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AI art "ゴルベーザと優曇華" featuring #Touhou Project, #Reisen Udongein Inaba and #Magic : L'Assemblée
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ゴルベーザと優曇華

Art IA « ゴルベーザと優曇華 » par rycomライカム sur PixAI. Tags : Touhou Project, Magic : L'Assemblée. Créé avec Tsubaki.3.

ゴルベーザもまぁまぁ揺れる。素顔晒したり、兜の形変わったり…

#Touhou Project#Reisen Udongein Inaba#Magic : L'Assemblée
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Sur PixAI, les prompts sont publics par défaut, mais les créateurs peuvent les masquer sur les œuvres qu'ils publient. La personne à l'origine de celle-ci a choisi de le faire : les mots ayant servi à générer l'image restent donc privés, et elle seule peut les voir. Masquer un prompt ne change rien d'autre : l'œuvre reste publique et vous pouvez l'aimer, la commenter et la partager comme d'habitude.
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character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive 4girls, multiple girls, hanuma makoto, sorasaki hina, natsume iroha, shishidou iori, kotatsu, sitting under kotatsu, blanket, wooden tabletop, mandarin oranges on table, mikan, drinking tea, teacup, steam, eating mikan, peeling mikan, lying on side, sleeping, both eyes closed, closed eyes, reaching out, outstretched arm, hand reaching toward mikan, from above, from above angle, looking down, group composition, crowded composition, indoors, tatami floor, japanese room, evening, warm lamp light, cozy, long hair, very long hair, grey hair, hair over one eye, blue eyes, pointy ears, black horns, multiple horns, white gloves, hat, long white hair, ahoge, parted bangs, hairclip, purple eyes, black horns, wings, black gloves, coat, red hair, wavy hair, hair between eyes, grey eyes, black hat, peaked cap, red necktie, jacket, red eyes, twintails, hair ribbon, grey hair, dark skin, tail, relaxing, tender, drowsy The camera looks down from above at a steep, slightly tilted angle onto a low kotatsu in the middle of a tatami room, the wooden tabletop filling the lower half of the frame and the thick quilted blanket spilling out to the four edges. On the tabletop rest a shallow ceramic bowl piled with five mandarin oranges, their glossy rinds catching the light, one orange already half-peeled with its curled peel beside it, and a small round tray holding two steaming teacups. The blanket drapes in heavy folds over the table's frame, and beneath its near edge the shape of a body stretches sideways along the floor. Natsume Iroha lies on her side on the near side of the kotatsu, her head at the lower left of the frame and her body lengthening toward the right under the blanket, which rises in a low ridge over her hip and shoulder. Both her eyes are shut, lashes resting on her cheeks, her mouth slack and half-open with slow breath; one hand lies palm-up on the tatami just outside the blanket edge, the other lost under the quilt. Her long wavy red hair fans out over the tatami behind her head, a few strands lifted by her exhalation, and her black peaked cap sits askew on the floor beside her. She wears her dark jacket, red necktie loose at the open collar. Behind the table on the far side sits Hanuma Makoto, upright, her very long grey hair falling over one shoulder and half-hiding one eye. She holds a teacup in both white-gloved hands close to her chin, blowing softly on the surface, her blue eyes lowered to the cup; steam curls up across her cheek and fogs the corner of her hair. Her black horns curve back from her temple, pointy ears half-tucked in her hair, and a dark hat rests on the tatami at her hip. Her shoulders are bare above the blanket line, the quilt pulled up to her chest. To Makoto's right, Sorasaki Hina is hunched comfortably into the warmth, both black-gloved hands working a mandarin orange, a segment pinched between her fingers halfway to her mouth while she chews with a small contented purse of her lips. Her white hair, parted bangs and an ahoge springing up, hangs forward over the table edge; her purple eyes glance sideways at the orange segments in her palm, and a hairclip glints at her temple. Her black coat is slipped off her shoulders and pooled behind her, one wing half-splayed awkwardly under the blanket's fold, her chin dipped toward the tabletop. At the right of the frame, Shishidou Iori leans in from the table's corner, propped on one elbow with the blanket across her lap, her dark-skinned arm stretched out straight across the tabletop, black-gloved fingers spread and reaching for the mandarin nearest the bowl. Her red eyes are fixed on that orange, brow drawn in concentration, one twintail of long grey hair swinging forward across the tabletop and the tail curling behind her hip. A ribbon ties the twintail, and her hair falls over one eye. A single warm pendant lamp hangs out of frame above the table, its light pooling down over the tabletop and the four faces, brightening the orange rinds and the white of Hina's hair and sinking into soft amber shadow at the edges of the tatami; the blanket's folds cast short shadows falling away from the lamp's center. Palette of warm amber, honey wood and white, punctuated by the oranges' orange, Iroha's red hair and tie, and Iori's red eyes. Quiet, drowsy, tender.
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character: iori_(blue_archive), iroha_(blue_archive), hina_(blue_archive), makoto_(blue_archive), copyright: blue_archive 4girls, multiple girls, hanuma makoto, sorasaki hina, natsume iroha, shishidou iori, kotatsu, sitting under kotatsu, blanket, wooden tabletop, mandarin oranges on table, mikan, drinking tea, teacup, steam, eating mikan, peeling mikan, lying on side, sleeping, both eyes closed, closed eyes, reaching out, outstretched arm, hand reaching toward mikan, from above, from above angle, looking down, group composition, crowded composition, indoors, tatami floor, japanese room, evening, warm lamp light, cozy, long hair, very long hair, grey hair, hair over one eye, blue eyes, pointy ears, black horns, multiple horns, white gloves, hat, long white hair, ahoge, parted bangs, hairclip, purple eyes, black horns, wings, black gloves, coat, red hair, wavy hair, hair between eyes, grey eyes, black hat, peaked cap, red necktie, jacket, red eyes, twintails, hair ribbon, grey hair, dark skin, tail, relaxing, tender, drowsy The camera looks down from above at a steep, slightly tilted angle onto a low kotatsu in the middle of a tatami room, the wooden tabletop filling the lower half of the frame and the thick quilted blanket spilling out to the four edges. On the tabletop rest a shallow ceramic bowl piled with five mandarin oranges, their glossy rinds catching the light, one orange already half-peeled with its curled peel beside it, and a small round tray holding two steaming teacups. The blanket drapes in heavy folds over the table's frame, and beneath its near edge the shape of a body stretches sideways along the floor. Natsume Iroha lies on her side on the near side of the kotatsu, her head at the lower left of the frame and her body lengthening toward the right under the blanket, which rises in a low ridge over her hip and shoulder. Both her eyes are shut, lashes resting on her cheeks, her mouth slack and half-open with slow breath; one hand lies palm-up on the tatami just outside the blanket edge, the other lost under the quilt. Her long wavy red hair fans out over the tatami behind her head, a few strands lifted by her exhalation, and her black peaked cap sits askew on the floor beside her. She wears her dark jacket, red necktie loose at the open collar. Behind the table on the far side sits Hanuma Makoto, upright, her very long grey hair falling over one shoulder and half-hiding one eye. She holds a teacup in both white-gloved hands close to her chin, blowing softly on the surface, her blue eyes lowered to the cup; steam curls up across her cheek and fogs the corner of her hair. Her black horns curve back from her temple, pointy ears half-tucked in her hair, and a dark hat rests on the tatami at her hip. Her shoulders are bare above the blanket line, the quilt pulled up to her chest. To Makoto's right, Sorasaki Hina is hunched comfortably into the warmth, both black-gloved hands working a mandarin orange, a segment pinched between her fingers halfway to her mouth while she chews with a small contented purse of her lips. Her white hair, parted bangs and an ahoge springing up, hangs forward over the table edge; her purple eyes glance sideways at the orange segments in her palm, and a hairclip glints at her temple. Her black coat is slipped off her shoulders and pooled behind her, one wing half-splayed awkwardly under the blanket's fold, her chin dipped toward the tabletop. At the right of the frame, Shishidou Iori leans in from the table's corner, propped on one elbow with the blanket across her lap, her dark-skinned arm stretched out straight across the tabletop, black-gloved fingers spread and reaching for the mandarin nearest the bowl. Her red eyes are fixed on that orange, brow drawn in concentration, one twintail of long grey hair swinging forward across the tabletop and the tail curling behind her hip. A ribbon ties the twintail, and her hair falls over one eye. A single warm pendant lamp hangs out of frame above the table, its light pooling down over the tabletop and the four faces, brightening the orange rinds and the white of Hina's hair and sinking into soft amber shadow at the edges of the tatami; the blanket's folds cast short shadows falling away from the lamp's center. Palette of warm amber, honey wood and white, punctuated by the oranges' orange, Iroha's red hair and tie, and Iori's red eyes. Quiet, drowsy, tender.
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