Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

絶景とお蕎麦を堪能するフェアリーちゃん

フェアリーが山の頂上で絶景に囲まれて、お蕎麦を食べているシーン。 なんか1人増えました(⁠≧⁠▽⁠≦⁠) というより向こうから飛んできて石の上に座ってお蕎麦を食べる流れ…コマ送り(?)的な感じでしょうか(・・?) …だとしたら、このプロンプトでなぜその演出を組み込んだ?Σ(笑) まぁそれはさておき…絶景感が薄いのと、お蕎麦がうどんに見えます(笑) 一般的な登山と言えば概ね秋が恒例ですけど、夏の登山も良い物だそうです♪ 山頂までの間に普段お目にかかれない蝶々や昆虫、花などを目にしながら山頂で涼を取って冷やし蕎麦を食べるとか良さそうですね(⁠人⁠ ⁠•͈⁠ᴗ⁠•͈⁠) 今回のフェアリーちゃんは、過去のヒマなフェアリーちゃんと雰囲気が似てますね(⁠•⁠‿⁠•⁠) 色が少し暗めなのは日陰にいるからでしょうか? でも思った以上お蕎麦を美味しそうに食べてくれたので満足です(⁠人⁠ ⁠•͈⁠ᴗ⁠•͈⁠)

Participation au concours
Summer Vacation Illustration Contest
#manger#chibi#Nourriture#Fée#ailes de papillon#robe à volants#montagne
Voir plus

Commentaires

information_detail_density_enhancer, Chibi Art, Kawaii Style, best quality, Chibi Anime, Cute Looks, 1 character: fairy, eating soba surrounded by a superb view, expression of great joy, chibi character, location is the mountain top, highest quality, ultra-high definition, masterpiece, high resolution, detailed depiction, delicate details, clear drawing, 8K equivalent
Afficher les paramètres
Prompt d'origine
キャラクター1人: フェアリー, 絶景に囲まれて蕎麦を食べている, 大喜びの表情, ちびキャラ, 場所は山の頂上, 最高品質, 超高精細, 最高傑作, 高解像度, 緻密な描写, 繊細なディテール, 鮮明な描画, 8K相当,
Mode
standard
Taille
960 x 1280
Filigrane
Activé

Modèle et LoRA utilisés

Images similaires

Afficher plus

Découvrir plus

Utilisateurs recommandés

Vous pourriez aimer

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬