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息耐者カール

Arte de IA de 息耐者カール en PixAI. Creado con Tsubaki.3 Flash.

息

息耐者カール

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3girls, 1boy, male focus, polygamy, hetero, triangular formation, man in center, two brides flanking him, kissing cheek, cheek kiss, double cheek kiss, two girls kissing simultaneously, bride, wedding dress, bridal veil, white dress, strapless dress, cleavage, large breasts, heart-shaped pupils, heart in eye, :heart:, in love, flushed cheeks, half-closed eyes, blissful, head tilted back, closed eye, faint smile, glossy lips, heart-shaped light frame, glowing heart border, floating hearts, heart motif, sparkling, open mouth, looking at viewer, from front, upper body, cowboy shot, close-up, warm rim light, cel shading, sharp ink-like linework, high contrast, limited palette, crisp edges, dramatic, romantic A tight frontal group composition, camera slightly from below, framing the three figures from the waist up. The man stands dead center, a broad-shouldered adult in a dark formal suit with an open collar; his head tips back, jaw slack in bliss, both eyes wide open with the pupils drawn as clean bright-red hearts, a visible flush across his nose and cheekbones, faint smile at the corners of his mouth. To his left a bride in a white strapless gown leans in with her head tilted, lips pressed to his left cheek, her long veil sweeping back off her shoulders, the swell of her cleavage clear above the dress's neckline; to his right a second bride in a matching strapless white gown presses her lips to his right cheek, her eyes shut, one hand braced flat against his far shoulder, her own veil trailing behind her. Contact is explicit and even: both women's mouths are flattened against his cheeks, both his hands hang loose at his sides, and the pressure dents the skin of his cheeks slightly. Both brides' heads angle inward toward the man, and his heart-pupiled gaze is directed off to the side over the left bride's shoulder rather than at the camera. A soft heart-shaped frame of glowing light encircles the trio, its curve passing behind their shoulders and closing above their heads, drawn as a luminous ribbon of pale pink light with a brighter core and a soft bloom. Small pink and red hearts float around them at varying depths, some thick and blurred in the foreground, some tiny and sharp against the background; a shallow depth of field keeps them soft. The background is a dark, uncluttered field lit only by the heart frame's glow, which throws warm pink highlights on the brides' cheekbones, the man's throat, and the tops of the gowns, with deeper shade falling around their jawlines and the outer edges of the composition. The palette is restricted to white, hot pink, crimson heart-red, and near-black shadow, with the man's dark suit anchoring the center. The veils' translucent fabric catches the rim light and goes faintly pink where it crosses the glow. Sharp ink-like linework, crisp cel-shaded edges, and high-contrast shading build the drama; the mood is giddy, ridiculous infatuation.
Mostrar parámetros
Modo
flash
Estilo
Tinta precisa
Tamaño
1632 x 1232
Estilo: Tinta precisa

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.18k

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AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, man in the center, two brides flanking him, kiss on both cheeks, simultaneous cheek kiss, heart-shaped eyes, heart-shaped pupils, cleavage, deep plunging neckline, white satin bridal gown, bridal veil, bouquet, heart-shaped light frame, glowing heart-shaped border of light, upper body, cowboy shot, facing viewer, from front, head tilt, eyes closed, blush, smile, glossy skin, clean linework, soft shading, warm palette, romantic comedy mood. A front-facing cowboy shot with the man dead center, framed from mid-thigh up: he is a lean young man in his twenties in a dark formal suit, a white dress shirt unbuttoned at the collar and a loosened tie, his shoulders loose and slightly lifted, chin tipped back and up as his head tilts toward the ceiling in bliss. His eyes are the picture's joke and its focal point — the pupils have become two perfectly symmetrical glowing pink hearts, and the hearts are the brightest thing on his face, catching a wet bright highlight along their upper lobes. His mouth is open in a dopey, delighted grin, and a soft blush sits high on both cheeks where the brides' lips press. Between them the two brides lean in from left and right, each angled toward him at nearly the same tilt so the composition reads as a symmetrical pair: each wears a white satin bridal gown with a deep plunging neckline that bares the chest and reveals cleavage, the satin catching a broad soft sheen along the breast and shoulder curves, a pale veil falling behind the shoulders and a small bouquet held low and out of the way in one hand each. Each bride's eyes are closed in a serene kiss, lashes lying against the cheek, lips pressed to the man's cheek at the exact spot where the blush blooms, and each has one hand resting on his far shoulder while the near hand holds her bouquet — four named contact points, cheek against cheek, palm against shoulder, two of them left and two right. The brides' hair spills forward in the lean, one dark and one light, and the veils sway back away from the motion. All three faces catch the same warm key light from slightly above and in front, which lays a soft sheen on skin, satin and lip gloss; the background behind them is a seamless, gentle warm-pink studio sweep, and around all three figures a heart-shaped frame drawn entirely in glowing light arcs through the air, a luminous pink outline with brighter sparkles at the top cleft and the bottom point, its glow softly bleeding onto the edges of the veils and onto the man's shoulder. Only that light frame and the key light illuminate them; beyond the heart outline the pink sweep falls away into a dimmer, softer wash. Colours are limited to warm pink, cream white, white satin and the man's charcoal suit, with his red tie as the one saturated accent. The three hearts in his eyes are perfectly identical in size, and the specular highlights inside them sit on the same upper-left point in both. Bright, silly, adoring.
息耐者カール
AI artwork
息
heart-shaped pupils, heart background, floating hearts, glowing hearts, love, 3girls? no — 1boy, 2girls, bride, bridal veil, wedding dress, white dress, kiss, cheek kiss, kissing both cheeks, two brides kissing one man's cheeks simultaneously, man sandwiched between two women, heart-shaped light frame, glowing heart-shaped aperture framing the group, cleavage, large breasts, bare shoulders, collarbone, arms linked, eyes closed, blush, smile, open mouth, from below, close-up, dutch angle, looking at viewer, romantic atmosphere, high contrast, sharp linework, bold outlines, dramatic shading, limited palette, pink and deep magenta and cream white and black, glowing particles, lens flare, sparkles, cinematic lighting. Three figures fill the frame in a tight, low-angle close-up shot tilted on a slight dutch angle: a young man stands at the exact center, his shoulders squared but his weight sagging back on his heels as he is caught between two brides. On his left, a bride with long wavy chestnut hair spilling over her shoulder leans in with her lips pressed flat to his left cheek, one hand braced on his far shoulder, her white veil swept back by the motion. On his right, a second bride with a short pale blonde bob and a sheer tulle veil tucked behind one ear presses her lips to his right cheek, her fingers curled around his near forearm. Both brides have their eyes closed, lashes dark on flushed cheeks, mouths curved against his skin. The man's eyes are wide open and rendered as two glossy heart-shaped irises with pointed lobes, glowing hot pink, no other pupil visible; his brows lift high and his mouth hangs slightly open in a stunned, dopey grin. His head is tipped back slightly from the pressure of the two kisses. The brides wear strapless white gowns with sweetheart necklines; their bare shoulders and collarbones catch the light. The bride on the left has a deep neckline showing a clear line of cleavage pressed forward as she leans in, the fabric taut across her chest. Both brides' arms link behind the man's back, elbows bent, hands gripping his shoulders. Around the three of them a heart-shaped frame of glowing light encloses the group: a luminous pink-white outline shaped like a heart, thick and bright at the top point and tapering at the bottom, casting a soft rim light on the brides' hair and the man's shoulders. Inside it, particles of light hang in the air. Outside it, a dozen small hearts float in the surrounding space — some crisp and solid pink, some soft and translucent, of varied sizes, drifting up and outward. Light source: a single bright pink-white glow from the heart-shaped frame, backlighting the trio and rimming their hair and shoulders with a hot pink edge; the fronts of their faces are lit by a softer warm fill, casting gentle shadows under chin and jaw. Palette is tightly limited: deep magenta-pink, cream white, and near-black shadows, with the glowing pink light as accent. Bold ink-like outlines, crisp cel-shaded shadows, high contrast. A faint blush glow spreads across the brides' cheeks and the man's ears where the kisses land. Romantic, euphoric, over-the-top.
息耐者カール
AI artwork
息
3girls, 1boy, male focus, center, heart-shaped pupils, heart-shaped eyes, two brides, kiss on cheek, kissing both cheeks, double cheek kiss, cheek-to-cheek, closed eyes, blush, smile, wedding dress, bridal veil, sleeveless dress, cleavage, large breasts, visible breast cleavage, heart frame, glowing frame, heart-shaped light frame, floating hearts, hearts, heart background, bokeh, from above, upper body, portrait, dutch angle, looking at viewer, arms up, head tilt, luminous highlights, impasto brushwork, dramatic rim light, muted rich palette The camera looks slightly down from above in a gentle dutch tilt, framing the three of them as a tight upper-body portrait. A broad-shouldered man stands at the exact centre, chin lifted, shoulders drawn back, one hand rising loosely toward his collar while the other hangs half-curled at his side; his head is tilted just a few degrees to his right, and his eyes are two glossy pink hearts, fully formed, the pointed lobes catching the light so they read as bright cut-out shapes rather than painted irises. To his left a bride leans in with her hip cocked and her weight on her back foot, one hand braced flat against his far shoulder to steady herself, her lips pressed and slightly puckered against his left cheek, her own eyes squeezed shut and her brow softly furrowed with the effort of the kiss. To his right the second bride mirrors her with a different weighting — she rises onto the ball of her front foot, one hand cupping the underside of his jaw so his cheek meets her mouth — lips pressed to his right cheek, eyes half-lidded and watching his face from the corner rather than closing. Both brides' lips visibly compress his cheeks, denting the skin in shallow cushions, and both of his cheeks flush warm under them; a faint red print of pressure lingers where the mouths meet. Each bride wears a strapless white bridal gown with a fitted bodice, a short tulle veil pinned high at the back of her head, and bare shoulders; the bodice necklines are cut low and open, and the view from slightly above looks straight down into the deep valley of each bride's cleavage, where the fabric's upper edge presses into soft skin and a thin shadow collects between the breasts. No jewellery anywhere — every earlobe is bare, no necklace crosses either throat, no rings on any hand. The man wears an open-collared dark formal shirt with the top buttons undone, sleeves rolled to the forearm. The whole group sits inside a heart-shaped frame of light: a continuous luminous heart outline encircling the three of them, drawn in the air, its glow brightest at the two upper lobes and tapering to a point at the bottom centre, just below the man's chest. Beyond the glow the background is a seamless, deep rose-magenta field sinking into shadow at the corners; scattered hearts of every size float through that space — some crisp and small, some fat and close to the lens where they go softly out of focus, tumbling as if rising on a warm updraught, a few overlapping the heart frame's glowing line and catching its light. The key light is a single soft source from the upper left, warm in tone; it lays luminous highlights along the man's cheekbones, the brides' shoulders and the wet curve of their lips, throws soft highlights into the cleavage shadows, and lets the lower right of the composition fall into deeper muted darkness — the heart frame's glow adds its own pink spill onto the nearest edges of their profiles and the veils' tulle, which stays translucent where the light passes through it. Palette: muted ivory and dusty white for the gowns, deep wine and rose-magenta ground, a concentrated hot pink reserved for the man's heart eyes and for the frame of light, nothing else admitted. Thick, impasto-like strokes build the highlights and the close faces while the grounds stay broad and soft; textures are weighted so the veils' mesh, the bodice fabric and the slick shine of the heart eyes each read distinctly. Behind the heart frame the magenta air is thick and glowing, atmosphere hazy with bokeh. Lush, tender, unashamedly romantic.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, man in the center, two brides flanking him, kiss on both cheeks, simultaneous cheek kiss, heart-shaped eyes, heart-shaped pupils, cleavage, deep plunging neckline, white satin bridal gown, bridal veil, bouquet, heart-shaped light frame, glowing heart-shaped border of light, upper body, cowboy shot, facing viewer, from front, head tilt, eyes closed, blush, smile, glossy skin, clean linework, soft shading, warm palette, romantic comedy mood. A front-facing cowboy shot with the man dead center, framed from mid-thigh up: he is a lean young man in his twenties in a dark formal suit, a white dress shirt unbuttoned at the collar and a loosened tie, his shoulders loose and slightly lifted, chin tipped back and up as his head tilts toward the ceiling in bliss. His eyes are the picture's joke and its focal point — the pupils have become two perfectly symmetrical glowing pink hearts, and the hearts are the brightest thing on his face, catching a wet bright highlight along their upper lobes. His mouth is open in a dopey, delighted grin, and a soft blush sits high on both cheeks where the brides' lips press. Between them the two brides lean in from left and right, each angled toward him at nearly the same tilt so the composition reads as a symmetrical pair: each wears a white satin bridal gown with a deep plunging neckline that bares the chest and reveals cleavage, the satin catching a broad soft sheen along the breast and shoulder curves, a pale veil falling behind the shoulders and a small bouquet held low and out of the way in one hand each. Each bride's eyes are closed in a serene kiss, lashes lying against the cheek, lips pressed to the man's cheek at the exact spot where the blush blooms, and each has one hand resting on his far shoulder while the near hand holds her bouquet — four named contact points, cheek against cheek, palm against shoulder, two of them left and two right. The brides' hair spills forward in the lean, one dark and one light, and the veils sway back away from the motion. All three faces catch the same warm key light from slightly above and in front, which lays a soft sheen on skin, satin and lip gloss; the background behind them is a seamless, gentle warm-pink studio sweep, and around all three figures a heart-shaped frame drawn entirely in glowing light arcs through the air, a luminous pink outline with brighter sparkles at the top cleft and the bottom point, its glow softly bleeding onto the edges of the veils and onto the man's shoulder. Only that light frame and the key light illuminate them; beyond the heart outline the pink sweep falls away into a dimmer, softer wash. Colours are limited to warm pink, cream white, white satin and the man's charcoal suit, with his red tie as the one saturated accent. The three hearts in his eyes are perfectly identical in size, and the specular highlights inside them sit on the same upper-left point in both. Bright, silly, adoring.
息耐者カール
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4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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