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AI art "28つ目の作品。" featuring #Miniskirt, #High Heels, #Necktie and #Crossdressing (male-to-female)

28つ目の作品。

27つ目のと同じ要望で作りましたが、これもまた良くて、座り方が男らしいのがとても目を惹きました!肩の丸まり方も男、ということを認識してくれていて嬉しく思いました!😆

#Miniskirt#High Heels#Necktie#Crossdressing (male-to-female)
Publié le Jul 6, 2026
k7

k7b4k8zm7y@privaterelay.appleid.com

Plus à voir
1boy, crossdressing, long sleeves shirt, necktie, tight miniskirt, high heels, long straight black hair, center parted bangs, hime-cut side hair, idol bangs, black eyes, makeup, slender limbs, knee up, office setting, model-like, long eyelashes, lipstick, beautiful woman, confident attitude, dignified beauty, slightly otherworldly, masterpiece, highly detailed, sharp focus, Rolua_N (artist), noe_neonpastel_line_style, pastel colors, neon lighting, color lineart, flat shading, soft gradient, ikemen, male, vivid, vibrant colors
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Entrée d'invite d'origine
女装をした男の子で、長袖シャツにネクタイ。タイトのミニスカートにヒールを履いている。黒髪ロングストレートで前髪はセンター分け。姫カットみたいな横毛。前髪アイドル前髪!黒い瞳。化粧もしている。手足細め。 膝上まで写す! オフィスにいるモデルみたいな感じで! 顔はまつ毛多め、口紅も塗っている感じでお願いします!!メイクもしてる! 黒髪ロングなのをわすれずにお願いします! 黒髪ロング!! 性格は凛としていて頼れる姉御肌を持っている。いつも自信に満ちた態度でカッコいい。 美人の中の美人。圧があるものの近寄りがたくはない。威厳のある美人。 顔のバランスを大事にしてください! ちょっと人外感あってもいい! , , , , , , , , , , , , , , , , , , , , , , , , Rolua_N, , , , , , noe_neonpastel_line_style, pastel colors, neon lighting, color lineart, flat shading, soft gradient,, Ikemen, male, vivid, vibrant colors
Taille
768 x 1280
Étapes d'échantillonnage
20
Méthode d'échantillonnage
Euler a
Échelle CFG
6
Négatif
nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
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A young woman with long, straight black hair severely disheveled, strands clinging to tear-streaked cheeks and sweat-dampened skin, her deep-colored pupils unfocused and vacant. She wears a once-crisp dark long-sleeved dress shirt now crumpled with uneven creases and twisted scratch marks—the collar askew to reveal collarbones and reddish marks along her neckline, sleeves haphazardly rolled and drooping, the hem pulled untucked in messy drapes, the front marred by fingerprints and dust stains, several buttons undone or missing. Her black fitted miniskirt is twisted—one side hiked up to mid-thigh, the other sagging, the waistband crooked, the inner fabric slightly frayed but not torn. Black stockings show multiple snags and laddered runs, garter clasps askew, knees and calves dirtied by grime and abrasions. One high heel lies discarded nearby, the other barely clinging to her foot. Her glasses dangle precariously from one ear, smudged and crooked. Makeup is ruined—eyeliner smeared into dark streaks, lipstick smudged down her chin—yet no explicit nudity is shown. She sits alone in a dim office, slumped against a cold metal filing cabinet in a defensive curl, knees drawn tightly to her chest, hands guarding her abdomen, shoulders trembling faintly. Her gaze is hollow, fixed on the floor as silent tears trace through smeared makeup, lips trembling slightly. The office is nearly dark—only the faint glow of an emergency light casts long shadows across scattered debris: a fallen high heel, lost buttons, strewn documents, shattered porcelain. A half-open door and distant city lights through the window emphasize isolation. The shot captures her from a low side angle, emphasizing her disheveled hair, twisted clothing, and the stark contrast of her pale skin against the gloom. Cold blue-gray tones dominate, with subtle highlights catching on tear tracks and frayed stocking threads. The composition radiates despair—quiet, broken, and utterly alone.
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A young woman with long, straight black hair severely disheveled, strands clinging to tear-streaked cheeks and sweat-dampened skin, her deep-colored pupils unfocused and vacant. She wears a once-crisp dark long-sleeved dress shirt now crumpled with uneven creases and twisted scratch marks—the collar askew to reveal collarbones and reddish marks along her neckline, sleeves haphazardly rolled and drooping, the hem pulled untucked in messy drapes, the front marred by fingerprints and dust stains, several buttons undone or missing. Her black fitted miniskirt is twisted—one side hiked up to mid-thigh, the other sagging, the waistband crooked, the inner fabric slightly frayed but not torn. Black stockings show multiple snags and laddered runs, garter clasps askew, knees and calves dirtied by grime and abrasions. One high heel lies discarded nearby, the other barely clinging to her foot. Her glasses dangle precariously from one ear, smudged and crooked. Makeup is ruined—eyeliner smeared into dark streaks, lipstick smudged down her chin—yet no explicit nudity is shown. She sits alone in a dim office, slumped against a cold metal filing cabinet in a defensive curl, knees drawn tightly to her chest, hands guarding her abdomen, shoulders trembling faintly. Her gaze is hollow, fixed on the floor as silent tears trace through smeared makeup, lips trembling slightly. The office is nearly dark—only the faint glow of an emergency light casts long shadows across scattered debris: a fallen high heel, lost buttons, strewn documents, shattered porcelain. A half-open door and distant city lights through the window emphasize isolation. The shot captures her from a low side angle, emphasizing her disheveled hair, twisted clothing, and the stark contrast of her pale skin against the gloom. Cold blue-gray tones dominate, with subtle highlights catching on tear tracks and frayed stocking threads. The composition radiates despair—quiet, broken, and utterly alone.
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