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クルナカンザキ

Arte de IA de クルナカンザキ en PixAI. Creado con Tsubaki.3 Flash.

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クルナカンザキ

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1girl, solo, original character design, magical girl, beautiful young woman around 18 years old, cool-cute, well-balanced proportions, full body, full-body visible head to toe, figure drawn large filling most of the frame, close framing not pulled back, sitting, sitting on mechanical device, hat, long ribbon, scientist gothic, frills, pentagram, amplifier bits, floating amplifier bits, mechanical amplification apparatus, elemental magic, fire, water, wind, earth, lightning, five elements, yin-yang diagram background, scientific diagram, alchemical chart, pentagram diagram, from below, dutch angle, foreshortening, dynamic seated pose, head tilt, one leg crossed over the other, hand on hat brim, looking down at viewer, lopsided smirk, one eye closed, sharp eyes, long eyelashes, high-contrast cel shading, dramatic rim light, vivid colors The view is a dramatic low three-quarter angle from below, tilted slightly into a dutch angle, so the seated figure looms upward into the frame and fills it almost edge to edge -- head, hat and all, down to the toes of her boots, nothing cropped away beyond a sliver of floor. She is a cool-cute magical girl of about eighteen, slender but firmly balanced, sitting sideways on the massive cylindrical core of a mechanical amplifying device: a riveted brass-and-steel armature ringed by copper coils, glass tube housings and gauges set into its flank, gears meshing at its base. Her seat is the core's flat upper cap. Her weight rests on her right hip and right thigh along the cap's edge, left knee drawn up and crossed over the right, both boots planted -- the left boot's sole flat on the cap's near rim, the right boot's toe hooked against a coil bracket lower down. Her right hand grips the rim of the cap beside her hip, fingertips curled under the metal lip; her left hand is lifted to the brim of her wide-brimmed witch's hat, thumb and forefinger pinching the fabric edge. From the hat's band a long ribbon streams away up and to the left, curling in a slow S over the air, its tail forked and flickering; a second, shorter length of ribbon whips back from her shoulder. Her scientist-gothic outfit is a dark high-collared coat-dress with layered frills spilling at the cuffs and along the hem, white frilled shirt-cuffs, a corseted waist, dark tights, and tall laced boots with buckles; a small pentagram medallion sits at her throat, its five points picked out in the beaded frill trim. Around her, at chest and shoulder height, hover five amplifier bits: palm-sized mechanical frames of brass and glass, each a distinct elemental instrument. The fire bit is a copper brazier-mouth with a glowing coal in its throat; the water bit a glass ampoule of swirling blue; the wind bit a spinning fan of thin vanes; the earth bit a caged lump of dark stone with moss; the lightning bit a split coil arcing between two prongs. Each hangs tethered to her device by a thin curving cable, and each haloed by its own faint coloured ember of light. Above and behind them the background is a scientific five-elements yin-yang diagram: a great pale circle drawn in fine concentric rings and radial calibration ticks, quartered into a dark yang half and a light yin half, with a five-pointed pentagram inscribed across it and each of its five points labelled by a small elemental glyph -- flame, droplet, spiral, square, bolt -- red, blue, green, ochre and violet. Fine illegible annotation lines radiate from the diagram like a technical plate. Lighting comes from the device's own core, a warm amber glow welling up from beneath her, lighting the undersides of her chin, hands and boots; a cool blue-white key falls from above and to the right, rimming her hat and ribbon; the dark yang half of the diagram swallows the left edge into deep shadow. She looks down at the viewer over her crossed knee with a lopsided smirk, one eye narrowed in a wink, chin lifted; her ribbon's tail still curling from the motion. Palette: deep midnight and brass, crimson, cobalt, viridian, ochre and violet accents against the diagram's bone-white ground. Cool-cute, effortlessly stylish.
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Prompt original
オリジナルキャラを作成 魔法少女 美少女（18歳程度）かっこかわいい バランス良い身体 全身絵 元素の魔法少女 帽子 長いリボン 引きすぎた絵にするな 人物を大きく写せ 背景は科学的五大元素の陰陽図 火水風土雷 科学者ゴシック フリル 五芒星 増幅装置的なビット 機械的装置に座り
Modo
flash
Código de estilo
JJ133022
Tamaño
1104 x 1824
Asistente de prompts

Modelo y LoRA utilizados

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.28k

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AI artwork
Avatar image of クルナカンザキ
1girl, solo, original character design, magical girl, beautiful young woman around 18 years old, cool-cute, well-balanced proportions, full body, full-body visible head to toe, figure drawn large filling most of the frame, close framing not pulled back, sitting, sitting on mechanical device, hat, long ribbon, scientist gothic, frills, pentagram, amplifier bits, floating amplifier bits, mechanical amplification apparatus, elemental magic, fire, water, wind, earth, lightning, five elements, yin-yang diagram background, scientific diagram, alchemical chart, pentagram diagram, from below, dutch angle, foreshortening, dynamic seated pose, head tilt, one leg crossed over the other, hand on hat brim, looking down at viewer, lopsided smirk, one eye closed, sharp eyes, long eyelashes, high-contrast cel shading, dramatic rim light, vivid colors The view is a dramatic low three-quarter angle from below, tilted slightly into a dutch angle, so the seated figure looms upward into the frame and fills it almost edge to edge -- head, hat and all, down to the toes of her boots, nothing cropped away beyond a sliver of floor. She is a cool-cute magical girl of about eighteen, slender but firmly balanced, sitting sideways on the massive cylindrical core of a mechanical amplifying device: a riveted brass-and-steel armature ringed by copper coils, glass tube housings and gauges set into its flank, gears meshing at its base. Her seat is the core's flat upper cap. Her weight rests on her right hip and right thigh along the cap's edge, left knee drawn up and crossed over the right, both boots planted -- the left boot's sole flat on the cap's near rim, the right boot's toe hooked against a coil bracket lower down. Her right hand grips the rim of the cap beside her hip, fingertips curled under the metal lip; her left hand is lifted to the brim of her wide-brimmed witch's hat, thumb and forefinger pinching the fabric edge. From the hat's band a long ribbon streams away up and to the left, curling in a slow S over the air, its tail forked and flickering; a second, shorter length of ribbon whips back from her shoulder. Her scientist-gothic outfit is a dark high-collared coat-dress with layered frills spilling at the cuffs and along the hem, white frilled shirt-cuffs, a corseted waist, dark tights, and tall laced boots with buckles; a small pentagram medallion sits at her throat, its five points picked out in the beaded frill trim. Around her, at chest and shoulder height, hover five amplifier bits: palm-sized mechanical frames of brass and glass, each a distinct elemental instrument. The fire bit is a copper brazier-mouth with a glowing coal in its throat; the water bit a glass ampoule of swirling blue; the wind bit a spinning fan of thin vanes; the earth bit a caged lump of dark stone with moss; the lightning bit a split coil arcing between two prongs. Each hangs tethered to her device by a thin curving cable, and each haloed by its own faint coloured ember of light. Above and behind them the background is a scientific five-elements yin-yang diagram: a great pale circle drawn in fine concentric rings and radial calibration ticks, quartered into a dark yang half and a light yin half, with a five-pointed pentagram inscribed across it and each of its five points labelled by a small elemental glyph -- flame, droplet, spiral, square, bolt -- red, blue, green, ochre and violet. Fine illegible annotation lines radiate from the diagram like a technical plate. Lighting comes from the device's own core, a warm amber glow welling up from beneath her, lighting the undersides of her chin, hands and boots; a cool blue-white key falls from above and to the right, rimming her hat and ribbon; the dark yang half of the diagram swallows the left edge into deep shadow. She looks down at the viewer over her crossed knee with a lopsided smirk, one eye narrowed in a wink, chin lifted; her ribbon's tail still curling from the motion. Palette: deep midnight and brass, crimson, cobalt, viridian, ochre and violet accents against the diagram's bone-white ground. Cool-cute, effortlessly stylish.
クルナカンザキ
AI artwork
Avatar image of クルナカンザキ
1girl, solo, original character design, magical girl, beautiful young woman around 18 years old, cool-cute, well-balanced proportions, full body, full-body visible head to toe, figure drawn large filling most of the frame, close framing not pulled back, sitting, sitting on mechanical device, hat, long ribbon, scientist gothic, frills, pentagram, amplifier bits, floating amplifier bits, mechanical amplification apparatus, elemental magic, fire, water, wind, earth, lightning, five elements, yin-yang diagram background, scientific diagram, alchemical chart, pentagram diagram, from below, dutch angle, foreshortening, dynamic seated pose, head tilt, one leg crossed over the other, hand on hat brim, looking down at viewer, lopsided smirk, one eye closed, sharp eyes, long eyelashes, high-contrast cel shading, dramatic rim light, vivid colors The view is a dramatic low three-quarter angle from below, tilted slightly into a dutch angle, so the seated figure looms upward into the frame and fills it almost edge to edge -- head, hat and all, down to the toes of her boots, nothing cropped away beyond a sliver of floor. She is a cool-cute magical girl of about eighteen, slender but firmly balanced, sitting sideways on the massive cylindrical core of a mechanical amplifying device: a riveted brass-and-steel armature ringed by copper coils, glass tube housings and gauges set into its flank, gears meshing at its base. Her seat is the core's flat upper cap. Her weight rests on her right hip and right thigh along the cap's edge, left knee drawn up and crossed over the right, both boots planted -- the left boot's sole flat on the cap's near rim, the right boot's toe hooked against a coil bracket lower down. Her right hand grips the rim of the cap beside her hip, fingertips curled under the metal lip; her left hand is lifted to the brim of her wide-brimmed witch's hat, thumb and forefinger pinching the fabric edge. From the hat's band a long ribbon streams away up and to the left, curling in a slow S over the air, its tail forked and flickering; a second, shorter length of ribbon whips back from her shoulder. Her scientist-gothic outfit is a dark high-collared coat-dress with layered frills spilling at the cuffs and along the hem, white frilled shirt-cuffs, a corseted waist, dark tights, and tall laced boots with buckles; a small pentagram medallion sits at her throat, its five points picked out in the beaded frill trim. Around her, at chest and shoulder height, hover five amplifier bits: palm-sized mechanical frames of brass and glass, each a distinct elemental instrument. The fire bit is a copper brazier-mouth with a glowing coal in its throat; the water bit a glass ampoule of swirling blue; the wind bit a spinning fan of thin vanes; the earth bit a caged lump of dark stone with moss; the lightning bit a split coil arcing between two prongs. Each hangs tethered to her device by a thin curving cable, and each haloed by its own faint coloured ember of light. Above and behind them the background is a scientific five-elements yin-yang diagram: a great pale circle drawn in fine concentric rings and radial calibration ticks, quartered into a dark yang half and a light yin half, with a five-pointed pentagram inscribed across it and each of its five points labelled by a small elemental glyph -- flame, droplet, spiral, square, bolt -- red, blue, green, ochre and violet. Fine illegible annotation lines radiate from the diagram like a technical plate. Lighting comes from the device's own core, a warm amber glow welling up from beneath her, lighting the undersides of her chin, hands and boots; a cool blue-white key falls from above and to the right, rimming her hat and ribbon; the dark yang half of the diagram swallows the left edge into deep shadow. She looks down at the viewer over her crossed knee with a lopsided smirk, one eye narrowed in a wink, chin lifted; her ribbon's tail still curling from the motion. Palette: deep midnight and brass, crimson, cobalt, viridian, ochre and violet accents against the diagram's bone-white ground. Cool-cute, effortlessly stylish.
クルナカンザキ
AI artwork
Avatar image of クルナカンザキ
1girl, solo, original character design, magical girl, beautiful young woman around 18 years old, cool-cute, well-balanced proportions, full body, full-body visible head to toe, figure drawn large filling most of the frame, close framing not pulled back, sitting, sitting on mechanical device, hat, long ribbon, scientist gothic, frills, pentagram, amplifier bits, floating amplifier bits, mechanical amplification apparatus, elemental magic, fire, water, wind, earth, lightning, five elements, yin-yang diagram background, scientific diagram, alchemical chart, pentagram diagram, from below, dutch angle, foreshortening, dynamic seated pose, head tilt, one leg crossed over the other, hand on hat brim, looking down at viewer, lopsided smirk, one eye closed, sharp eyes, long eyelashes, high-contrast cel shading, dramatic rim light, vivid colors The view is a dramatic low three-quarter angle from below, tilted slightly into a dutch angle, so the seated figure looms upward into the frame and fills it almost edge to edge -- head, hat and all, down to the toes of her boots, nothing cropped away beyond a sliver of floor. She is a cool-cute magical girl of about eighteen, slender but firmly balanced, sitting sideways on the massive cylindrical core of a mechanical amplifying device: a riveted brass-and-steel armature ringed by copper coils, glass tube housings and gauges set into its flank, gears meshing at its base. Her seat is the core's flat upper cap. Her weight rests on her right hip and right thigh along the cap's edge, left knee drawn up and crossed over the right, both boots planted -- the left boot's sole flat on the cap's near rim, the right boot's toe hooked against a coil bracket lower down. Her right hand grips the rim of the cap beside her hip, fingertips curled under the metal lip; her left hand is lifted to the brim of her wide-brimmed witch's hat, thumb and forefinger pinching the fabric edge. From the hat's band a long ribbon streams away up and to the left, curling in a slow S over the air, its tail forked and flickering; a second, shorter length of ribbon whips back from her shoulder. Her scientist-gothic outfit is a dark high-collared coat-dress with layered frills spilling at the cuffs and along the hem, white frilled shirt-cuffs, a corseted waist, dark tights, and tall laced boots with buckles; a small pentagram medallion sits at her throat, its five points picked out in the beaded frill trim. Around her, at chest and shoulder height, hover five amplifier bits: palm-sized mechanical frames of brass and glass, each a distinct elemental instrument. The fire bit is a copper brazier-mouth with a glowing coal in its throat; the water bit a glass ampoule of swirling blue; the wind bit a spinning fan of thin vanes; the earth bit a caged lump of dark stone with moss; the lightning bit a split coil arcing between two prongs. Each hangs tethered to her device by a thin curving cable, and each haloed by its own faint coloured ember of light. Above and behind them the background is a scientific five-elements yin-yang diagram: a great pale circle drawn in fine concentric rings and radial calibration ticks, quartered into a dark yang half and a light yin half, with a five-pointed pentagram inscribed across it and each of its five points labelled by a small elemental glyph -- flame, droplet, spiral, square, bolt -- red, blue, green, ochre and violet. Fine illegible annotation lines radiate from the diagram like a technical plate. Lighting comes from the device's own core, a warm amber glow welling up from beneath her, lighting the undersides of her chin, hands and boots; a cool blue-white key falls from above and to the right, rimming her hat and ribbon; the dark yang half of the diagram swallows the left edge into deep shadow. She looks down at the viewer over her crossed knee with a lopsided smirk, one eye narrowed in a wink, chin lifted; her ribbon's tail still curling from the motion. Palette: deep midnight and brass, crimson, cobalt, viridian, ochre and violet accents against the diagram's bone-white ground. Cool-cute, effortlessly stylish.
クルナカンザキ
AI artwork
Avatar image of クルナカンザキ
1girl, solo, full body, full-length portrait, figure fills the frame, large subject, low camera angle, from below, slight dutch angle, elemental magical girl, original character, ~18 years old, beautiful young woman, cool-cute, balanced proportions, long legs, hat, wide brim pointed gothic hat, long ribbon, ribbon streaming from the hat brim, amplifier bits, floating hexagonal bit units, frills, scientist gothic, pentagram, magic circle, glowing sigils, yin-yang background, five elements, "火", "水", "風", "土", "雷", boots, thighhighs, multilayered skirt, standing, weight on one leg, outstretched arm, pointing at viewer, confident smirk, one eye closed, dynamic hair, hair blown by magic, dark background, high contrast, vivid colors, detailed eyes, dramatic outlines, 2010s anime style, visual novel CG, Full-body, seen from a low angle that makes the figure tower and fills nearly the whole frame, head near the top edge with a hand's width of air above the hat brim and the boot soles just clearing the bottom edge: a single young woman around eighteen, cool-cute, with a balanced long-limbed build, stands with her weight sunk into the left leg while the right knee angles forward and the right arm sweeps out to her side, index finger aimed at the viewer. A wide-brimmed pointed hat sits low over her brow; a long ribbon tied at the hat's band streams far out to her left, its two tails snapping and curling in the updraft of her own magic, serpentine and fully readable against the dark ground. The face is lifted a little towards the lens from beneath the brim, chin up, one eye shut in a wink, the open eye bright and fixed straight on the viewer, one corner of the mouth pulled into a lopsided smirk; the free left hand rests curled at her hip, fingers spread over a fan of skirt frills. Her costume is scientist gothic: a fitted high-collared bodice cut like a lab coat's front with a stiff placket and thin piping seams, its hem split open into layered frills that flare at the hip and stack in three scalloped tiers down to mid-thigh, over dark thighhighs and tall laced boots planted wide. A pentagram is stitched into the bodice chest in silver thread, points touching the shoulder seams, and a second, larger pentagram floats as a glowing magic circle behind her shoulders, its lines crisp and geometric. Around her, five floating amplifier bits — angular hexagonal metal-framed units with a glowing core each, hovering in a loose ring at shoulder and hip height — turn their open faces inward, their lenses faintly cupping light; the nearest coasts just above her outstretched wrist, casting a small bright caustic onto the back of her glove. Each bit glows a different colour — ember orange, pale cyan, acid green, muted ochre, violet-white — and the same five colours repeat in small glowing beads along the piping of her bodice and the tips of the ribbon. The background is a single vast yin-yang diagram of the five scientific elements, tilted just enough by the low angle to read as a disc behind her: one swirl of warm ember orange with 「火」 set into it, the other swirl of pale cyan water with 「水」, and the remaining 「風」, 「土」 and 「雷」 cut into the outer ring at the disc's three remaining sectors, every character a clean white luminous glyph sitting flush on the curved plate. The character is the only light source of her own volume: her glow rims the underside of the hat brim and the near edge of every frill in warm white from below, throwing her jaw and collarbone into soft relief and leaving the far side of her body in deep shadow, so that the yin-yang plate behind her stays a dimmer, cooler backdrop and her silhouette never loses its edge against it. Palette holds to ember orange, pale cyan, ochre, violet-white and near-black, with silver in the pentagram stitch and the bit frames. The frill layers compress slightly where her hand presses at the hip, and the ribbon's tips lag behind the rest of its arc by a beat — one piece of drag that sells the wind. Cool, electric, effortlessly stylish.
クルナカンザキ
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