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AI artwork
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Samus Aran, Métroïde

Participation au concours
PixAI × Hallelujah Sweets Kitchen – Sweets Personification
#debout#Samus Aran#Cosplay#Bottes#queue-de-cheval#grain de beauté#En plein air#solo#Mitaines#Cheveux blonds#Metroid#Zero Suit#casque#Métroïde#guitare#Neige#Arbre#Instrument de musique#ceinture#yeux bleus#armure#costume adapté#cuir#pantalon#1 fille#tenant#Corps entier#Veste en cuir#Genouillères
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Commentaires

1girl, samus aran\(metroid\), rufini guitars, flying v, electric guitar, custom, musical instrument, custom instrument, haix, boots, combat boots, black metal, corpse paint, leather, spikes, cold
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Prompt d'origine
Una chica samus_aran
Taille
768 x 1280
Étapes d'échantillonnage
28
Échantillonneur
Euler a
Échelle CFG
5
Négatif
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Modèle et LoRA utilisés

Images similaires

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AI artwork
s1
1girl, solo, short hair, blonde hair, big breasts, playing guitar, holding guitar, electric guitar, guitar strap, melodic metal lead singer, lead vocalist, bar concert, stage, live performance, singing, open mouth, looking at viewer, from below, cowboy shot, leaning back, black leather cropped biker jacket, dark purple metallic corset top, tight black PVC leggings, studded leather ankle boots, studded belt, mic stand, stage lights, cables on floor, monitor speaker, brick wall, neon sign, depth of field, dramatic lighting, low key, motion blur in hair From a low stage-front angle, the camera sits just below the lip of the small bar stage and looks up, so the singer's boots and the scuffed boards fill the foreground and her figure rises against the venue's dark back wall. She stands with her weight on her right leg, left knee bent and turned slightly inward, hips cocked off-axis, the black electric guitar slung low across her belly on a wide leather strap that crosses her right shoulder and bites into the cropped jacket's collar. Her left hand wraps the neck of the guitar at the fifth fret, fingers arched and pressing down; her right hand hovers at the bridge, holding a black pick pinched between thumb and index, wrist loose and ready to strike the first chord. The guitar's body presses against the dark purple metallic corset and her large bust leans back above it, so the instrument sits at a slight downward tilt from neck to bridge. Her short blonde hair is tousled and spiky, flattened at the temples by a headset-free brow and lifting at the crown where the stage lights catch it; one strand falls across her right cheek. Her chin is lifted, jaw open mid-word into a small microphone on a stand in front of her, and her eyes look straight down at the viewer with a hard, teasing confidence, one brow arched. She is about to play: the room behind her is a narrow bar with a low ceiling, exposed brick painted matte black, a neon sign that reads "LIVE" in red glow mounted crooked on the back wall above a row of amplifier cabinets. To her left a drummer's stool and cymbal edge are visible in shadow, out of focus. Cables snake across the stage floor and pool at her boots; a monitor speaker wedge faces up at her from the front edge of the stage. The microphone stand rises between her and the camera, its base planted ahead of the guitar's lower bout. Lighting comes from a single hot magenta-white spotlight angled steeply down from the upper right of the frame, striking the crown of her hair, the tops of her shoulders and the top edge of the guitar's body; the brick wall behind her is washed in a deep red bleed from the neon sign, and the underside of her chin, the front of the corset and the shadow side of the guitar fall into deep near-black. The spotlight casts a hard shadow of the microphone and her jaw line against the brick behind her, and the steel strings catch thin bright glints where the light hits them. Palette is deliberately narrow: black leather and PVC, dark purple metallic sheen, blonde hair as the warm note against the venue's red and magenta wash, and the cold silver of strings, pickups and mic grille. Texture is rendered as small stage-photography realism; slight motion in the blonde spikes and the strap, fabric creasing at the corset's seams, worn scuff marks on the stage boards. The whole frame is tight, live, and loud before a single note lands -- sleazy, charged anticipation.
srkfan18
AI artwork
s1
1girl, solo, short hair, blonde hair, big breasts, playing guitar, holding guitar, electric guitar, guitar strap, melodic metal lead singer, lead vocalist, bar concert, stage, live performance, singing, open mouth, looking at viewer, from below, cowboy shot, leaning back, black leather cropped biker jacket, dark purple metallic corset top, tight black PVC leggings, studded leather ankle boots, studded belt, mic stand, stage lights, cables on floor, monitor speaker, brick wall, neon sign, depth of field, dramatic lighting, low key, motion blur in hair From a low stage-front angle, the camera sits just below the lip of the small bar stage and looks up, so the singer's boots and the scuffed boards fill the foreground and her figure rises against the venue's dark back wall. She stands with her weight on her right leg, left knee bent and turned slightly inward, hips cocked off-axis, the black electric guitar slung low across her belly on a wide leather strap that crosses her right shoulder and bites into the cropped jacket's collar. Her left hand wraps the neck of the guitar at the fifth fret, fingers arched and pressing down; her right hand hovers at the bridge, holding a black pick pinched between thumb and index, wrist loose and ready to strike the first chord. The guitar's body presses against the dark purple metallic corset and her large bust leans back above it, so the instrument sits at a slight downward tilt from neck to bridge. Her short blonde hair is tousled and spiky, flattened at the temples by a headset-free brow and lifting at the crown where the stage lights catch it; one strand falls across her right cheek. Her chin is lifted, jaw open mid-word into a small microphone on a stand in front of her, and her eyes look straight down at the viewer with a hard, teasing confidence, one brow arched. She is about to play: the room behind her is a narrow bar with a low ceiling, exposed brick painted matte black, a neon sign that reads "LIVE" in red glow mounted crooked on the back wall above a row of amplifier cabinets. To her left a drummer's stool and cymbal edge are visible in shadow, out of focus. Cables snake across the stage floor and pool at her boots; a monitor speaker wedge faces up at her from the front edge of the stage. The microphone stand rises between her and the camera, its base planted ahead of the guitar's lower bout. Lighting comes from a single hot magenta-white spotlight angled steeply down from the upper right of the frame, striking the crown of her hair, the tops of her shoulders and the top edge of the guitar's body; the brick wall behind her is washed in a deep red bleed from the neon sign, and the underside of her chin, the front of the corset and the shadow side of the guitar fall into deep near-black. The spotlight casts a hard shadow of the microphone and her jaw line against the brick behind her, and the steel strings catch thin bright glints where the light hits them. Palette is deliberately narrow: black leather and PVC, dark purple metallic sheen, blonde hair as the warm note against the venue's red and magenta wash, and the cold silver of strings, pickups and mic grille. Texture is rendered as small stage-photography realism; slight motion in the blonde spikes and the strap, fabric creasing at the corset's seams, worn scuff marks on the stage boards. The whole frame is tight, live, and loud before a single note lands -- sleazy, charged anticipation.
srkfan18
AI artwork
Avatar image of 勇者系魔王アマッカス
character: yano_kuromu 1girl, solo, yano_kuromu, long blue hair, bone hair ornament, hairclip, blue-green eyes, fang, dark angular electric guitar, brooding intense stance, head lowered then snapping up, sharp piercing gaze, black leather duster coat, asymmetric harness top, tall buckled boots, metal spike bracelets, dark stage, thick fog, faint crimson backlighting, silhouetted figure, dramatic low-angle shot, high contrast shadow play, ominous gothic-metal concert atmosphere, from below, full body, looking at viewer
勇者系魔王アマッカス

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