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me donerlow
Afficher les paramètres
- Prompt d'origine
- school, basement, visual novel, anime, no humans, no light, lamps, clear, lamps, storage room, dark, basement
- Tag de qualité
- ﹝Prompts﹞, nhl-001, sketchy, cutest, pastel, beautiful anime aesthetic, very aesthetic, high definition, amazing quality, masterpiece, best quality, very aesthetic, highres, absurdres, sensitive
- Taille
- 1280 x 720
- Étapes d'échantillonnage
- 16
- Échantillonneur
- Euler a
- Échelle CFG
- 6
- Négatif
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Modèle et LoRA utilisés
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no humans, wide shot, interior, abandoned, ruined building, gutted room, high-rise interior, broken window, large window opening, rusted steel window frame, cracked concrete wall, exposed steel beams, rusted beams, structural skeleton, hanging cables, severed cables, black cables, loops of cable, power conduits, rusted machinery, debris, rubble, dust, warped floor, scattered glass shards, glass glittering, monochrome, greyscale, cold color palette, overcast sky, diffused light, volumetric haze, atmospheric perspective, deep perspective, cityscape, ruined city, distant skyscrapers, exposed steel skeletons, collapsed sections, horizon, vanishing point, wide-angle, cinematic, concept art, detailed digital painting, film grain, melancholic, desolate,
The camera sits low inside a vast gutted floor of an abandoned high-rise, a wide-angle lens pulling the near walls outward and driving the room's parallel lines toward a single vanishing point. Directly ahead, the far wall has failed: a huge broken window opening, five or six metres tall, its rusted steel frame buckled and flaking orange-brown against the gray, cuts the composition into a bright rectangle of overcast sky. Glass survives only in the frame's upper corners and along the sill, jagged edges, and smaller shards are lodged in the mullions where they catch a pale, cold gleam along their cut faces -- each glint a thin, harder white than the hazy light around it.
Inside, the room is decayed and crumbling: the left wall carries cracked concrete with a long diagonal fissure and a map of finer fractures, spalled patches exposing aggregate; the right wall runs a line of rusted machinery -- boxy cabinets, a stripped gear housing, dead power conduits with their cables snipped short, dust furred thick on every upward-facing surface. Above, exposed rusted steel skeleton beams cross the ceiling and its edges, and severed black cables hang in loose loops from them, sagging in catenary curves, ends frayed and motionless. The floor is warped, boards and screed lifted and buckled, littered with rubble and debris and a fine skin of dust that puddles into soft drifts at the wall bases.
Beyond the window, far in a thick volumetric haze, a dense cluster of ruined sci-fi skyscrapers with exposed steel skeletons and collapsed sections stretches flat to the horizon -- near towers reading dark and distinct, the far ones dissolving into a single pale gray value as the haze eats their edges. Light is one source only: an overcast diffused daylight pouring through the broken window, soft and shadowless on the sill, falling off into a cool dark in the room's near corners, the shafts made visible only where haze and dust catch them. Everything is monochrome grayscale in cold gray tones, deeper black in the cable loops and machinery, a single faint warm rust note on the steel frame. Subtle film grain across the whole plate. Silent, mournful, a civilization long gone.
安藤タケル
Alley
Edo
ra
A detailed background environment illustration for a cyberpunk graphic novel, stylized ink-noir anime aesthetic. Completely empty room with no people, no figures, and no characters.
Composition & Lighting:
Wide shot looking into a dark, claustrophobic back-alley cybernetics clinic and doctor's office. A large, heavy industrial surgery light hangs from the ceiling, casting a dramatic, harsh cone of bright clinical white light down onto an empty rusted steel operating table in the center-left of the frame. Heavy, pitch-black shadows (chiaroscuro effect) pool into the corners of the room, creating an intense, atmospheric ink-noir contrast.
Environment Details:
Just at the edge of the light's falloff sits a metal office desk, piled high with scattered, blood-stained anatomical charts and old medical clipboards. In the deep, dark shadows of the unlit parts of the office, rows of metal filing cabinets and skeletal metal shelving units line the cracked concrete walls. Several stacked, outdated medical monitors glow with low-resolution neon-green and amber flat-fill diagnostic grids, flatlining vitals, and wireframe anatomical diagrams, casting a dim secondary rim light on the background. The walls are lined with exposed, thick bundles of heavy black power cables, dripping pipes, and glass cabinets filled with rows of glowing chemical fluid vats.
Art Style & Finish:
Stylized dark manga ink-wash art style. Heavy, bold, expressive black ink outlines with clean, flat color fills underneath. Textured shadow areas are defined strictly by dense, clean cross-hatching and ink-blotting patterns, with zero photorealistic gradients.
Roger Albertsen
Mizuko Kaii
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Sg75
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1
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