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默默-joker

Arte de IA de 默默-joker en PixAI. Creado con Tsubaki.3 Flash.

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1girl, solo, lying, lying on stomach, prone, face down, on bed, torso twist, head turned to viewer, chin up, looking at viewer, eye contact, blush, open mouth, fang, single fang, one arm stretched out, arm extended, both legs up, legs raised, crossed legs, crossed ankles, one calf over the other, sole up, foot sole facing viewer, other foot pointed down, toes, dark brown pantyhose, sheer legwear, diamond pattern, patterned pantyhose, black maid dress, white frilled collar, red necktie, white stitch pattern, white apron, frilled apron, black miniskirt, white hem, long black sleeves, white maid bonnet, four silver ornaments, white X hair clips, hair ornaments, white bedding, bed, round cushion, two-tone cushion, high angle, from above, three-quarter view, full body, head in upper left, diagonal composition, bent over, arched back, short dark hair, bob cut, red eyes, small build, The camera looks steeply down from above at a high angle, three-quarter to the body: the girl's head sits in the upper left of the frame with her face lifted toward the lens, chin raised off the sheets, and her body runs as a long diagonal down to the lower right, where her hips turn under the black miniskirt and her raised legs climb back toward the middle of the frame. She is one girl alone on white bedding: crisp white sheets beneath her, faintly creased around her hips and shoulder, a two-tone round cushion -- pale cream disc behind a darker rim -- tucked behind her legs at the lower right. She lies face down, chest and belly pressed flat to the mattress, one arm stretched out along the sheet past her head to the left edge of the frame, palm flat, fingers splayed; the other arm is folded beneath her shoulder, half hidden by the twist of her torso. Her torso twists so the front of the black maid dress opens toward the ceiling: the white frilled collar sits at her throat, the red necktie hangs loose from it and lies flat on the sheet, the white stitch pattern on the chest visible as fine pale stitching across the bodice, the white frilled apron spread and rumpled over the black skirt, the black miniskirt with its clean white hem riding high over her hips. Long black sleeves cover both arms down to the wrists. Her legs are raised behind her, knees bent, and crossed with one calf laid over the other. The upper foot turns its sole square to the lens -- toes flexed, the ball of the foot and the pale curve of heel pressing through the dark brown sheer pantyhose so the fabric stretches thin and shows the crease lines of skin at the ball of the foot and the knuckles of the toes; the dark diamond pattern of the pantyhose stripes across the thighs where the mesh pulls taut over bent muscle, and softens into a haze where the fabric sags under the knee. The other foot hangs lower, angled down, toes pointed toward the mattress, the sheer dark fabric drawn tight over its arches, the toes readable as darker shapes inside the mesh. Her head is turned toward the viewer and lifted: white frilled maid bonnet pinned to her dark bob, four silver pointed ornaments catching the light along the bonnet's crown, two white X-shaped hair clips set just above one temple. Her mouth is open in a small delighted breath, one little fang showing at the corner of her lip, cheeks flushed with warm blush that reaches the tops of her ears; her dark lashes lift and she looks straight into the lens. Light falls from a soft window above and behind the camera to the upper right: it grazes the top of the bonnet, the uplifted ridge of her cheek, the stretched sole in the foreground and the crown of the raised calf, while the shadow pools under her chin, beneath the apron's fold, and in the long hollow between her body and the sheet -- the sheet's wrinkles throw faint short shadows along their uphill sides. Palette: warm off-white sheets and cream cushion, the deep black of the dress reading as blue-black where the light skims it, one saturated red at the necktie and the girl's blush, and the brown translucency of the pantyhose over skin everywhere below the hips -- nothing else admitted. Hair and skirt hem settle and cling to the sheet under gravity; the raised leg's fabric is pulled perfectly tight across the sole and bunches loosely at the ankle -- the same mesh stretched to a gleam at the foot, drifting into shadow at the thigh -- playful and warm.
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Prompt original
lying face down, torso twisted, head turned to the viewer, chin lifted, one arm stretched on the bed, both legs raised and crossed, one calf over the other, one sole facing the lens, skin creases visible through the sheer fabric, the other foot angled down, toes visible through the sheer fabric, high angle, from above, three-quarter, head in the upper left of the frame, body diagonal, full body, dark brown sheer pantyhose over hips to toes, dark diamond pattern on the thighs, black maid dress, white frilled collar, red necktie, white stitch pattern on the chest, white frilled apron, black miniskirt with white hem, long black sleeves, white frilled maid bonnet with four silver pointed ornaments, white X-shaped hair clips, white bedding, two-tone round cushion behind the legs, mouth open, small fang visible, looking at viewer, blushing
Modo
flash
Tamaño
1104 x 1824
Asistente de prompts

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AI artwork
Avatar image of 默默-joker
1girl, solo, lying, lying on stomach, face down, on bed, torso twist, head turned to viewer, chin up, looking at viewer, mouth open, fang, blush, one arm extended, outstretched arm, legs up, calves crossed, crossed ankles, one leg raised, foot focus, soles, toes, full body, three-quarter view, from above, high angle, dutch angle, diagonal composition, black maid dress, white frilled collar, red necktie, white embroidery on chest, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, four silver pointed ornaments, white X hair clips, dark brown pantyhose, sheer pantyhose, diamond pattern, white bedding, round cushion, two-tone cushion, A high-angle three-quarter view looking down onto a bed, the camera tilted so the whole frame runs on a diagonal: her head lands in the upper left, her body falling away toward the lower right, the full figure inside the frame from bonnet to soles. She lies face down on white bedding, chest and belly pressed into the sheet, her torso twisted at the waist so the shoulders turn back up toward the lens. Her chin is lifted clear of the mattress, head turned to the viewer, eyes locked on the lens, cheeks flushed red, mouth open with the small fang catching on the lower lip. Her right arm is stretched flat along the bed toward the upper-left corner, palm down, fingers loose and sinking slightly into the sheet, the black sleeve wrinkled at the elbow. Both legs are raised off the mattress behind her, knees bent, calves crossed with the left calf laid over the right; the right foot turns its sole up toward the lens, toes compressed into the fabric, while the left foot angles down past the edge of the skirt with its toes visible pressing through the sheer. The dark brown sheer pantyhose runs unbroken from the hips to the toes, so the white skin blurs through it, faint horizontal creases gathering behind the knees and at the ankles where the fabric pulls taut, and the dark diamond lattice sits on the thighs where the weave is stretched widest. The black maid dress bunches at the twisted waist; the white frilled collar sits at her throat with the red necktie knotted beneath it and the white stitch pattern tracing the chest of the bodice; the white frilled apron spills across the bedding under her hips; the black miniskirt with its white hem flips up over the raised legs. The white frilled bonnet straps under her chin, its four silver pointed ornaments standing up off the crown, and the white X-shaped clips pin her hair flat at one temple. Behind her raised legs, at the far edge of the sheet, a round two-tone cushion rests half-sunk in the bedding. Light comes from a soft window high at the upper left, the only source: it rakes the crown of the bonnet and her lifted face, skims the top of the raised calf and the upturned sole, and throws a short soft shadow of her crossed ankles down onto the sheet; the underside of her twisted torso and the far side of the cushion hold the deepest tone. Palette: white bedding and white frills against black dress and dark brown hosiery, one saturated red at the necktie, cool silver on the bonnet ornaments. The sheet dips where her hips and elbow press into it. Playful, inviting.
默默-joker
AI artwork
Avatar image of 默默-joker
1girl, solo, lying, lying on stomach, face down, on bed, torso twist, head turned to viewer, chin up, looking at viewer, mouth open, fang, blush, one arm extended, outstretched arm, legs up, calves crossed, crossed ankles, one leg raised, foot focus, soles, toes, full body, three-quarter view, from above, high angle, dutch angle, diagonal composition, black maid dress, white frilled collar, red necktie, white embroidery on chest, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, four silver pointed ornaments, white X hair clips, dark brown pantyhose, sheer pantyhose, diamond pattern, white bedding, round cushion, two-tone cushion, A high-angle three-quarter view looking down onto a bed, the camera tilted so the whole frame runs on a diagonal: her head lands in the upper left, her body falling away toward the lower right, the full figure inside the frame from bonnet to soles. She lies face down on white bedding, chest and belly pressed into the sheet, her torso twisted at the waist so the shoulders turn back up toward the lens. Her chin is lifted clear of the mattress, head turned to the viewer, eyes locked on the lens, cheeks flushed red, mouth open with the small fang catching on the lower lip. Her right arm is stretched flat along the bed toward the upper-left corner, palm down, fingers loose and sinking slightly into the sheet, the black sleeve wrinkled at the elbow. Both legs are raised off the mattress behind her, knees bent, calves crossed with the left calf laid over the right; the right foot turns its sole up toward the lens, toes compressed into the fabric, while the left foot angles down past the edge of the skirt with its toes visible pressing through the sheer. The dark brown sheer pantyhose runs unbroken from the hips to the toes, so the white skin blurs through it, faint horizontal creases gathering behind the knees and at the ankles where the fabric pulls taut, and the dark diamond lattice sits on the thighs where the weave is stretched widest. The black maid dress bunches at the twisted waist; the white frilled collar sits at her throat with the red necktie knotted beneath it and the white stitch pattern tracing the chest of the bodice; the white frilled apron spills across the bedding under her hips; the black miniskirt with its white hem flips up over the raised legs. The white frilled bonnet straps under her chin, its four silver pointed ornaments standing up off the crown, and the white X-shaped clips pin her hair flat at one temple. Behind her raised legs, at the far edge of the sheet, a round two-tone cushion rests half-sunk in the bedding. Light comes from a soft window high at the upper left, the only source: it rakes the crown of the bonnet and her lifted face, skims the top of the raised calf and the upturned sole, and throws a short soft shadow of her crossed ankles down onto the sheet; the underside of her twisted torso and the far side of the cushion hold the deepest tone. Palette: white bedding and white frills against black dress and dark brown hosiery, one saturated red at the necktie, cool silver on the bonnet ornaments. The sheet dips where her hips and elbow press into it. Playful, inviting.
默默-joker
AI artwork
Avatar image of 默默-joker
1girl, solo, lying, lying on stomach, face down, on bed, torso twist, head turned to viewer, chin up, looking at viewer, mouth open, fang, blush, one arm extended, outstretched arm, legs up, calves crossed, crossed ankles, one leg raised, foot focus, soles, toes, full body, three-quarter view, from above, high angle, dutch angle, diagonal composition, black maid dress, white frilled collar, red necktie, white embroidery on chest, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, four silver pointed ornaments, white X hair clips, dark brown pantyhose, sheer pantyhose, diamond pattern, white bedding, round cushion, two-tone cushion, A high-angle three-quarter view looking down onto a bed, the camera tilted so the whole frame runs on a diagonal: her head lands in the upper left, her body falling away toward the lower right, the full figure inside the frame from bonnet to soles. She lies face down on white bedding, chest and belly pressed into the sheet, her torso twisted at the waist so the shoulders turn back up toward the lens. Her chin is lifted clear of the mattress, head turned to the viewer, eyes locked on the lens, cheeks flushed red, mouth open with the small fang catching on the lower lip. Her right arm is stretched flat along the bed toward the upper-left corner, palm down, fingers loose and sinking slightly into the sheet, the black sleeve wrinkled at the elbow. Both legs are raised off the mattress behind her, knees bent, calves crossed with the left calf laid over the right; the right foot turns its sole up toward the lens, toes compressed into the fabric, while the left foot angles down past the edge of the skirt with its toes visible pressing through the sheer. The dark brown sheer pantyhose runs unbroken from the hips to the toes, so the white skin blurs through it, faint horizontal creases gathering behind the knees and at the ankles where the fabric pulls taut, and the dark diamond lattice sits on the thighs where the weave is stretched widest. The black maid dress bunches at the twisted waist; the white frilled collar sits at her throat with the red necktie knotted beneath it and the white stitch pattern tracing the chest of the bodice; the white frilled apron spills across the bedding under her hips; the black miniskirt with its white hem flips up over the raised legs. The white frilled bonnet straps under her chin, its four silver pointed ornaments standing up off the crown, and the white X-shaped clips pin her hair flat at one temple. Behind her raised legs, at the far edge of the sheet, a round two-tone cushion rests half-sunk in the bedding. Light comes from a soft window high at the upper left, the only source: it rakes the crown of the bonnet and her lifted face, skims the top of the raised calf and the upturned sole, and throws a short soft shadow of her crossed ankles down onto the sheet; the underside of her twisted torso and the far side of the cushion hold the deepest tone. Palette: white bedding and white frills against black dress and dark brown hosiery, one saturated red at the necktie, cool silver on the bonnet ornaments. The sheet dips where her hips and elbow press into it. Playful, inviting.
默默-joker

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