth. The black cat sits alone in the lower third of the frame, small against the vast night, no more than a fifth of the picture, offset right of centre so a long corridor of negative space opens to the left. It sits upright and still on a snow-covered rise, weight settled on its haunches with the forepaws set neatly together in the snow, tail curled forward and wrapped around the front paws. Its chest is squared, its head level, its ears lifted and tilted a fraction toward a sound off-frame; the near eye catches the moonlight along the top curve of its eyelid. Both eyes glow with a soft, intelligent amber light, a gentle luminous emanation, not a hard beam, warm and level and somehow ancient. Fur is dense, short and glossy in the cold, the moon picking out a fine silver rim along its back, brow and shoulder blades while the flanks and legs sink into near-black. The camera at ground level looks slightly upward, so the cat sits low in the frame and the tall bare trunks rise overhead.
The forest is a winter nightscape: slim black-trunked trees receding into blackness on both sides, their branches carrying thin caps of snow that show only on the upward-facing surfaces while the undersides stay bare and dark. Snow falls gently, small flakes drifting at a slight angle, drawn as pale flecks against the dark ranks of trees and blurred in the middle ground; a few flakes have settled on the cat's crown, shoulders and the ridge of its spine. The snow is unbroken except for the cat's own seat, a shallow depression where its haunches have pressed in and four small paw dents ahead of it, every mark with a soft blue shadow in its hollow. The cold reads in the stillness: no wind, straightened trees, flakes falling almost straight down.
The pale cold moonlight is the only light source; it comes from high behind and slightly to the right of the cat. It rims the cat's back and the top of its head in a fine silver edge, strikes the snow caps on the branches and the open snowfield, and leaves everything facing the camera in deep blackness and every hollow of the snow in cool blue-grey shadow. Behind the cat the trunks merge into absolute black; the only light in the scene is the moonlit snow and the two amber eyes. The palette admits deep blacks, silver, cold white and pale blue-grey, with amber permitted only in the eyes and a faint warm hint on the snow beneath them. Fine film grain sits over the whole frame and thickens in the dark backgrounds, giving the black surface a dusty, cinematic texture. Deep shadow, no other figures, no lettering or marks anywhere. Quiet dread and a sacred stillness.
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