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thanhnhan

Art IA par thanhnhan sur PixAI. Créé avec Tsubaki.3 Flash.

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thanhnhan

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A digital anime illustration with a fisheye lens perspective set inside a dimly lit elevator, featuring three characters from image1. In the foreground, two girls are standing close together in an intimate, surprising moment. The girl on the left, viewed from behind, has short dark hair with a white streak or clip. She wears a cropped black long-sleeved jacket, dark pants, and a black crossbody bag strap, leaning in closely to press her face against the cheek of the girl facing her. The second girl has long light pink hair tied with a dark band, wide golden eyes, and a heavily blushing, flustered expression. She wears an off-the-shoulder white top, dark pants with a silver belt buckle, and white sneakers, holding her hands up nervously near her chest. In the background, the elevator's large mirror reflects a third girl standing behind the pair. She has short light pinkish hair, wearing a beige jacket over a dark skirt. She is holding up a smartphone with both hands to take a picture of the couple, with a bright white camera flash glaring in the reflection and obscuring her lower face. The elevator interior features grey metal panels, a dark tiled floor, and a metal handrail running along the mirror. The composition uses a muted, desaturated color palette, emphasizing the dramatic curved distortion of the room from the fisheye lens. The art style stays the same as the input image1.
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Prompt d'origine
@image1
Mode
flash
Taille
864 x 1152
Assistant de prompt

Modèle et LoRA utilisés

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.19k

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A high-angle digital anime illustration of the two characters from image1. The front kneeling character has short brown hair with a blue clip, pink eyes, and wears a grey sweater over a white shirt with a red ribbon, a dark pleated skirt, and white socks. She looks up with slightly parted lips. The character standing behind her has long pink hair with a small topknot, orange eyes, a white long-sleeved shirt, and a dark skirt. Her hands rest gently near the front girl's neck. They are situated on a grey concrete surface with a dark chain-link fence in the dim background. The art style stays the same as the input image1.
thanhnhan
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Avatar image of thanhnhan
A digital anime illustration of the two girls from image1 kissing passionately inside a dimly lit Ferris wheel cabin at night. The girl on the left has long white hair with a prominent ahoge, wearing a dark grey school uniform blazer, a dark pleated skirt, dark socks, and brown loafers. Her hands gently hold the other girl's face and neck. The girl on the right has long dark hair with pink inner streaks and a red hair accessory. She is wearing a light grey sweater over a dark blue pleated skirt, dark socks, and brown loafers, with her arms wrapped around the first girl's waist. They are seated closely on the cabin's benches. A round green plushie rests on the seat next to the white-haired girl, and a yellow plushie sits next to the dark-haired girl. Through the large glass windows, brightly lit city buildings are visible against the night sky. In the window glass on the right, the reflection of two other girls watching the scene in shock can be seen. The art style stays the same as the input image1.
thanhnhan
AI artwork
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character: oyama_mahiro, oyama_mihari two girls, oyama mahiro, oyama mihari, hug from behind, back hug, arms around waist, arms wrapped around another, cheek to cheek, upper body, close-up, from side, profile, cowboy shot, long pink hair, ahoge, hair between eyes, pink eyes, brown eyes, red bow, hair bow, frilled shirt, long sleeves, wrist cuffs, bowtie, oyama mihari, long two-tone hair, brown hair fading to black to purple at the tips, hair ribbon, hairclip, hair between eyes, brown eyes, baseball cap, collared shirt, striped yellow necktie, long sleeves, jacket, indoor, bedroom, daylight from window, warm palette, soft smile, half-closed eyes, blush, looking at another, arms up A close, waist-up shot seen from the side in profile, both girls filling the frame so that their shoulders and heads sit just under the upper edge and the crop cuts them off at the hip. Mihari stands behind Mahiro, taller by half a head, chest pressed to Mahiro's back, and her arms are wrapped all the way around Mahiro's torso from behind: left forearm crossing Mahiro's ribs just under the chest, right forearm crossing lower at the waist, and both hands meeting and clasping on the far side of Mahiro's body, fingers laced over the frilled fabric. Mihari's chin rests on Mahiro's right shoulder, her cheek flattened against Mahiro's cheek so that the two faces overlap in the profile; her long two-tone hair, brown shifting through black into purple at the tips, falls forward over Mahiro's shoulder, and the small hairclip and ribbon sit above her ear, with the brim of her baseball cap pushed back off her forehead. Her collar is open above the striped yellow necktie and the jacket sleeve cuffs bunch at her wrists where her arms bend around Mahiro. Mahiro leans back into the hug, weight given over to Mihari's chest, head tipped slightly so her temple meets Mihari's cheek. Her long pink hair spills over Mihari's forearm on the near side and slides forward over her own shoulder; the single ahoge springs up and back from the crown, and the strands between her eyes are pushed aside by the tilt of her head. The red bow sits at her collar above a frilled, long-sleeved shirt, wrist cuffs turned back near her waist where Mihari's hands close over them. Mihari's eyes are half-lidded, gaze angled down along Mahiro's cheek, soft closed-mouth smile; Mahiro's eyes are open and looking slightly downward to the side, warm brown irises catching the light, a light blush across both cheeks: the contact is mutual and both faces register it. Cool daylight from a window behind the camera strikes the near side of Mahiro's face and the rim of Mihari's cap, leaving the far side of both faces in soft shadow; the room reads as a faint, unfocused bedroom wall in pale warm grey, everything beyond the two figures dissolved in shallow depth of field. The red of Mahiro's bow and the yellow of Mihari's necktie are the only saturated accents against the pink and brown-purple of their hair. A single fine detail: the downy hairs at Mahiro's nape are pressed flat where Mihari's chin rests on them. Tender, softly comic.
ちょな子
#Onimai: I'm Now Your Sister!#Mihari Oyama#Mahiro Oyama

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