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Afficher les paramètres
- Prompt d'origine
- (((Chromatic aberration, masterpiece, highest quality, ultra-high definition, sharp focus, depth of field))), atmospheric perspective, dynamic angle, elegant pose, background blur, alluring, attractive, Woman (Mature woman) Zunbera (GeGeGe no Kitaro) Hair: Long, wavy, jet-black hair. Bangs covering the eyes. Skin: Healthy, lustrous skin. Eyes: Cold, piercing black eyes. Mysterious. Facial features: Refined beauty, captivating smile. Body type: Mature adult woman. Glamorous. Large breasts, Clothing: Black kimono with a red obi. Barefoot, Background: An old, abandoned temple. A woman sitting cross-legged on the stone steps. An eerily dark late-night sky. Lighting/Camera: Dim, pale light and reflected light. Rendered in SOW format.
- Tag de qualité
- ﹝Prompts﹞, beautiful anime aesthetic, very aesthetic, high definition, amazing quality, masterpiece, best quality, very aesthetic, highres, absurdres, sensitive
- Taille
- 768 x 1280
- Étapes d'échantillonnage
- 28
- Échantillonneur
- Euler a
- Échelle CFG
- 3
- Négatif
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, overexposed, underexposed, oversharpen, noisy, banding, color banding, chromatic aberration, aliasing, jagged edges, jpeg artifacts, bad perspective, bad framing, cut off head, cut off feet, out of frame, bad cropping, tilted horizon, broken anatomy, bad proportions, twisted limbs, extra arms, extra legs, missing arms, missing legs, floating limbs, duplicate body parts, conjoined, asymmetrical face, misaligned eyes, cross-eyed, wall-eye, dead eyes, empty eyes, uncanny face, melting face, distorted mouth, broken smile, face distortion, eye asymmetry, uneven pupils, interlocked fingers, extra fingers, missing fingers, extra toes, bad hands, bad feet, clothes merged with body, bad clothing physics, floating clothes, broken armor, wrong shoes, ai artifacts, over-smoothed skin, plastic skin, wax figure, overprocessed, face swap artifact, washed out colors, muddy colors, flat lighting, harsh lighting, low detail, lack of detail, unfinished, rough lines, floating text, UI elements, random objects,
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ft
copyright: wangzhe_rongyao
blood queen, 1girl, solo, long black hair, very long hair, straight hair, hair ornaments, gold hairpiece, red eyes, makeup, red eyeshadow, pale skin, mature female, tall, curvy, large breasts, bare shoulders, strapless, black dress, red dress, gradient dress, long dress, high slit, gold trim, gold embroidery, detached sleeves, armlet, gold bracelet, facial mark, forehead mark, from below, dutch angle, looking down at viewer, half-closed eyes, smug, light smile, head tilt, hand on own hip, crossed legs, standing, weight on one leg, bare legs, bare feet, dark background, red light, dramatic lighting, single light source,
Low-angle dutch-angle shot tilted a few degrees off level, the camera below hip height and tipped upward, so the woman fills the frame from bare feet to the crown of her head, the verticals of her silhouette converging slightly toward the top edge. She stands in a seamless black void with no floor line and no horizon, balanced on her left leg with the right leg crossed loosely in front of it, toes pointed and resting on the unseen ground, the right hip pushed out and the shoulders counter-tilted so her whole body describes a long S-curve. Her right hand rests flat on her right hip, fingers spread over the fabric at the high slit; her left arm hangs free, the long detached sleeve sliding down the forearm away from the elbow, its gold hem hanging in loose folds. Her head tilts down and slightly to her left, chin drawn in, so that from the low camera she looks down along the line of her nose at the viewer, lids half lowered, one brow faintly raised, lips closed in a lopsided smile that shows more on the right corner than the left. Her eyes are a flat saturated red, ringed by the deep crimson shadow swept out past the outer corners, and a small dark ornamental mark sits centered on her forehead above the brow. Her very long straight black hair is parted low and falls in a dense heavy curtain behind her shoulders, its ends drifting a little to her left as if displaced by a slow air current; a gold hairpiece with hanging pendant tassels is pinned into the left side of it, and the tassels swing subtly forward against the fall of the hair. Her strapless dress is a black-to-crimson vertical gradient, deepest at the bust and brightening to a live ember red toward the hem, with gold trim banding the top edge and gold embroidered coils worked down the bodice and along the slit's edge; the slit opens from her right hip down, and the fabric there hangs in a straight fold rather than blowing. Her shoulders, collarbones and arms are bare apart from the detached sleeves and a gold armlet banding the upper left arm; a heavy gold bracelet circles the left wrist. The single light source is a hard red key from below and to the right of frame, out of shot: it throws a hot rim up the outside of her right leg, the underside of her chin and jaw, and the inner edge of the slit, while the top of her head, the outer shoulders and the far side of the dress sink into the black. Her cast shadow spills up and away behind her on the void rather than pooling at her feet, and the gold trim and armlet catch pinpoint speculars that the matte black fabric swallows entirely. Palette is restricted to black, crimson, ember red and gold, with her pale skin as the only neutral. Full-body emphasis on the sweep of the dress, the contact of toes with the unseen floor, and the gold working against the dark; haughty, opulent.
Frank Tuzzolo
ft
copyright: wangzhe_rongyao
blood queen, 1girl, solo, long black hair, very long hair, straight hair, hair ornaments, gold hairpiece, red eyes, makeup, red eyeshadow, pale skin, mature female, tall, curvy, large breasts, bare shoulders, strapless, black dress, red dress, gradient dress, long dress, high slit, gold trim, gold embroidery, detached sleeves, armlet, gold bracelet, facial mark, forehead mark, from below, dutch angle, looking down at viewer, half-closed eyes, smug, light smile, head tilt, hand on own hip, crossed legs, standing, weight on one leg, bare legs, bare feet, dark background, red light, dramatic lighting, single light source,
Low-angle dutch-angle shot tilted a few degrees off level, the camera below hip height and tipped upward, so the woman fills the frame from bare feet to the crown of her head, the verticals of her silhouette converging slightly toward the top edge. She stands in a seamless black void with no floor line and no horizon, balanced on her left leg with the right leg crossed loosely in front of it, toes pointed and resting on the unseen ground, the right hip pushed out and the shoulders counter-tilted so her whole body describes a long S-curve. Her right hand rests flat on her right hip, fingers spread over the fabric at the high slit; her left arm hangs free, the long detached sleeve sliding down the forearm away from the elbow, its gold hem hanging in loose folds. Her head tilts down and slightly to her left, chin drawn in, so that from the low camera she looks down along the line of her nose at the viewer, lids half lowered, one brow faintly raised, lips closed in a lopsided smile that shows more on the right corner than the left. Her eyes are a flat saturated red, ringed by the deep crimson shadow swept out past the outer corners, and a small dark ornamental mark sits centered on her forehead above the brow. Her very long straight black hair is parted low and falls in a dense heavy curtain behind her shoulders, its ends drifting a little to her left as if displaced by a slow air current; a gold hairpiece with hanging pendant tassels is pinned into the left side of it, and the tassels swing subtly forward against the fall of the hair. Her strapless dress is a black-to-crimson vertical gradient, deepest at the bust and brightening to a live ember red toward the hem, with gold trim banding the top edge and gold embroidered coils worked down the bodice and along the slit's edge; the slit opens from her right hip down, and the fabric there hangs in a straight fold rather than blowing. Her shoulders, collarbones and arms are bare apart from the detached sleeves and a gold armlet banding the upper left arm; a heavy gold bracelet circles the left wrist. The single light source is a hard red key from below and to the right of frame, out of shot: it throws a hot rim up the outside of her right leg, the underside of her chin and jaw, and the inner edge of the slit, while the top of her head, the outer shoulders and the far side of the dress sink into the black. Her cast shadow spills up and away behind her on the void rather than pooling at her feet, and the gold trim and armlet catch pinpoint speculars that the matte black fabric swallows entirely. Palette is restricted to black, crimson, ember red and gold, with her pale skin as the only neutral. Full-body emphasis on the sweep of the dress, the contact of toes with the unseen floor, and the gold working against the dark; haughty, opulent.
Frank Tuzzolo
ft
copyright: wangzhe_rongyao
blood queen, 1girl, solo, long black hair, very long hair, straight hair, hair ornaments, gold hairpiece, red eyes, makeup, red eyeshadow, pale skin, mature female, tall, curvy, large breasts, bare shoulders, strapless, black dress, red dress, gradient dress, long dress, high slit, gold trim, gold embroidery, detached sleeves, armlet, gold bracelet, facial mark, forehead mark, from below, dutch angle, looking down at viewer, half-closed eyes, smug, light smile, head tilt, hand on own hip, crossed legs, standing, weight on one leg, bare legs, bare feet, dark background, red light, dramatic lighting, single light source,
Low-angle dutch-angle shot tilted a few degrees off level, the camera below hip height and tipped upward, so the woman fills the frame from bare feet to the crown of her head, the verticals of her silhouette converging slightly toward the top edge. She stands in a seamless black void with no floor line and no horizon, balanced on her left leg with the right leg crossed loosely in front of it, toes pointed and resting on the unseen ground, the right hip pushed out and the shoulders counter-tilted so her whole body describes a long S-curve. Her right hand rests flat on her right hip, fingers spread over the fabric at the high slit; her left arm hangs free, the long detached sleeve sliding down the forearm away from the elbow, its gold hem hanging in loose folds. Her head tilts down and slightly to her left, chin drawn in, so that from the low camera she looks down along the line of her nose at the viewer, lids half lowered, one brow faintly raised, lips closed in a lopsided smile that shows more on the right corner than the left. Her eyes are a flat saturated red, ringed by the deep crimson shadow swept out past the outer corners, and a small dark ornamental mark sits centered on her forehead above the brow. Her very long straight black hair is parted low and falls in a dense heavy curtain behind her shoulders, its ends drifting a little to her left as if displaced by a slow air current; a gold hairpiece with hanging pendant tassels is pinned into the left side of it, and the tassels swing subtly forward against the fall of the hair. Her strapless dress is a black-to-crimson vertical gradient, deepest at the bust and brightening to a live ember red toward the hem, with gold trim banding the top edge and gold embroidered coils worked down the bodice and along the slit's edge; the slit opens from her right hip down, and the fabric there hangs in a straight fold rather than blowing. Her shoulders, collarbones and arms are bare apart from the detached sleeves and a gold armlet banding the upper left arm; a heavy gold bracelet circles the left wrist. The single light source is a hard red key from below and to the right of frame, out of shot: it throws a hot rim up the outside of her right leg, the underside of her chin and jaw, and the inner edge of the slit, while the top of her head, the outer shoulders and the far side of the dress sink into the black. Her cast shadow spills up and away behind her on the void rather than pooling at her feet, and the gold trim and armlet catch pinpoint speculars that the matte black fabric swallows entirely. Palette is restricted to black, crimson, ember red and gold, with her pale skin as the only neutral. Full-body emphasis on the sweep of the dress, the contact of toes with the unseen floor, and the gold working against the dark; haughty, opulent.
Frank Tuzzolo
1girl, garnet \(genshin impact\), ruby eyes, black hair, dark purple, makeup, concubine of ancient China, asian clothes, clothes like kimono, big breasts, solo, very long hair, north China, floating hair, loulan, voluminous hair, gushing over magical girls, anime, masterpiece, looking at viewer, shiny eyes, detailed background, doing a natural pose, soft color, somewhat realistic appearance, drawn on style, sketched style, visible shading strokes, semi-realistic features, detailed shading, painting shading, mizi \(alien stage\), mizi \(round t\)
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