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PixAIMoviePosters
Art IA par Ellen H sur PixAI. Créé avec coco-Illustrious-NoobAI-XL-Style.
Sur PixAI, les prompts sont publics par défaut, mais les créateurs peuvent les masquer sur les œuvres qu'ils publient. La personne à l'origine de celle-ci a choisi de le faire : les mots ayant servi à générer l'image restent donc privés, et elle seule peut les voir. Masquer un prompt ne change rien d'autre : l'œuvre reste publique et vous pouvez l'aimer, la commenter et la partager comme d'habitude.
Caché par l'auteur
Modèle et LoRA utilisés
1 modèles privés utilisés
![[ACG-Gray tone] - AI Model cover image](https://images-ng.pixai.art/images/thumb/447e430a-3620-4b4a-b94e-4f21eb3aa86d)
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1girl, evil woman, red glowing eyes, no pupils, no nose, no mouth, rotund, demonic horns:1.5, demonic evil deity, humanoid shape, mysterious expression, holding, fingernails, glowing, 1other, tentacles, bubble, reaching, monster, size difference, giant, planet, constellation, hole on body, eldritch abomination, black hole, asteroid, dark celestial-like appearance, space environment, galaxy, dark red background, dead planets, animated, artist name
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(masterpiece best quality 1.2) ultra-detailed eldritch deity character design low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1creature solo The Inverted Anatomy a god whose outsides are insides and whose insides are outsides the body is humanoid in silhouette but the surface of the body is internal — organs and viscera and wet tissue exposed to the air the skin is not on the surface the skin is on the inside the god's muscles are visible and red and fibrous and twitching the god's veins are on the outside blue and purple and engorged and pulsing the god's bones are visible through gaps in the muscle-tissue white and structural and supporting a body that was never meant to be seen this way the face is the horror the face has no skin the face is muscle and tendon and the muscles of the face are always moving because expression is muscle contraction and without skin the expressions are raw meat in motion the god smiles and the smile is the zygomatic major pulling the masseter and the expression is anatomical not emotional the eyes have no lids the eyes are bare eyeballs in bare orbits the sclera is visible and wet and the iris is not protected the eyes are open forever because there are no lids to close them the mouth has no lips the mouth is teeth in gums in jaw and the teeth are visible and the gums are visible and the mouth opens and the opening is not a mouth opening it is a jaw hinging the jaw is mechanical the jaw is engineering the god's body is a medical illustration made real the god's surface is constantly wet — not with sweat but with serous fluid the natural lubrication of exposed tissue the body glistens with biological moisture the god is a wound that walks the god is a dissection that breathes the skeleton is visible in places where the muscle has parted or retracted and the bones are not white but ivory-yellow stained with age and marrow the ribs are visible the spinal column is visible the pelvis is visible the body is transparent of skin and opaque of everything else and the opacity is the horror because you can see everything and seeing everything is not the same as knowing everything and the not-knowing is the god's prayer the god's hands are the worst — the hands are muscle and tendon and visible metacarpals the fingers flex and the flexing is the pull of visible flexor tendons the god grasps and you see the mechanism of grasping the physics of fingers the lever-system of the human hand laid bare and the baring is the god's touch the god's body is draped in — not clothing but nerves the god's clothing is its own nervous system trailing from the body in bundles of myelinated axons the nerves hang from the god's shoulders and hips and trail behind like a train of white cable the nerves are the god's vestments the god wears its own wiring body language the god stands in a posture that is surgical — upright and symmetric and exposed the posture is the posture of a specimen on a table the posture is the posture of a thing being examined and the examiner is the viewer and the examination is the worship the god exists to be seen and the seeing is the violation and the violation is mutual environment shown as a dissection theater — amphitheater seating visible around the god the seats are occupied by shapes that are not people but the suggestion of people made of the same inverted anatomy the audience is the god and the god is the audience and the audience is always watching the dissection of the god by the god for the god rim light along exposed muscle-surface catching wet serous fluid glisten rim light catching bare eyeball in bare orbit with no lid rim light catching bare-teeth smile with visible gums and jaw mechanism rim light catching visible bone through muscle-gaps — ivory-yellow and marrow-stained rim light catching nervous-system nerve-bundles trailing as vestments rim light catching exposed vein-surface pulsing blue and purple across the body rim light catching dissection amphitheater with inverted-anatomy audience shadow anatomical shadow with dissection-theater environment and inverted audience chiaroscuro eldritch divine lighting with serous-fluid wet glisten ambient and exposed-tissue red and nerve-white ambient and bone-ivory-yellow illumination highly detailed 8K cinematic composition detailed Inverted Anatomy god of exposed being texture
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grim
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(masterpiece best quality 1.2), ultra-detailed, cosmic deity character design, low angle, zoomed in up close, ((The Karma Calamity:2.0)), god of catastrophe, extremely unique appearance, intricate design patterns, solo, 1entity, cosmic divine abomination, gargantuan being, body not flesh but compressed probability — the surface shimmers and shifts like a die tumbling in slow motion, the skin is crystallized bad luck rendered as a dark grayish-purple mineral surface with fractures running through it like fault lines, six arms emerging from its torso three on each side each arm a different length and thickness each ending in a clawed hand — the longest arm ending in a massive clawed hand of compressed tectonic pressure the fingers cracking with seismic energy, the shortest arm ending in a small precise clawed hand that flicks individual misfortunes, the middle arms ending in clawed hands dripping with liquid misfortune, four thick legs supporting the massive form like pillars rooted into the ground the legs trembling — always trembling, the body covered in bulging tumors — each tumor a compressed catastrophe that pulses and shifts like an egg about to hatch organized in a fibonacci spiral across the body converging toward the chest where the largest tumor pulses like a second heart, milky white eyes with crimson irises — dozens distributed across the face and upper body in asymmetrical clusters each pair seeing a different future of catastrophe, multiple mouths visible across the torso and face each filled with sharp teeth each open and grinning, the exhalation from each mouth visible as dark fortune-distortion waves rippling outward from the body, a glowing karma meter etched into its forehead — a column of crimson light rising steadily, floating glowing crimson text spiraling around the body in catastrophic scripts, dark grayish-purple and crimson color scheme, floating glowing crimson halo made of cracking probability-fragments behind the head, thick black smoke billowing from the body, highly detailed crystallized probability-skin and tumor-pulsing and multi-mouthed grinning texture, cinematic composition, 8K
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