Baker Street - Gerard Rafferty
Subaru
Baker Street - Gerard Rafferty
I put the lyrics of Gerard Rafferty's Baker Street into the Tsubaki prompt window.
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- Entrée d'invite d'origine
- Winding your way down on Baker Street Light in your head and dead on your feet Well, another crazy day You'll drink the night away And forget about everything This city desert makes you feel so cold It's got so many people, but it's got no soul And it's taken you so long To find out you were wrong When you thought it held everything You used to think that it was so easy You used to say that it was so easy But you're trying, you're trying now Another year and then you'd be happy Just one more year and then you'd be happy But you're crying, you're crying now Way down the street there's a light in his place He opens the door, he's got that look on his face And he asks you where you've been You tell him who you've seen And you talk about anything He's got this dream about buying some land He's gonna give up the booze and the one-night stands And then he'll settle down In some quiet little town And forget about everything But you know he'll always keep moving You know he's never gonna stop moving 'Cause he's rolling, he's the rolling stone And when you wake up, it's a new morning The sun is shining, it's a new morning And you're going, you're going home
- Étiquette de qualité
- high quality, year_2025, year_2024, ﹝Invites﹞
- Taille
- 768 x 1280
- Étapes d'échantillonnage
- 25
- Méthode d'échantillonnage
- Euler
- Échelle CFG
- 4.5
- Négatif
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
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Baker Street - Gerard Rafferty
Subaru
2
Baker Street - Gerard Rafferty
Subaru
yo
A medium shot from a low-angle view features a stern mafia boss standing centrally, his presence dominating the frame. He is a mature man of European descent with sharp, weathered facial features, narrow eyes, and a cold, serious expression. He is dressed in a tailored black jacket and a crisp white shirt paired with a bold red tie, with a heavy black cloak draped elegantly over his broad shoulders. He stands motionless, his hands tucked calmly into his jacket pockets. The background is a dark, rain-slicked urban alleyway at night, with dimly lit streetlamps reflecting on wet cobblestones and rain falling in dense, vertical streaks. The atmosphere is oppressive and moody, illuminated by high-contrast cinematic lighting that casts deep shadows across his face. The color palette is dominated by obsidian blacks and deep greys, punctuated only by the vivid red of his tie, with a slight atmospheric haze and glistening water droplets visible on his clothing.
Yoko Oota
