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Marina Rusinova
Sur PixAI, les prompts sont publics par défaut, mais les créateurs peuvent les masquer sur les œuvres qu'ils publient. La personne à l'origine de celle-ci a choisi de le faire : les mots ayant servi à générer l'image restent donc privés, et elle seule peut les voir. Masquer un prompt ne change rien d'autre : l'œuvre reste publique et vous pouvez l'aimer, la commenter et la partager comme d'habitude.
Caché par l'auteur
Modèle et LoRA utilisés
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1 face, single disembodied wax face, hyper-realistic human face made of smooth warm wax, pale skin tones, wide perfect smile, perfect white teeth, melting edges, dripping wax, wax drips falling, black pool below, hollow head, starry void inside the head, cold void instead of bone, surreal, unsettling, psychological horror, cinematic lighting, chiaroscuro, deep blacks, high contrast, film grain, no text, no letters, no words, no watermark, no signature, wide shot, from above, slight high angle, three-quarter view, shallow depth of field, black background
Seen from a slight high angle in a three-quarter view, a single disembodied human face floats above an absolute black ground, tilted back so the camera looks down past the forehead into the crown. The face is hyper-realistic and beautiful, cast in smooth warm wax with pale skin tones, its surface softly translucent where the key light grazes it: a fine beeswax warmth in the cheeks and lips, cooler ivory at the temples. The smile is wide and perfect, lips parted just enough to show an even row of white teeth, the corners lifted high and utterly symmetrical, and the eyes above it are open, calm and glassy, gazing slightly off to the side rather than at the viewer. The wax is running. Along the jawline, the right cheek and the lower lip the edges have softened and slumped, thick slow rivulets of warm wax beading at the chin and stretching into long threads that fall straight down, and a few have already landed, spreading in a black pool that fills the bottom of the frame beneath the face; the pool's surface is glossy and near-still, holding a dim amber reflection of the drips.
Where the wax has melted away along the upper left of the skull and through a widening gap at the temple, there is no bone: the head opens into a hollow, cold, starry void, a depth of pure black scattered with faint pinprick stars and a thin haze of cold blue-white nebula, and the torn lip of warm wax around the opening curls and thins against that frozen emptiness, the only cold light in the image coming from inside the head. Chiaroscuro governs everything: a single hard key light from the upper left carves the lit half of the face and leaves the other half to drown in deep blacks, and the void's cold glow rims the melted edge from within. Palette is restricted to warm wax amber and pale ivory against absolute black and that cold star-blue, nothing else admitted. Fine 35mm film grain sits over the whole frame, the wax surface catching a soft specular sheen where the light strikes it while the black pool stays matte-dark at its edges. Completely clean image surface, every area of the frame free of letters, words, watermarks or signatures. Quiet dread, exquisite and wrong.
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