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AI art "Path to distance" featuring #réaliste, #Neige, #chute de neige, #forêt, #Photoréaliste, #paysage, #arbre dénudé, #Brouillard and #route
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Path to distance

A path to nowhere.

#réaliste#Neige#chute de neige#forêt#Photoréaliste#paysage#arbre dénudé#Brouillard#route
Avatar image of phyphen

phyphen

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Commentaires

snow, snowy, path, empty, bare tree, solo, no humans, foggy, mist, sketch, high quality, masterpiece, ultra detailed, monochrome, monochrome background
Afficher les paramètres
Taille
512 x 768
Étapes d'échantillonnage
24
Échantillonneur
Euler a
Échelle CFG
5
Négatif
sketch, nsfw

Modèle et LoRA utilisés

Architecture sketch style - AI Model cover image

SD

Architecture sketch style
10
foggy - AI Model cover image

LoRA utilisateur

foggy
10

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AI artwork
ew
A vast, dense snow-covered hunting woodland deep within a remote European forest during winter. Immersive first-person environmental perspective from within the forest itself, as though the viewer is surrounded by the woodland in every direction. Wide 16:9 landscape composition, realistic natural forest density, no visible human presence. The entire scene is filled with closely growing mature trees of varying species, trunk widths, heights, and natural spacing. Massive old oak and beech trunks stand among dense fir and spruce trees, their rough dark bark covered in patches of frost. Numerous overlapping trunks occupy the foreground, middle distance, and background, creating multiple layers of woodland depth. Trees extend continuously across the entire width of the image, including both the far left and far right edges. The forest must remain dense and visually enclosed, with no deliberate opening in the center. Heavy winter snow rests on evergreen branches, tangled bare twigs, low bushes, exposed roots, fallen timber, and irregular clusters of woodland vegetation. The forest floor is uneven and completely covered in natural snow, with scattered rocks, buried roots, fallen branches, and dense undergrowth breaking up the terrain. Snow accumulates naturally around tree bases and on fallen logs. Small animal footprints appear irregularly between the trees, partially obscured by fresh snowfall, without forming any trail or continuous track. Thick interlocking branches overlap overhead, partially obscuring the pale winter sky. Fine snow clings to the vegetation, while subtle gray daylight filters through small irregular gaps in the canopy. The light is diffuse and naturally obstructed by the dense trees, producing realistic variations of shadow across the snowy forest floor. The color palette consists of snow white, cold slate gray, deep bark brown, and subdued evergreen. The composition must emphasize the sensation of being physically inside a deep, extensive forest, surrounded by natural woodland in every direction. Foreground tree trunks partially overlap distant trees, and the background remains filled with more trees and tangled branches. Natural irregularity is essential: no symmetrical arrangement, no evenly spaced rows, no landscaped vegetation, and no artificial framing. STRICT ENVIRONMENT REQUIREMENTS: absolutely no roads, no paths, no trails, no clearings, no open central corridor, no visible forest entrance, no horizon-wide opening, no stream, no lake, no buildings, no fences, no signposts, and no man-made structures. Do not separate trees on the left and right to create a passage or frame a distant view. Do not create a central vanishing point. Do not arrange trees as a corridor. The forest must be densely occupied by trees across the full image, with no route through the woodland. Absolutely no people, hunters, human figures, faces, silhouettes, weapons, bows, arrows, firearms, hunting equipment, human-shaped forms, or supernatural creatures. No blood, carcasses, or injured animals. Natural woodland environment only. Photorealistic environmental concept art, highly detailed winter vegetation, realistic snow accumulation, natural tree distribution, dense layered forest depth, restrained winter lighting, wide 16:9 landscape composition, no readable text, no watermark.
ethan wong

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