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David Ozoria

Arte de IA de David Ozoria en PixAI. Creado con Tsubaki.3 Flash.

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David Ozoria

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1girl, 1boy, 2girls, no humans, tall female, gigantic breasts, giant thighs, chubby, plump belly, white shirt, violet miniskirt, violet cow ears, violet cow tail, pink eyes, extremely tall, height difference, 2-year-old boy, short child, girl looking at boy, curiosity, boy holding girl's hand, holding hands, innocent face, adorable expression, beautiful woman, barn interior, from below, low angle, full body, cowboy shot, looking down, looking at another, standing, warm light, dust motes, straw, wooden beams, hay bales, depth of field, soft light, tender From a low camera angle near the barn floor, the frame looks up at a very tall girl and down at a small boy standing just in front of her. The girl fills the left and center of the frame, her head near the top edge, her body a soft towering presence marked by gigantic breasts that pull the white shirt taut across the chest, a rounded plump belly that swells gently beneath the fabric, and giant thighs that press against the hem of the violet miniskirt. Her white shirt is tucked loosely into the skirt, sleeves rolled to the elbow, the cloth bunching at the curve of her waist. Violet cow ears rise from her hair, matching the violet tail that curls behind her hips, its tuft swaying near the skirt hem. Her face is turned downward toward the boy, pink eyes wide and soft with curiosity, her expression innocent and adorable, lips slightly parted as if about to speak. Her long hair falls forward over one shoulder as she leans slightly, and the barn's warm light catches the side of her face and the crown of her head. The boy stands in the lower right foreground, his small body barely reaching the girl's knee, his head tilted back to look up at her. His tiny hand is wrapped around the fingers of the girl's left hand, which she holds low and steady for him, her other arm relaxed at her side. His feet are planted on the straw-strewn barn floor, and his free hand hovers near his chest. The girl's left hand and the boy's small grip are the point where the two figures connect, and both their gazes meet there and then rise to each other's faces. The barn interior surrounds them: rough wooden beams, a high loft edge, stacked hay bales along the back wall, and a wide plank floor scattered with loose straw. Warm afternoon light slants in through gaps in the board walls and a high window, casting a broad shaft across the floor between the two figures, with dust motes drifting visibly in the beam. The light source is the barn's openings; the shadowed corners are deep and warm-toned. The palette rests on the white of the shirt, the violet of the skirt, ears and tail, the warm ochre of straw and timber, and the soft pink of the girl's eyes, with the boy's small form in muted earth tones. The scale contrast between the towering girl and the tiny boy is the image's center, framed by the barn's rough geometry. Tender.
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Prompt original
Una chica con tetas demasiado gigantes, muslos gigantes, pansita rellenita, tenga una camisita blanca,una mini falda,pero violeta,orejas y cola de vaca violeta,ojos rosa,la chica se vería super alta como 2.70,alante de ella estaría un niño de 2 años que mira 87 cm,la chica mira al niño con curiosidad mientras el niño le entiende la mano izquierda,la chica se ve hermosa,la cara de la chica es inocente y adorable, lugar un granero
Modo
flash
Tamaño
1408 x 1408
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.17k

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1girl, 1boy, tall female, height difference, giantess, huge breasts, gigantic breasts, thick thighs, giant thighs, plump belly, slightly chubby, white shirt, miniskirt, violet skirt, animal ears, cow ears, violet ears, cow tail, violet tail, pink eyes, beautiful face, innocent face, adorable expression, curious expression, looking at another, sitting, kneeling, leaning forward, holding hands, hand-holding, child, toddler, 2-year-old boy, from side, low angle, cowboy shot, barn, wooden interior, hay, warm sunlight, sunbeam, dust motes, depth of field The camera sits low and off to her right in a three-quarter side view, tilted up so the barn's dark roof beams rake across the top of the frame while the two figures hold the lower half; the framing is a cowboy shot that keeps her head, hands and knees in view and lets the boy stand small and complete at the bottom edge. She sits on a low bale of straw at the left of frame, hips shifted back and weight carried on her right hip, left leg folded under her and right knee drawn up high with the boot sole flat on the packed dirt floor; her spine leans forward and her shoulders round down toward the child so the enormous mass of her chest hangs forward and rests heavily against her folded right thigh, the white shirt stretched taut over it with the sleeve cuffs shoved to the elbows. Her left arm comes down the full length of her body, elbow nearly straight, and her hand closes gently around the boy's small hand at the height of her own knee — his fingers wrapped inside her palm, his chubby arm angled up, his feet planted together on the dirt while he stands just in front of her. Her right hand rests flat on the straw beside her hip, fingers spread and pressing a shallow dent into the loose stalks. A violet miniskirt bunches and creases where her huge thighs press together, the hem riding high and the fabric pulled tight over the soft fullness of her belly above it, and a violet cow tail slips out from behind the skirt to curl in a lazy S down across the straw, tuft brushing the ground. Violet cow ears poke up through her pale hair and one of them angles toward the child, swiveling in his direction. She tips her chin down and looks at the boy with wide, curious pink eyes, brows lifted, mouth softly open in a wondering little O; the boy tips his head back and looks straight up into her face, mouth open, unafraid. Sunlight slants in through a gap between the barn boards high on the right, laying a warm diagonal shaft across her shoulder, the boy's crown and the chipped floor, and the rest of the barn falls away into cool brown shadow — dust turns slowly inside the beam, and where the light ends the straw goes almost black. The palette stays narrow: bleached white cotton, strong violet in the skirt and the animal parts, warm ochre straw and timber, cool grey-brown shade, and her pale pink eyes as the one bright point at the center of the beam. Her size is carried by the physical evidence rather than the label — the boy's whole body is barely taller than her forearm, and one of her hands covers both of his. Her face is gentle, round-cheeked and unguarded; the whole picture is warm and tender.
David Ozoria
AI artwork
do
1girl, 1boy, tall female, height difference, giantess, huge breasts, gigantic breasts, thick thighs, giant thighs, plump belly, slightly chubby, white shirt, miniskirt, violet skirt, animal ears, cow ears, violet ears, cow tail, violet tail, pink eyes, beautiful face, innocent face, adorable expression, curious expression, looking at another, sitting, kneeling, leaning forward, holding hands, hand-holding, child, toddler, 2-year-old boy, from side, low angle, cowboy shot, barn, wooden interior, hay, warm sunlight, sunbeam, dust motes, depth of field The camera sits low and off to her right in a three-quarter side view, tilted up so the barn's dark roof beams rake across the top of the frame while the two figures hold the lower half; the framing is a cowboy shot that keeps her head, hands and knees in view and lets the boy stand small and complete at the bottom edge. She sits on a low bale of straw at the left of frame, hips shifted back and weight carried on her right hip, left leg folded under her and right knee drawn up high with the boot sole flat on the packed dirt floor; her spine leans forward and her shoulders round down toward the child so the enormous mass of her chest hangs forward and rests heavily against her folded right thigh, the white shirt stretched taut over it with the sleeve cuffs shoved to the elbows. Her left arm comes down the full length of her body, elbow nearly straight, and her hand closes gently around the boy's small hand at the height of her own knee — his fingers wrapped inside her palm, his chubby arm angled up, his feet planted together on the dirt while he stands just in front of her. Her right hand rests flat on the straw beside her hip, fingers spread and pressing a shallow dent into the loose stalks. A violet miniskirt bunches and creases where her huge thighs press together, the hem riding high and the fabric pulled tight over the soft fullness of her belly above it, and a violet cow tail slips out from behind the skirt to curl in a lazy S down across the straw, tuft brushing the ground. Violet cow ears poke up through her pale hair and one of them angles toward the child, swiveling in his direction. She tips her chin down and looks at the boy with wide, curious pink eyes, brows lifted, mouth softly open in a wondering little O; the boy tips his head back and looks straight up into her face, mouth open, unafraid. Sunlight slants in through a gap between the barn boards high on the right, laying a warm diagonal shaft across her shoulder, the boy's crown and the chipped floor, and the rest of the barn falls away into cool brown shadow — dust turns slowly inside the beam, and where the light ends the straw goes almost black. The palette stays narrow: bleached white cotton, strong violet in the skirt and the animal parts, warm ochre straw and timber, cool grey-brown shade, and her pale pink eyes as the one bright point at the center of the beam. Her size is carried by the physical evidence rather than the label — the boy's whole body is barely taller than her forearm, and one of her hands covers both of his. Her face is gentle, round-cheeked and unguarded; the whole picture is warm and tender.
David Ozoria
AI artwork
do
1girl, 1boy, tall female, height difference, giantess, huge breasts, gigantic breasts, thick thighs, giant thighs, plump belly, slightly chubby, white shirt, miniskirt, violet skirt, animal ears, cow ears, violet ears, cow tail, violet tail, pink eyes, beautiful face, innocent face, adorable expression, curious expression, looking at another, sitting, kneeling, leaning forward, holding hands, hand-holding, child, toddler, 2-year-old boy, from side, low angle, cowboy shot, barn, wooden interior, hay, warm sunlight, sunbeam, dust motes, depth of field The camera sits low and off to her right in a three-quarter side view, tilted up so the barn's dark roof beams rake across the top of the frame while the two figures hold the lower half; the framing is a cowboy shot that keeps her head, hands and knees in view and lets the boy stand small and complete at the bottom edge. She sits on a low bale of straw at the left of frame, hips shifted back and weight carried on her right hip, left leg folded under her and right knee drawn up high with the boot sole flat on the packed dirt floor; her spine leans forward and her shoulders round down toward the child so the enormous mass of her chest hangs forward and rests heavily against her folded right thigh, the white shirt stretched taut over it with the sleeve cuffs shoved to the elbows. Her left arm comes down the full length of her body, elbow nearly straight, and her hand closes gently around the boy's small hand at the height of her own knee — his fingers wrapped inside her palm, his chubby arm angled up, his feet planted together on the dirt while he stands just in front of her. Her right hand rests flat on the straw beside her hip, fingers spread and pressing a shallow dent into the loose stalks. A violet miniskirt bunches and creases where her huge thighs press together, the hem riding high and the fabric pulled tight over the soft fullness of her belly above it, and a violet cow tail slips out from behind the skirt to curl in a lazy S down across the straw, tuft brushing the ground. Violet cow ears poke up through her pale hair and one of them angles toward the child, swiveling in his direction. She tips her chin down and looks at the boy with wide, curious pink eyes, brows lifted, mouth softly open in a wondering little O; the boy tips his head back and looks straight up into her face, mouth open, unafraid. Sunlight slants in through a gap between the barn boards high on the right, laying a warm diagonal shaft across her shoulder, the boy's crown and the chipped floor, and the rest of the barn falls away into cool brown shadow — dust turns slowly inside the beam, and where the light ends the straw goes almost black. The palette stays narrow: bleached white cotton, strong violet in the skirt and the animal parts, warm ochre straw and timber, cool grey-brown shade, and her pale pink eyes as the one bright point at the center of the beam. Her size is carried by the physical evidence rather than the label — the boy's whole body is barely taller than her forearm, and one of her hands covers both of his. Her face is gentle, round-cheeked and unguarded; the whole picture is warm and tender.
David Ozoria
AI artwork
do
1girl, 1boy, tall female, height difference, giantess, huge breasts, gigantic breasts, thick thighs, giant thighs, plump belly, slightly chubby, white shirt, miniskirt, violet skirt, animal ears, cow ears, violet ears, cow tail, violet tail, pink eyes, beautiful face, innocent face, adorable expression, curious expression, looking at another, sitting, kneeling, leaning forward, holding hands, hand-holding, child, toddler, 2-year-old boy, from side, low angle, cowboy shot, barn, wooden interior, hay, warm sunlight, sunbeam, dust motes, depth of field The camera sits low and off to her right in a three-quarter side view, tilted up so the barn's dark roof beams rake across the top of the frame while the two figures hold the lower half; the framing is a cowboy shot that keeps her head, hands and knees in view and lets the boy stand small and complete at the bottom edge. She sits on a low bale of straw at the left of frame, hips shifted back and weight carried on her right hip, left leg folded under her and right knee drawn up high with the boot sole flat on the packed dirt floor; her spine leans forward and her shoulders round down toward the child so the enormous mass of her chest hangs forward and rests heavily against her folded right thigh, the white shirt stretched taut over it with the sleeve cuffs shoved to the elbows. Her left arm comes down the full length of her body, elbow nearly straight, and her hand closes gently around the boy's small hand at the height of her own knee — his fingers wrapped inside her palm, his chubby arm angled up, his feet planted together on the dirt while he stands just in front of her. Her right hand rests flat on the straw beside her hip, fingers spread and pressing a shallow dent into the loose stalks. A violet miniskirt bunches and creases where her huge thighs press together, the hem riding high and the fabric pulled tight over the soft fullness of her belly above it, and a violet cow tail slips out from behind the skirt to curl in a lazy S down across the straw, tuft brushing the ground. Violet cow ears poke up through her pale hair and one of them angles toward the child, swiveling in his direction. She tips her chin down and looks at the boy with wide, curious pink eyes, brows lifted, mouth softly open in a wondering little O; the boy tips his head back and looks straight up into her face, mouth open, unafraid. Sunlight slants in through a gap between the barn boards high on the right, laying a warm diagonal shaft across her shoulder, the boy's crown and the chipped floor, and the rest of the barn falls away into cool brown shadow — dust turns slowly inside the beam, and where the light ends the straw goes almost black. The palette stays narrow: bleached white cotton, strong violet in the skirt and the animal parts, warm ochre straw and timber, cool grey-brown shade, and her pale pink eyes as the one bright point at the center of the beam. Her size is carried by the physical evidence rather than the label — the boy's whole body is barely taller than her forearm, and one of her hands covers both of his. Her face is gentle, round-cheeked and unguarded; the whole picture is warm and tender.
David Ozoria

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4#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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