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2026年：ラブライブニセコイ19周年

Participation au concours

PixAI × zeta Original Character Creation Contest 2026

#Love Live! School Idol Project #Nisekoi #Nozomi Tojo #Eli Ayase #Honoka Kosaka #Nico Yazawa #Maki Nishikino #Umi Sonoda #Kotori Minami #Hanayo Koizumi #Rin Hoshizora #Love Live!#Amana Osaki #Tenka Osaki

Publié Nov 2, 2026

Grace Caroline Bancin

character: tojo_nozomi, ayase_eli, sonoda_umi, koizumi_hanayo, yazawa_nico, hoshizora_rin, nishikino_maki, kosaka_honoka, minami_kotori, osaki_amana, osaki_tenka 11 girls, group shot, kimono, japanese temple, kosaka honoka, orange short hair, blue eyes, hair between eyes, white hair bow, ayase eli, blonde long hair, ponytail, blue eyes, minami kotori, brown long hair, yellow eyes, tojo nozomi, purple long hair, green eyes, twintails, sonoda umi, blue long hair, yellow eyes, hair between eyes, koizumi hanayo, brown short hair, purple eyes, hair bow, hoshizora rin, orange short hair, yellow eyes, nishikino maki, red short hair, purple eyes, yazawa nico, black long hair, twintails, red eyes, hair bow, osaki amana, red-brown long hair, swept bangs, yellow eyes, osaki tenka, brown long hair, yellow eyes, hair between eyes, full body, wide shot, from below, dutch angle, standing, walking, looking at another, light smile, :d, open mouth, colorful kimono, obi, geta, stone steps, wooden temple hall, torii gate, stone lanterns, cherry blossom petals, warm afternoon sunlight, lens flare, high detail The camera sits low at the foot of the stone stair and tilts a few degrees, so the eleven girls rise up the steps and the great wooden temple hall leans overhead behind them, its deep eaves and the vermilion torii filling the upper third of the frame. Each girl is seen full-body from slightly below, staggered in a loose diagonal procession up the stairs: Kosaka Honoka lowest and nearest at the left, caught mid-step with her leading geta on the next stair and the trailing one lifted, her white hair bow swinging forward, grinning wide with an open mouth over her shoulder toward the others; behind and above her Ayase Eli on the right side of the stair, long blonde ponytail falling across one shoulder, one hand catching the lifted hem of her kimono sleeve, chin turned toward the girl below her, faint closed-lip smile. Minami Kotori next, half-turned in profile with both hands folded at her waist over her obi, brown hair spilling down her back, gaze down toward the step and light smile; Tojo Nozomi beside her with her purple twintails drifting in the breeze, weight on her back hip, one hand resting on Sonoda Umi's shoulder, green eyes glancing sideways at her. Umi stands straight and tall in a deep-indigo kimono, one geta planted ahead, both hands clasped over the obi knot, her blue hair settled neatly, looking up ahead toward the temple with a composed yellow-eyed gaze. Koizumi Hanayo crouches a little lower on the stair to the right, knees bent, one geta slipped half off the heel, both hands cupped around a small paper charm, looking down at it with parted lips; Hoshizora Rin leans past her shoulder from behind, one hand on the stair rail for balance, orange short hair pushed by the wind, grinning toothily. Nishikino Maki stands a step above with her arms loosely folded, red short hair tucked behind her ear, weight on one hip, glancing to the side with a mild purple-eyed look. Yazawa Nico plants both geta wide at the right edge of the group, twintails flared, one finger lifted at her chin in a smug lopsided smirk, red eyes cutting toward the viewer's side; Osaki Amana behind her, red-brown swept bangs across her brow, one hand raising the front panel of her kimono sleeve while she looks back over her shoulder at her sister; Osaki Tenka highest on the stair at the far right, brown hair lifted by the same breeze, chin raised, yellow eyes looking off past the temple roof. The stair rail and the stone lantern posts give each figure a handhold, and the procession's feet meet the steps in staggered tread contacts, the lowest girls' shadows falling short across the stone while the upper ones' shadows stretch longer up the risers, betraying the slant of the sun. Long afternoon key light streams in from the lower left, warm and low, striking the pale faces and the leading edges of the kimonos while the far side of each obi falls into a soft warm shadow; the temple's wooden columns catch a bright rim on their left faces and the deep space of the open hall behind is dark. The kimonos run a full saturated spread across the group—white and pink, indigo, spring green, plum, yellow, coral—with the temple's cool grey stone and vermilion lacquer holding the background, and pale pink cherry petals drifting across the foreground on the crosswind, the ones on the upper steps flicking back up as the breeze turns, the lower ones settling flat onto the treads and lying still on the upward-facing stone. Gentle, warm, full of life.

2026年：ラブライブニセコイ19周年

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