Tejado de tejas Galería

Explora las obras de arte en tendencia 259 Tejado de tejas

AI artwork
s2
character: remilia_scarlet 1girl, remilia scarlet, short hair, blue hair, light purple hair, hair between eyes, red eyes, pointy ears, fang, bat wings, wings, hat, mob cap, hat ribbon, red ribbon, red bow, bow, ribbon, dress, puffy short sleeves, puffy sleeves, short sleeves, frills, ascot, brooch, jewelry, spear the gungnir, holding spear, diagonal, moon, night, from below, dutch angle, cowboy shot, looking up, parted lips, arm up, outstretched arm, wind, solo, Low dutch-angle cowboy shot from slightly below, the horizon tilted so the moon rides high at the upper left and the girl's silhouette cuts the frame on a rising diagonal — she stands on the sloped black slate of a rooftop ridge, one boot braced on the higher tile, the other set lower so her hips cant and her spine leans back against the tilt of the roof. Her left arm is flung out and up behind her shoulder, arm fully outstretched, fingers closed around the shaft of an enormous spear: a jagged lance of compressed crimson light more than twice her length, its surface crawling with tendril-like filaments and a hard molten core, running on the strong diagonal from lower right to upper left past her head, the pointed tip flaring a hand's width short of the moon's disc so the moon's white edge glows along the blade. Her right hand grips the hem of her puffed short sleeve where it meets her forearm, knuckles pressing the fabric. Short light-purple hair with blue-violet depths is combed by the wind from the spear side, strands snapping across her brow and between her eyes; the mob cap sits tilted on her crown, its frilled brim lifted at one side by the gust, the wide red ribbon bow knotted at its front, its two long tails streaming off to her right. Her bat wings are spread wide behind her, membrane stretched taut, the small clawed spurs at the top joints catching a rim of red; the puffy short-sleeved dress with its frothing frill layers sways and lifts at the hems, the ascot and its pinned brooch knocked sideways against her throat. Her pointed ears are fully visible, one tipped toward the spear, and her chin is raised so she looks up along the shaft toward the tip — red eyes narrowed, lips parted in a small sharp grin with one fang clearly showing. The spear is the only warm light source: crimson bleed spills along her cheekbones, the underside of the cap brim, the inner curves of the wings, and throws a long hard shadow of her body and the spear's shaft down the roof tiles to the lower right, while her back and the far side of her face fall into cool blue-black. Palette locked to crimson, blue-violet and moonlit silver-black on tile. Rooftop tiles recede in hard perspective, a few stray grit stones skittering down the slope in the wind. The spear's light throws spiky crimson caustics only onto the surfaces that face it. Triumphant, moonlit.
silvaamanda2
AI artwork
Avatar image of NOTSTATUS
character: takamori_haruka 1girl, solo, takamori_haruka, brown hair, blonde hair, two-tone hair, short hair with long side locks, hair between eyes, blue eyes, ninja outfit, black skin-tight shinobi bodysuit, dark charcoal shinobi shozoku, sleeveless, bare shoulders, fishnet underlayer at the arms, elbow gloves, fingerless gloves, black cloth mask pulled up over the lower face, forehead protector band across the brow, waist sash, kunai holster at the thigh, forearm guards, tabi boots, battle-ready stance, crouching low mid-strike, one knee bent, weight on the back leg, torso twisted, one arm thrown forward, the other drawn back with a kunai reversed in the grip, head turned, sideways glance, looking at object, sharp gaze, narrowed eyes, focused, from below, low angle, dutch angle, foreshortening, close-up, cowboy shot, night rooftop, tiled roof ridge, distant town lights, dark blue night sky, moonlight from the upper left, sharp rim light, cool blue shadows, near-monochrome dark palette with a single warm amber accent, wind, hair blown to the side, cloth taut, The camera looks up from just below the roof ridge, tilted slightly off level: a young shinobi woman crouches low on the tiles, near knee almost at the ridge, back leg trailing down the slope, her whole weight carried on the ball of the back foot and the flat of the front one, all four toe edges hooked over the raised tile lip. She is caught mid-strike, torso twisted to her right so the chest and one bare shoulder turn three-quarters toward the lens while her chin swings the other way. Her forward arm is thrown out low and level, fingers spread and open, the palm angled down the slope; the rear arm is folded in close to her ribs with a kunai reversed in a fingerless glove, blade flat against her forearm. Her eyes are narrowed and fixed down-slope at a point beyond the frame edge, jaw set, the black cloth mask pulled up over mouth and nose so only the eyes and the bridge show; the brow is pulled into a flat hard line under the forehead band. The wind coming up the slope presses the sash tail out behind her, flattens the fishnet underlayer against her upper arms and makes the loose cloth of her shozoku snap taut along the body; one long side lock of her two-tone hair — brown high, blonde through the falling lengths — whips across her cheek, and the short hair at her crown is pressed down by the wind. Her bare shoulders, the fishnet panel from shoulder to elbow glove, the fingerless glove wrapping the kunai, the tabi boot clamped on the tile, and the holster strapped at her thigh are all in crisp focus; the town far below is a scatter of small dull lights with no readable signage. The moon sits low off the upper left and is the only light source: it strikes one hard bright edge down her shoulder, the outside of her forward forearm and the blade of the kunai, leaves the other side of her face and the underside of her chin in deep blue-black, and casts a long stretched shadow down the roof slope behind her. Palette is closed to deep charcoal black, cold desaturated blue, the deep brown of her hair, and one warm amber glint — the single lit reflection on the kunai's edge and the nearest town light below; nothing else admitted. Quiet lethal tension.
NOTSTATUS
AI artwork
Avatar image of 勇者系魔王アマッカス
character: yakumo_beni 1girl, solo, yakumo_beni, oni, small curved oni horns, forehead horns, subtle reddish skin markings, long green hair, swept bangs, purple eyes, hair ornament, earrings, beauty mark, bare natural face, unadorned eyelids and lips, fierce battle-ready grin, wide power stance, heavy ornamental kanabo over shoulder, burning japanese castle, night, dark night sky, intense orange fire glow, dynamic low angle, from below, looking down at viewer, embers, heat shimmer, dark red cloth wraps, black sash From a low, upward-looking angle, Yakumo Beni fills the frame, planted in a wide power stance with her boots set apart on scorched stone, knees bent and weight low. Her heavy ornamental kanabo rests across her right shoulder, one hand gripping the studded shaft near the shoulder, the other fist loose at her side. She leans slightly forward, chin lowered, purple eyes fixed down on the viewer, and bares a fierce battle-ready grin; her bare natural face shows unadorned eyelids and lips, with a small beauty mark and subtle reddish skin markings across her cheeks, while two small curved oni horns rise from her forehead. Long green hair, swept bangs and a hair ornament behind one ear whip sideways in the heat updraft; small earrings catch the firelight. Behind her, a Japanese castle burns at night, its tiers silhouetted in flame and smoke against a dark night sky. The fire is the key light: intense orange glow rakes her right side and the club's ornamented metal, leaving deep shadow on her left, and embers drift through the air. A vivid ember-orange, scorched-black and deep indigo palette holds the scene. Fierce, battle-ready.
勇者系魔王アマッカス
AI artwork
Avatar image of NOTSTATUS
character: takamori_haruka 1girl, solo, takamori_haruka, brown hair, blonde hair, two-tone hair, short hair with long side locks, hair between eyes, blue eyes, ninja outfit, black skin-tight shinobi bodysuit, dark charcoal shinobi shozoku, sleeveless, bare shoulders, fishnet underlayer at the arms, elbow gloves, fingerless gloves, black cloth mask pulled up over the lower face, forehead protector band across the brow, waist sash, kunai holster at the thigh, forearm guards, tabi boots, battle-ready stance, crouching low mid-strike, one knee bent, weight on the back leg, torso twisted, one arm thrown forward, the other drawn back with a kunai reversed in the grip, head turned, sideways glance, looking at object, sharp gaze, narrowed eyes, focused, from below, low angle, dutch angle, foreshortening, close-up, cowboy shot, night rooftop, tiled roof ridge, distant town lights, dark blue night sky, moonlight from the upper left, sharp rim light, cool blue shadows, near-monochrome dark palette with a single warm amber accent, wind, hair blown to the side, cloth taut, The camera looks up from just below the roof ridge, tilted slightly off level: a young shinobi woman crouches low on the tiles, near knee almost at the ridge, back leg trailing down the slope, her whole weight carried on the ball of the back foot and the flat of the front one, all four toe edges hooked over the raised tile lip. She is caught mid-strike, torso twisted to her right so the chest and one bare shoulder turn three-quarters toward the lens while her chin swings the other way. Her forward arm is thrown out low and level, fingers spread and open, the palm angled down the slope; the rear arm is folded in close to her ribs with a kunai reversed in a fingerless glove, blade flat against her forearm. Her eyes are narrowed and fixed down-slope at a point beyond the frame edge, jaw set, the black cloth mask pulled up over mouth and nose so only the eyes and the bridge show; the brow is pulled into a flat hard line under the forehead band. The wind coming up the slope presses the sash tail out behind her, flattens the fishnet underlayer against her upper arms and makes the loose cloth of her shozoku snap taut along the body; one long side lock of her two-tone hair — brown high, blonde through the falling lengths — whips across her cheek, and the short hair at her crown is pressed down by the wind. Her bare shoulders, the fishnet panel from shoulder to elbow glove, the fingerless glove wrapping the kunai, the tabi boot clamped on the tile, and the holster strapped at her thigh are all in crisp focus; the town far below is a scatter of small dull lights with no readable signage. The moon sits low off the upper left and is the only light source: it strikes one hard bright edge down her shoulder, the outside of her forward forearm and the blade of the kunai, leaves the other side of her face and the underside of her chin in deep blue-black, and casts a long stretched shadow down the roof slope behind her. Palette is closed to deep charcoal black, cold desaturated blue, the deep brown of her hair, and one warm amber glint — the single lit reflection on the kunai's edge and the nearest town light below; nothing else admitted. Quiet lethal tension.
NOTSTATUS
123...8

Etiquetas relacionadas