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Ahegao
Art IA « Ahegao » par Skoczus sur PixAI. Créé avec Dvine (V4.5).
Afficher les paramètres
- Prompt d'origine
- anime-style oni girl kneeling on the stone floor of a dimly lit basement, crimson skin, long white hair, golden glowing eyes, small horns on her forehead, wearing a black iron collar with faint glowing runes, chains lightly attached to the collar, gothic and dark atmosphere, submissive but proud expression, clawed fingers resting on the ground, faint light coming from a single lantern, soft shadows creating dramatic contrast, highly detailed, anime illustration ,80s and 90s anime style, vibrant retro colors, female character with voluminous hair (side ponytail or fluffy bangs), , submisive pose, expressive big eyes, retro,lewdexp, arousedexp, ahegao, ecstasyexp, thunderstruck, torogao, moaning
- Taille
- 768 x 1280
- Étapes d'échantillonnage
- 20
- Échantillonneur
- Euler a
- Échelle CFG
- 6
- Négatif
- lowres, bad quality, worst quality,bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn,blurry, transparent background,tears, censored, (simple background:1.6), artist name, signature, watermark,
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1girl, solo, 18 years old, long white hair, light gray skin, glowing red eyes, sharp teeth, devil horns, devil wings on shoulders, devil tail, claws, torn dirty hood, torn dirty cape, torn dirty loincloth, belt, spiked bracelets, exposed spine and ribs, from behind, looking back, over-shoulder, dutch angle, cowboy shot, crouching, one knee down, bare feet, toes gripping cracked stone, hands on knee, head turned over right shoulder, sidelong glare, half-closed eyes, lopsided smirk, tongue between sharp teeth, hair swept across back, cape billowing, tattered hem, thigh gap in loincloth, spine ridge catching light, rib shadows, wing membranes half-folded, tail curled around left ankle, spiked bracelets stacked on both wrists, wide leather belt slung low, ruined stone corridor, rubble, cold blue moonlight from high narrow window, warm ember glow from floor cracks, dust motes, long cast shadow, dark background, grit texture, feral.
From behind and slightly above, in a dutch-tilted cowboy shot, the horned girl crouches with her right knee pressed to broken flagstones and her left leg folded under her, bare toes curled and gripping the cracked stone as her weight settles onto that forward knee; both clawed hands rest on the right knee, fingers splayed, nail tips dimpling the leather-guarded cloth edge. Her long white hair pours straight down the groove of her back, parting around the raised knobs of her exposed spine and the laddered shadows of her ribs, and the tattered hood hangs pushed back off her skull so the two curved devil horns rise clear and catch the moon. Her head is turned over the right shoulder: the glowing red eyes are narrowed and aimed straight back at the viewer from under a lowered brow, half-lidded, one lip corner peeled up in a lopsided smirk with the tip of her tongue pressed between the sharp front teeth, the pointed ear and jawline in profile against the dark.
The cape is a rag — hems shredded into hanging strips, mud crusted along the lower third, one edge snagged on the rubble behind her — and it bellies out away from her shoulders where the two membranous wings have half-unfolded, so the wing-claws poke through the torn slits and the fabric streams to her left. The loincloth is knotted at the wide leather belt slung low across her hips, its front flap soiled and split up one side and its back flap hanging ragged behind her thigh; the buckle sits off-center. Spiked bracelets are stacked three-deep on each wrist, their cones turned outward. Her devil tail snakes low and curls loosely once around her left ankle, the spade tip flicking up off the floor.
The corridor around her is a ruin of broken masonry and rubble, the ground split by hairline floor cracks that leak a faint warm ember orange from below; to her right a tall narrow window lets in a cold blue moonlight that rakes down from upper left, striking the tops of her horns, the upward-facing planes of her shoulders, the outer edge of the cape and the plane of her turned cheek, while the undersides of her ribs, the hollows behind her knees and the whole of the far wall fall into near-blackness. Her cast shadow stretches long and hard away from the window across the flagstones, broken where the rubble interrupts it. Palette: cold blue, wet slate grey, ember orange, and the pale white of hair, nothing else admitted. Fine grit and dust texture on every surface, dust motes drifting in the moon shaft. Quiet dread.
Michelle Angela Lovecraft
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