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faitan

Arte de IA de faitan en PixAI. Creado con Tsubaki.3 Flash.

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1girl, solo, adult woman, black hair, hime cut, long straight side locks framing the face, high ponytail, golden eyes, freckles, exhausted, tired, beaten up, bruise on cheekbone, split lip, sweat, heavy-lidded eyes, half-closed eyes, white and black sports bra, boxing gloves, boxing ring, old dirty boxing ring, leaning at turnbuckle, turnbuckle, standing, only upper body, upper body, cowboy shot, from below, looking down, crowd, cheering, throwing money, cash, bar, dim bar interior, warm haze, close-up, The camera sits low inside the ring apron, tilted up from below so the corner post rises past the left edge of frame; only the upper body is in shot, framed from the waist up with the crop cutting at the ribs, and the woman stands leaning into the near turnbuckle, her right forearm and the padded red turnbuckle cover taking her weight while her left glove hangs low and loose at her hip line, one hip cocked against the post so the ropes press a shallow line into her flank. Black hair is cut in a blunt hime style with two long straight side locks falling past her jaw, the rest pulled back into a high ponytail whose tail has come half loose and sticks to the sweat at her neck; a strand of it lies across her damp forehead. Her golden eyes are heavy, lids half-shut, gazing down and out past the ropes toward the shouting floor, not at the viewer, and her chin is lifted slightly by the exhaustion of holding her head up. Freckles scatter across her nose and cheekbones over skin that is flushed red at the cheeks and shoulders; a bruise darkens high on her right cheekbone and her lower lip is split and swollen, dried blood at the corner of the mouth, a smear of it tacked across one shoulder. The sports bra is white and black — black side panels and a black underband, white front panel darkened with sweat and a coin-sized red blot at the ribs — and her boxing gloves are worn, cracked and dusty, laces slack at the wrists. Below the crop, the ring canvas falls away out of frame. The ring is old and dirty: the canvas floor stained and scuffed, the turnbuckle pad split and taped, ropes frayed and slack with dust and old rosin, the ropes running in four parallel lines that converge toward the frame's right edge under perspective. Beyond and below the ropes, the bar crowds in out of focus — sweating bottles racked on backlit shelves, a hanging bulb, cigarette haze. A ring of spectators presses at the apron, mouths open mid-shout, and bills and coins arc through the air toward the canvas, banknotes curled and caught in the ring light, some bills caught in the lower ropes and fluttering against the mesh; one note is stuck flat to the sweat of the woman's shoulder. Light comes from the single ring bulb directly above, hard and warm, striping the top of her head, the bridge of her nose and the tops of her shoulders while the underside of her jaw, the hollows of her eyes and the inside of the ring ropes fall into deep shadow; her cast shadow drops straight down onto the canvas between her boots. Palette is limited to sweat-shined skin, black hair and black panel trim, the white of the bra and canvas, bruised red-violet, and the amber haze of the bar beyond the ropes. Exhausted, hollowed-out, stubborn.
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Prompt original
adult women,black hair, hime cut, ponytail, golden eyes,freckles,,,,,old and dirty boxing ring,at turnbuckle,white and black spoorts bra,only upper body,,exhausted, beaten up,looking tired,boxing gloves, in a bar,standing,crowd cheering and throwing cash
Modo
flash
Tamaño
1280 x 768
Asistente de prompts

Modelo y LoRA utilizados

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AI artwork
f
1girl, solo, adult woman, black hair, hime cut, ponytail, golden eyes, freckles, white and blue sports bra, boxing gloves, old dirty boxing ring, turnbuckle, standing, exhausted, beaten up, looking tired, crowd cheering, throwing money, bar, cowboy shot, only upper body, from below, dutch angle, looking down, half-closed eyes, parted lips, bruise on cheek, band-aid on cheek, sweat, messy hair, strands over face, leaning back against turnbuckle, upper body only, crowd silhouettes, money in air, dim bar interior, warm amber light, high contrast, cinematic Shot from a low dutch angle in a cowboy framing that cuts off at the waist, an adult woman stands with her back pressed flat against the padded turnbuckle of an old, grimy boxing ring; the ropes cross in front of her shoulders and her spine is arched slightly away from the post under her own exhausted weight. Her black hair is a hime cut gone loose: blunt bangs stuck to a sweat-slicked forehead, long side locks plastered to her cheeks, and the high ponytail pulled back at the crown has frayed into wet strands that swing forward over her left shoulder. Her golden eyes are half-lidded, looking down and out toward the floor past the bottom rope, not at the camera; the whites are faintly pink, her lips are parted with a slow ragged breath, and a bruise darkens her right cheekbone with a scuffed band-aid at the edge. Freckles scatter across her nose and the tops of her cheeks, standing out against flushed skin. She wears a white and blue sports bra whose hem is darkened with sweat, the blue trim running in two bands across the front; both fists are inside heavy boxing gloves—the left one hanging at her thigh, the right one lifted just enough to hook the middle rope for balance, the leather cracked and dull. The ring is old and dirty: the canvas beneath her is stained and littered with discarded paper cups and a dark smear of old blood, the turnbuckle pad is split and taped, and the ropes are mottled with grime. Beyond and below the ring, the bar is packed—rows of silhouetted figures in the smoky dark, mouths open in a roar, and a shower of folded bills and loose cash is caught mid-air above their heads, tumbling down toward the canvas, some notes just landing on the nearest rope where she leans. The only light comes from a single harsh overhead ring lamp that punches a hot circle onto her and the corner post, leaving everything past the ropes in deep amber-black murk; the light rakes her left side, throws her cheekbone into relief, and leaves her right eye in shadow, while the flying bills catch brief white glints as they fall. The palette is locked to sweat-sheened skin tones, the white and blue of the bra, and the amber bar darkness, warmed throughout. The detail budget is spent on her face, the sweat and bruising, the grip of the gloved hand on the rope, and the physical sag of her shoulders. Quietly brutal, spent.
faitan
AI artwork
f
1girl, solo, adult woman, black hair, hime cut, ponytail, golden eyes, freckles, white and blue sports bra, boxing gloves, old dirty boxing ring, turnbuckle, standing, exhausted, beaten up, looking tired, crowd cheering, throwing money, bar, cowboy shot, only upper body, from below, dutch angle, looking down, half-closed eyes, parted lips, bruise on cheek, band-aid on cheek, sweat, messy hair, strands over face, leaning back against turnbuckle, upper body only, crowd silhouettes, money in air, dim bar interior, warm amber light, high contrast, cinematic Shot from a low dutch angle in a cowboy framing that cuts off at the waist, an adult woman stands with her back pressed flat against the padded turnbuckle of an old, grimy boxing ring; the ropes cross in front of her shoulders and her spine is arched slightly away from the post under her own exhausted weight. Her black hair is a hime cut gone loose: blunt bangs stuck to a sweat-slicked forehead, long side locks plastered to her cheeks, and the high ponytail pulled back at the crown has frayed into wet strands that swing forward over her left shoulder. Her golden eyes are half-lidded, looking down and out toward the floor past the bottom rope, not at the camera; the whites are faintly pink, her lips are parted with a slow ragged breath, and a bruise darkens her right cheekbone with a scuffed band-aid at the edge. Freckles scatter across her nose and the tops of her cheeks, standing out against flushed skin. She wears a white and blue sports bra whose hem is darkened with sweat, the blue trim running in two bands across the front; both fists are inside heavy boxing gloves—the left one hanging at her thigh, the right one lifted just enough to hook the middle rope for balance, the leather cracked and dull. The ring is old and dirty: the canvas beneath her is stained and littered with discarded paper cups and a dark smear of old blood, the turnbuckle pad is split and taped, and the ropes are mottled with grime. Beyond and below the ring, the bar is packed—rows of silhouetted figures in the smoky dark, mouths open in a roar, and a shower of folded bills and loose cash is caught mid-air above their heads, tumbling down toward the canvas, some notes just landing on the nearest rope where she leans. The only light comes from a single harsh overhead ring lamp that punches a hot circle onto her and the corner post, leaving everything past the ropes in deep amber-black murk; the light rakes her left side, throws her cheekbone into relief, and leaves her right eye in shadow, while the flying bills catch brief white glints as they fall. The palette is locked to sweat-sheened skin tones, the white and blue of the bra, and the amber bar darkness, warmed throughout. The detail budget is spent on her face, the sweat and bruising, the grip of the gloved hand on the rope, and the physical sag of her shoulders. Quietly brutal, spent.
faitan
AI artwork
f
1girl, solo, adult woman, black hair, hime cut, long straight side locks framing the face, high ponytail, golden eyes, freckles, exhausted, tired, beaten up, bruise on cheekbone, split lip, sweat, heavy-lidded eyes, half-closed eyes, white and black sports bra, boxing gloves, boxing ring, old dirty boxing ring, leaning at turnbuckle, turnbuckle, standing, only upper body, upper body, cowboy shot, from below, looking down, crowd, cheering, throwing money, cash, bar, dim bar interior, warm haze, close-up, The camera sits low inside the ring apron, tilted up from below so the corner post rises past the left edge of frame; only the upper body is in shot, framed from the waist up with the crop cutting at the ribs, and the woman stands leaning into the near turnbuckle, her right forearm and the padded red turnbuckle cover taking her weight while her left glove hangs low and loose at her hip line, one hip cocked against the post so the ropes press a shallow line into her flank. Black hair is cut in a blunt hime style with two long straight side locks falling past her jaw, the rest pulled back into a high ponytail whose tail has come half loose and sticks to the sweat at her neck; a strand of it lies across her damp forehead. Her golden eyes are heavy, lids half-shut, gazing down and out past the ropes toward the shouting floor, not at the viewer, and her chin is lifted slightly by the exhaustion of holding her head up. Freckles scatter across her nose and cheekbones over skin that is flushed red at the cheeks and shoulders; a bruise darkens high on her right cheekbone and her lower lip is split and swollen, dried blood at the corner of the mouth, a smear of it tacked across one shoulder. The sports bra is white and black — black side panels and a black underband, white front panel darkened with sweat and a coin-sized red blot at the ribs — and her boxing gloves are worn, cracked and dusty, laces slack at the wrists. Below the crop, the ring canvas falls away out of frame. The ring is old and dirty: the canvas floor stained and scuffed, the turnbuckle pad split and taped, ropes frayed and slack with dust and old rosin, the ropes running in four parallel lines that converge toward the frame's right edge under perspective. Beyond and below the ropes, the bar crowds in out of focus — sweating bottles racked on backlit shelves, a hanging bulb, cigarette haze. A ring of spectators presses at the apron, mouths open mid-shout, and bills and coins arc through the air toward the canvas, banknotes curled and caught in the ring light, some bills caught in the lower ropes and fluttering against the mesh; one note is stuck flat to the sweat of the woman's shoulder. Light comes from the single ring bulb directly above, hard and warm, striping the top of her head, the bridge of her nose and the tops of her shoulders while the underside of her jaw, the hollows of her eyes and the inside of the ring ropes fall into deep shadow; her cast shadow drops straight down onto the canvas between her boots. Palette is limited to sweat-shined skin, black hair and black panel trim, the white of the bra and canvas, bruised red-violet, and the amber haze of the bar beyond the ropes. Exhausted, hollowed-out, stubborn.
faitan
AI artwork
f
1girl, solo, adult woman, black hair, hime cut, ponytail, golden eyes, freckles, white and blue sports bra, boxing gloves, old dirty boxing ring, turnbuckle, standing, exhausted, beaten up, looking tired, crowd cheering, throwing money, bar, cowboy shot, only upper body, from below, dutch angle, looking down, half-closed eyes, parted lips, bruise on cheek, band-aid on cheek, sweat, messy hair, strands over face, leaning back against turnbuckle, upper body only, crowd silhouettes, money in air, dim bar interior, warm amber light, high contrast, cinematic Shot from a low dutch angle in a cowboy framing that cuts off at the waist, an adult woman stands with her back pressed flat against the padded turnbuckle of an old, grimy boxing ring; the ropes cross in front of her shoulders and her spine is arched slightly away from the post under her own exhausted weight. Her black hair is a hime cut gone loose: blunt bangs stuck to a sweat-slicked forehead, long side locks plastered to her cheeks, and the high ponytail pulled back at the crown has frayed into wet strands that swing forward over her left shoulder. Her golden eyes are half-lidded, looking down and out toward the floor past the bottom rope, not at the camera; the whites are faintly pink, her lips are parted with a slow ragged breath, and a bruise darkens her right cheekbone with a scuffed band-aid at the edge. Freckles scatter across her nose and the tops of her cheeks, standing out against flushed skin. She wears a white and blue sports bra whose hem is darkened with sweat, the blue trim running in two bands across the front; both fists are inside heavy boxing gloves—the left one hanging at her thigh, the right one lifted just enough to hook the middle rope for balance, the leather cracked and dull. The ring is old and dirty: the canvas beneath her is stained and littered with discarded paper cups and a dark smear of old blood, the turnbuckle pad is split and taped, and the ropes are mottled with grime. Beyond and below the ring, the bar is packed—rows of silhouetted figures in the smoky dark, mouths open in a roar, and a shower of folded bills and loose cash is caught mid-air above their heads, tumbling down toward the canvas, some notes just landing on the nearest rope where she leans. The only light comes from a single harsh overhead ring lamp that punches a hot circle onto her and the corner post, leaving everything past the ropes in deep amber-black murk; the light rakes her left side, throws her cheekbone into relief, and leaves her right eye in shadow, while the flying bills catch brief white glints as they fall. The palette is locked to sweat-sheened skin tones, the white and blue of the bra, and the amber bar darkness, warmed throughout. The detail budget is spent on her face, the sweat and bruising, the grip of the gloved hand on the rope, and the physical sag of her shoulders. Quietly brutal, spent.
faitan

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