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桜の木の下で
Art IA « 桜の木の下で » par Xochith sur PixAI. Tags : Evillious Chronicles, Pétales, Fleurs de cerisier, fleur. Créé avec Tsubaki.2.
Nemesis Sudou in "The Last Revolver" (Project Sekai style)
Afficher les paramètres
- Prompt d'origine
- gumi, vocaloid, evillious, 1girl, solo, short hair, long skirt, green eyes, detached sleeves, green hair, sleeveless shirt, petals from above, sunlight, grey top with notched collat, looking up cherry blossoms, surprised, hand reaching out, Sakura tree, nemesis sudou,project sekai; soft; pastel; colorful; detailed; details; masterpiece; high quality; best quality; ultra details; amazing; stunning; illustration, belly button, gun holster belt, cleavage, detached neck collar,
- Mode
- lite
- Taille
- 1280 x 720
Modèle et LoRA utilisés
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character: firefly_(spring_missive)_(honkai:_star_rail), artist: rurudo, nardack, copyright: honkai:_star_rail
1girl, solo, firefly \(spring missive\), grey hair, long hair, gradient hair, multicolored hair, hair between eyes, black hairband, green bow, hair ornament, sailor collar, white shirt, long sleeves, bowtie, grey plaid skirt, school uniform, white thighhighs, standing, looking at viewer, gentle smile, outdoors, spring, cherry blossoms, falling petals, petals on wind, soft lighting, sunlight, warm breeze, breeze-blown hair, from below, cowboy shot, dutch angle, depth of field, rim light, luminous particles, glassy eyes, flowing fabric, vibrant colors, cinematic atmosphere, off-center composition, character on right side of frame, copy space on left.
Seen from a low, slightly tilted camera at cowboy-shot distance, the girl stands in the right third of the frame, her figure placed near the right edge while the open spring path and falling petals stretch across the left side of the frame. Her weight is sunk into her right foot with the left knee softly bent, one hand lifted to her chest holding the bowtie flat against the breeze while the other hangs relaxed at her hip. She is turned a quarter toward the sun with her chin tipped down just enough that her eyes find the lens, and the gentle smile sits closed-lipped at the corner of her mouth, one brow eased a little higher than the other, a warm stillness in the gaze rather than a posed grin. Her grey gradient hair streams toward the open left side of the frame as the wind crosses it, the long strands and the hair between her eyes flowing so the black hairband and its green bow ride clear of the shoulder, and the sailor collar and pleated grey plaid skirt both fill away from the wind, the hem swinging out and settling again in layers. Cherry trees open overhead, near branches heavy with blossom entering the frame from the upper left, paler boughs receding through the middle distance and dissolving into a bright soft haze behind, their trunks marking a shallow path that sweeps from the left foreground toward her. Warm spring sunlight comes from the upper left at a low angle, striking the left side of her face and the white shirt, threading a bright rim along the right edge of her hair and skirt, and in the shade beneath the canopy the light turns a cool pale lavender instead of going black; the petals catch that same sun, each one lit on the face toward it and shadowed on the other, some falling fast and blurred, some turning slowly. A single petal has come to rest in the crook of her collar, another is caught in the pull of her hair on the windward side. The palette runs warm cream light, pale pink, the green of new leaves and the grey-white of her uniform, saturated only where the rim light burns. Ethereal, softly radiant.
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