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hiiiii

Arte de IA «hiiiii» de Marko en PixAI. Creado con Tsubaki.3 Flash.

Publicado: Nov 13, 2026

Marko

1girl, solo, waist-up shot, from below, sitting at a classroom desk, wooden desk, classroom, by the window, large window, late afternoon, sunset, orange sunset light, sunbeam, volumetric light, dust motes, glowing dust, comically enormous bust, huge breasts, cleavage, navy blazer, school uniform, white shirt, tight shirt, straining buttons, buttons straining, top button undone, red ribbon, loosened ribbon, plaid skirt, long straight black hair, black hair, red headband, hairband, chin resting on hand, head rest on hand, hand on own cheek, gazing toward viewer, looking at viewer, calm sultry expression, half-closed eyes, light smile, retro color grading, film grain, hand-drawn line weight, 90s cel anime style, nostalgic after-school mood, arm support, head tilt, dutch angle, depth of field, warm palette, The camera sits low and off the desk's near corner, looking up from just below the level of the wooden desktop, so she reads as a presence leaning into the frame and the window wall rises away behind her shoulder. She fills the left and center of the image, waist-up, her hips cut by the bottom edge where her plaid skirt disappears below the crop. Her right elbow is planted on the desk top in the near foreground, forearm slanting up, and her chin sits heavily in that cupped palm with the fingers curled loosely against her jaw so the cheek presses and the lower lip pushes slightly sideways; her left arm rests out of frame on the desk edge, shoulder dropped, weight shifted onto her left hip so her spine curves into a lazy S away from the window. Her head tilts a few degrees toward her supporting hand. Both eyes are hooded, lids half down, and they come straight down the lens: calm, unhurried, a small closed-lip smile with one corner fractionally higher, no blush, no wide eyes. Her long straight black hair falls behind her shoulders and slides forward across the near side of her neck in one heavy sheet, and a thin red headband crosses the back of her crown, mostly hidden behind the hair so only its red arc shows above her ear and at the temple. Her navy blazer is buttoned over a white shirt whose fabric is drawn drum-tight across the huge bust, the seams pulling in shallow diagonal folds from the bust point toward each shoulder; the shirt's top button hangs open so the collar sits wide, and the red ribbon below it is pulled loose into a slack, off-center knot with one tail slipped down over the blazer lapel. One or two of the shirt's lower buttons are visibly strained, the placket tugging apart in a short gap that shows a sliver of shadowed skin and the deep dark line of cleavage before the blazer closes over it. Her bust is comically enormous, far past anatomical proportion, and it forces the blazer's front edges apart where it cannot button and drags the whole torso forward over the desk. Late afternoon sun comes in low through the window beyond her far shoulder, orange and slightly over-saturated, the only light source apart from the soft ambient bounce off the desks. It rakes across her cheek, her chin-hand, the near shoulder of the blazer and the rounded upper slope of her chest, leaving the far side of her face and the underside of the bust in warm shadow. Long dust-moted beams cut diagonally down through the room past her head, the motes glowing brightest where each beam meets the shadow between them, and the beams are visibly interrupted by her silhouette. The rows of wooden desks behind and beside her recede to the right in warm ochre and burnt umber, their tops catching orange highlights and their far sides sinking toward deep brown; the window frame throws a hard quadrilateral of light across the nearest desktop right up to her elbow, which casts a solid dark shadow that breaks the bright rectangle. The sky beyond the glass is a flat band of orange into magenta. Palette: navy and white on the figure, red in the ribbon and headband only, everything else warm ochre, burnt orange and amber shadow. Flat cel-shaded planes with crisp shadow shapes and a hand-drawn line weight that thickens on the near contours, retro color grading with the shadows slightly magenta and the highlights slightly yellow, and fine film grain across the whole frame; the distant desks simplified to soft blocks of color with a shallow depth of field falling off behind her. Nostalgic and quietly, dangerously unhurried.

hiiiii

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